I often write the broad strokes of a story first with the basics of setting, the primary actions that occur and the dialogue that moves the story along while revealing
Sometimes I come across a unique bit of history while researching for one of my novels. As I’ve mentioned before, Paris in Ruins, the novel I plan to self-publish relatively
During the Paris Commune many building were destroyed – some by fire, some by bombardment. The Vendome Column was destroyed by raw physical power — men with strong ropes pulling
Iva Polansky has a wonderful blog called Victorian Paris. I came across it when looking for inspiration for an 1870 Christmas scene for Paris in Ruins, the novel I’m currently finalizing. The Dangerous
As a lawyer, David O. Stewart argued before juries, judges, the U.S. Senate, and the U.S. Supreme Court. Now, he writes history and historical novels, looking for the people behind
K.M. Pohlkamp uses the byline Historical Fiction With a Touch of Noir. Her titles give you than hint of noir: Apricots and Wolfsbane, Physicists in Petticoats, Shadows of Hemlock. Last
Two weeks ago, in Setting is Like an Iceberg, I included a grouped list of the ingredients that constitute setting – one of the seven elements essential to transporting readers
I’m going through previous blog posts looking for materials to share with you. My intent is to flesh out the 7 Elements of Historical fiction, which just happens to be
Melissa Addey is a PhD student in creative writing – way to go, Melissa! In her spare time (although with two children, spare time is no doubt a challenge) she
Harald Johnson has entertained us before with a perspective on transporting readers in time and place for his novel New York 1609. Today he tells us of going wayyyyyyyy back
The historical fiction author behind A Writer of History...
