Category Archives: Writing Process

Novel 6 is Emerging

23 Thursday May 2019

Posted by in Personal Posts, Writing Process

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As I said on Facebook a few weeks ago, I have a confession to make — the work in progress is contemporary rather than historical fiction. “And how did that happen?” you say.

Last November I went on a writers retreat in Monterery CA. The theory being, if you’re going to go on a retreat, it might as well be an interesting place. While there, I was assigned a mentor, a lively woman named Gina who helped me shape a pitch for novel 5 – The Admiral’s Wife – and pushed me to enhance the conflict within that novel.

Nearing the end of the retreat, I asked Gina for her thoughts on what novel to write next. I had three ideas: one set during WWII as a sort of sequel to Lies Told in Silence; another based on the life of Robert the Bruce from whom I’m descended; and a third featuring twins with a contemporary setting. I sketched a few points about each story and without a moment’s hesitation, Gina said to write the twins story.

So here I am with an outline prepared and seventeen chapters – about 42000 words – written.

I have managed to find a few historical tidbits to include: the setting for one scene is at the Isabella Stewart Gardner Museum in Boston (see photo above), originally built in 1903; and the setting for another scene is at Shakespeare and Company in Paris, an English-language bookstore located in a 17th century building (see photo below).

With no requirement to research a particular historical time period in order to effectively capture its culture, values, politics, events, language, fashion and so on, writing contemporary fiction is a more straightforward process. Don’t get me wrong. There is still a need for research but in my case it’s confined to topics like ‘waterfront bars in Boston’, or ‘loft styles in New York city’, or ‘the election cycle for US senators’. (If you’re interested, I’ve writing about the productivity burden of historical fiction.)

Most importantly, I’m having fun and Gina has become my agent. Fingers crossed that she’ll find a publisher for The Admiral’s Wife, the dual timeline novel set in Hong Kong, which I’m sure I’ve mentioned a time or two 🙂

PS – ten years ago I never could have imagined writing a sixth novel!

FOR MORE ON READING & WRITING HISTORICAL FICTION follow A WRITER OF HISTORY (either through WordPress or by using the widget on the left sidebar)

M.K. Tod writes historical fiction. Her latest novel, TIME AND REGRET was published by Lake Union. Mary’s other novels, LIES TOLD IN SILENCE and UNRAVELLED are available from Amazon, Nook, Kobo, Google Play and iTunes. She can be contacted on Facebook, Twitter and Goodreads or on her website www.mktod.com.

The Line Between Fiction and Non-fiction

21 Tuesday May 2019

Posted by in Researching historical fiction, writing historical fiction, Writing Process

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Have you ever read a novel and wondered what was fact and what was fiction? Greg Johnston, author of Sweet Bitter Cane brings that perspective to today’s blog post. Welcome, Greg.

~~~

I remember my primary school library, a large room in the middle of a railway carriage of cold classrooms.  The non-fiction was on the left-handside of the room and the fiction on the right.  The twain met on the reading mat in the middle of the room.  I think I’ve always kept this line in my head between fiction and non-fiction.

Real life is rarely a novel.  Despite all the puffed-up grandeur we ascribe to our own circumstance, it rarely follows precisely the neat structural dictates of a novel, with all its demands to satisfy the well-hewed expectations of a reader.  I liken it to making bread.  The stories are mixed, allowed to prove, punched down, re-kneaded, baked and finally eaten.

Recently, a pleased reader emailed me saying she wished she’d known Sweet Bitter Cane was based in fact.  Although she enjoyed it, this would have helped her connect more to the story.  While I was grateful for her praise, it was an odd experience, cast back to my primary school library and its division of fact and fiction.

I couldn’t have drummed up the events of Sweet Bitter Cane; a young, Italian woman fleeing physically and fiscally destroyed post-WWI Northern Italy, hoping to find a better life on the sugarcane fields in the Far North of Queensland in Australia.  But all that hope became mired in relentless racism, envy and resentment, resulting in her being accused of supporting fascism and imprisoned for a significant part of WWII.

These were the facts I’d gathered together over decades of interest, not one story but a repeated story of many Italian migrants to Australia.  But when a neighbor, Gloria, gave me a folder of archived documents about her mother, Gina, her arrest and imprisonment, the bones of the story started accruing flesh and blood.

The documents I had about the “real” woman were scant and fractured. In a way, she was unremarkable.  And, as a woman of that epoch, her accounts of life were rarely recorded.  But as a writer, I was in an incredibly privileged position – my neighborwas the “real” woman’s daughter.  How easy was it for me to pop next door and mine Gloria’s memories of the house, the farm, the town, the concentration camp and life after their release.  But even this had limits.  Gloria, so young when she was forced to go with her mother to the camp, only had one memory; of being put in a car and taken away from her mother. 

I commenced more research, found more details, corroborated other facts.  But I still didn’t have a story adhering to the genre expectations of my reader.  I began to knead what I possessed and often with surprising results.  I noticed amongst the documents, the “real” woman’s husband had written many letters. They were always in different handwriting, but the signature was the same.  I thought, he couldn’t read or write. And when I asked Gloria, she blushed and asked how I knew?  I realised she wasn’t telling me the whole “real” story and that there were private details she found either embarrassing or had forgotten.

At this point, I felt a justified sense of liberation. I had these bare bones I could perhaps bend but not break, but the story’s flesh was mine.  I had to fill the cracks between the documents with imagination.  The “un-real” woman had to have thoughts, imaginings, desires and disappointments.  These were never written, probably never spoken, perhaps embarrassing, never entirely clear to anyone but her.  And this is the stuff of a novel’s pages.

But this reader’s well-intentioned email left me in a bit of a quandary.  In the run-up to the publication of Sweet Bitter Cane, I’d considered bannering in fluorescent pink across the cover – BASED ON A TRUE STORY. And the novel is, at least in part, but then … it seemed a cheap lunge at credibility.

I swooned and still do to Byatt’s Possession, where the whole thing was made up, securely positing Randolph Henry Ash and Christabel La Motte amongst their canonical contemporaries.  But I still read Eco’s The Name of the Rose as fiction which inspired me to cross the reading mat and read some non-fiction about medieval monks.  Should we colour a novel’s text, like the original imprint of Flanagan’s Gould’s Book of Fish, with a rainbow of colours to signify the real, the not-so-real, the un-real, and the lies? Footnotes – there’s a thought.  And a mess.  This all forces an historical fiction writer into a rather obtuse corner.

But rather than the lines between the two extremes being as demarcated as my primary school library, isn’t this reading mat between the two extremes the arena where the reader’s imagination comes into play?  Reading is far from a passive experience, and perhaps an historical novel should tweak a reader’s imagination to find more information, go to the left-hand side of the reading mat, if they so desire. 

An historical novel churns all this “real” and “un-real” to rich butter, much more than a cheap blended Rosé. But they are un-real novels and should be exalted as such.  It reminds me of a late twentieth-century popular song.

It takes courage to enjoy it

The hardcore and the gentle

Big time sensuality

Many thanks, Greg. I’ll be thinking of this dividing line and the reading mat when I read my next historical novel.

FOR MORE ON READING & WRITING HISTORICAL FICTION  FOLLOW A WRITER OF HISTORY (using the widget on the left sidebar)

M.K. Tod writes historical fiction. Her latest novel, TIME AND REGRET was published by Lake Union. Mary’s other novels, LIES TOLD IN SILENCE and UNRAVELLED are available from Amazon, Nook, Kobo, Google Play and iTunes. She can be contacted on Facebook, Twitter and Goodreads or on her website www.mktod.com.

A surgeon’s advice…on how to write books

16 Tuesday Apr 2019

Posted by in Guest Posts, Writing about WWII, Writing Process

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May 1, 2019 carries the burdens and celebrations of the 75th anniversary of the 442nd Regiment heading off to fight in World War II. The 442nd was made up of the Japanese American men taken out of internment camps all over the west coast; they fought valiantly at home and in Europe to prove their loyalty to the US. By no coincidence, award-winning author and retinal surgeon Andrew Lam releases Repentance (Tiny Fox Press) on that commemorative day. I’m delighted to welcome Andrew to the blog.

A Surgeon’s Advice . . .  on How to Write Books by Andrew Lam

I’ll never forget the first time I had to tell a stranger their loved one had died under my care. I did it over the phone, in the middle of the night. The woman’s voice rasped; I’d woken her up. I didn’t tell her that I’d only met her father in the emergency room two hours before. I didn’t mention I was exhausted and only a few months out of medical school. I tried to conceal the truth—that I wasn’t sure what to say because I’d never done this before.

For a long time—years, in fact—writing my first book felt like that. I had no idea how to begin. I didn’t know if I would be any good at it. I worried I’d embarrass myself. I wanted to write a fabulous book, just like I wanted to be an excellent doctor, but in both medicine and writing, good intentions do not mean you’ll be any good at either.

No one starts out being a skilled surgeon or best-selling author. It takes years of practice, and lots of failure. I didn’t think about this back in college, when I chose to go to medical school simply because I wanted to help people. But now that I look back at all the ups and downs of my arduous training, and also have a few books under my belt, I’ve singled out five lessons that helped me succeed at both careers, and can be applied to almost any challenging endeavor.

Just do it. You never know how far you can go until you take the first step. It may come to nothing. It may mean taking a risk. But you only get one life and if you feel passionate about your idea for a book, screenplay, or other creative project, turn off the TV, carve out some time from your family, take a break from Facebook, and just start doing it.

Find fulfillment in the journey, not the end point. It is very difficult to excel at something you are not passionate about. Any goal worth achieving entails some degree of unpleasantness. Hard work. Long hours. Rejection and failure. The only way you will outlast these trials is to believe you are doing something truly worthwhile. There is no way I could have become a highly specialized retinal surgeon without enjoying what I learned in my psychiatry and pediatrics clerkships. I spent years learning things that have little to do with the surgical discipline I now practice; but they were necessary to hurdle in order to achieve my ultimate goal. As a writer, you may write an entire book and then scrap it before starting a new one that finds success. If you do not find joy in the process—if writing starts to feel too much like “work”—you should find another hobby or seek a different topic that inspires you.

Help others—they will help you. No author can do it alone. We all need teachers and friends to read and critique our work. There is simply no other way to improve. We need friends and connections to help us find agents and editors and more friends who are willing to attend events and leave book reviews. I am indebted to scores of surgeons who taught me how to save sight, and scores of others who helped my books succeed. And whenever I can help someone else, I try to do so if I can.

Gain trust by paying attention to detail. The most humbling part of my day occurs when patients who need an operation give me their trust within minutes of meeting me for the first time. That is an incredible honor and privilege. When I operate on a patient going blind from a retinal detachment, that person is trusting that I will be as meticulous with her as I would be with my own mother. In a similar way, authors consider it an honor whenever a fan takes the time to read their book. We are also asking readers to trust us. Nonfiction readers trust that the writer is an expert on the subject. With fiction, authors must write convincingly about characters, time, and place, because readers quickly see through anything less than genuine. So we should write about what we know, and convey details that make our prose authentic. I know about history, medicine, being a husband and father, and being Asian American. These are the themes I write about the most.

Find something that matters. When I chose a medical field, my most basic desire was to find one that mattered. I chose to be an eye surgeon because of how precious sight is to all of us. It isn’t always easy. Sometimes I fail. Sometimes I have to tell a patient they’ve gone blind and I am powerless to help. But I am always completely engaged because the stakes are so high. Writers must choose topics that matter to people. Stories that center on a controversial topic, an important historical event, or a way to help others improve their lives are all more likely to succeed. If your book isn’t about something important, it won’t be important to readers. Make sure it matters.

That night on the phone in the hospital, I stumbled through an explanation of how my patient had died—his initial presentation, our attempts to resuscitate him. The daughter was grief-stricken. It occurred to me that this conversation would be one of the most important of her life, a thought that gave me energy when I’d had none. We talked for a while, and I learned more about her family, and the way they’d loved the man I’d only known for the last two difficult hours. That was many years ago. Today I project the confidence of a surgeon who’s performed thousands of successful cases. The years between then and now were long and arduous, but it was entirely worth it and I’d do it again.

Writing books is just like that. Successful authors work hard, delay gratification, and learn from their mistakes. They take risks, never stop learning, and remain authentic. They enjoy the journey and know it is impossible to excel at something one does not find fulfilling. These qualities can be applied to any profession or goal. And those who adopt them may ultimately discover that their greatest satisfaction comes, not from the success they attain, but from the work and dedication that took them there.

What great life lessons, Andrew. Many thanks for sharing your journeys as surgeon and writer. Best wishes for Repentance. I’ve already put it on my TBR list.

Repentance by Andrew Lam ~~ France, October 1944. A Japanese American war hero has a secret. A secret so awful he’d rather die than tell anyone–one so entwined with the brave act that made him a hero that he’s determined never to speak of the war. Ever.

Decades later his son, Daniel Tokunaga, a world-famous cardiac surgeon, is perplexed when the U.S. government comes calling, wanting to know about his father’s service with the 442nd Regimental Combat Team during WWII. Something terrible happened while his father was fighting the Germans in France, and the Department of Defense won’t stop its investigation until it’s determined exactly who did what.

Wanting answers of his own, Daniel upends his life to find out what his father did on a small, obscure hilltop half a world away. As his quest for the truth unravels his family’s catastrophic past, the only thing for certain is that nothing–his life, career, and family–can ever be the same again.

FOR MORE ON READING & WRITING HISTORICAL FICTION FOLLOW A WRITER OF HISTORY (using the widget on the left sidebar)

M.K. Tod writes historical fiction. Her latest novel, TIME AND REGRET was published by Lake Union. Mary’s other novels, LIES TOLD IN SILENCE and UNRAVELLED are available from Amazon, Nook, Kobo, Google Play and iTunes. She can be contacted on Facebook, Twitter and Goodreads or on her website www.mktod.com.