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A Writer of History

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A Writer of History

Category Archives: Writing about WWI

Writing a book blurb

07 Tuesday May 2013

Posted by awriterofhistory in Author Entrepreneur, Historical Fiction, Writing about WWI, Writing about WWII, Writing Process

≈ 22 Comments

Tags

creating a book blurb, historical fiction, M.K. Tod, Unravelled, WWI, WWII

Self-publishing requires a writer to take on all sorts of unfamiliar tasks. One of these is creating the enticing but brief ‘blurb’ that will describe your book to potential readers. You need to promise an exciting read without disclosing too much. Here’s my attempt to describe UNRAVELLED. I’d love to hear what you think.

Edward Jamieson’s memories of war and a passionate love affair resurface when an invitation to a World War I memorial ceremony arrives. Though reluctant to visit the scenes of horror he has spent years trying to forget, he succumbs to the unlikely possibility of discovering what happened to Helene, the woman he once pledged to marry.

In July 1936, travelling through the charming French countryside with his wife Ann, Edward sees nothing but reminders of war. At the dedication ceremony, an encounter with Helene reignites long-buried passion and Edward steps back into his past. The resulting affair puts Ann and Edward’s marriage at risk.

When World War II erupts, Edward is soon caught up in the world of training espionage agents while Ann counsels grieving women and copes with the daily threats facing those she loves. And once again, secrets and war threaten the bonds of marriage.

With events unfolding in Canada, France and England, UNRAVELLED is a poignant novel of love, duty and sacrifice set amongst the turmoil of two world wars.

Would you be tempted?

Brushes & Bayonets by Lucinda Gosling

25 Thursday Apr 2013

Posted by awriterofhistory in Researching historical fiction, Writing about WWI

≈ 1 Comment

Tags

Brushes & Bayonets, Lucinda Gosling, WWI, WWI sketches

Brushes & Bayonets by Lucinda GoslingTwitter is a wonderful tool for connecting with people from all walks of life and in all parts of the world. Several weeks ago, I ‘followed’ Luci Gosling and when she followed back I discovered that she’s the author of Brushes & Bayonets: Cartoons, Sketches and Paintings of World War I. Since this book is no longer in print, I purchased a second hand copy and was delighted to peruse its pages as soon as the book arrived.

In the introduction, Ms. Gosling says,

No mainstream newspaper or magazine ever questioned the overall justness of the war, but as the conflict progressed, there were opportunities to gently criticise, poke fun or even incite controversial opinion.

And a little further on she talks about those who created the cartoons, sketches and paintings.

Illustrators from this period can roughly be divided into two camps – those who drew scenes and events from the war, either from eyewitness information or first-hand experience, and those who mixed humour, metaphor or caricature to show a lighter side of the war.

Gosling also mentions a third group called soldier-artist.

The book is organized in sections:

  • Over by Christmas: The Outbreak of War
  • Who’s for the Trench, Are You, My Laddie?: Enlistment, Recruitment & Training
  • Frightfulness: Drawing the Enemy
  • From Plug Street to Regent Street: Life in the Trenches
  • Business as Usual: The Home Front
  • The Blue Pencil: Reporting & Censorship
  • Carrying On: Women & War
  • Back to Blighty: Soldiers on Leave
  • Shoulder to Shoulder: Allies
  • Venus & Mars: Love: Marriage in Wartime
  • Up, Up & Away: Land, Sea & Air
  • The Day: Victory & Peace

Several magazines and illustrated newspapers like The Bystander, The Tatler, The Sphere, The Sketch and The Illustrated London News featured these images. Some make you laugh, others are searingly poignant. A few are shocking. In many, the humanity of regular soldiers shines through.

Lucinda Gosling’s collection serves as a reminder that war is bloody and decisions sometimes senseless. I sincerely hope Osprey Publishing decides to reissue her book for the 100th anniversary of WWI.

April 9th – The Battle for Vimy Ridge

09 Tuesday Apr 2013

Posted by awriterofhistory in Family History, Historical Fiction, Military Stories, Writing about WWI

≈ 8 Comments

Tags

April 9th 1917, Lies Told in Silence, my writing, Time and Regret, Unravelled, Vimy Ridge, Vimy Ridge memorial, WWI

My grandfather fought at Vimy Ridge and all three of my novels include scenes from this battle. On two other occasions, the British and French tried to capture this ridge losing hundreds of thousands of men in the process. The Canadians were given the third opportunity to wrest the ridge from German hands and on April 9th they were victorious.

Here’s the scene from Lies Told in Silence. By way of background, Helene is eighteen, her brother Jean fifteen. They live in Northern France and have been secretly watching the preparations for Vimy Ridge at night from the vantage point of a hill near Mont St. Eloi.

~~~~~~~~~~~

Map of Vimy battle linesApril 9th was the day that changed Helene’s life.

She always dreamed at night, vivid scenes of unexpected events mixed with familiar and unfamiliar people, rushing towards something indefinable. Since she began watching the soldiers, her dreams were even more urgent and when she woke she would recall glimpses of chaos that faded almost immediately. That night was no different except as she ran, she was surrounded by loud booming that terrified her so much she forced herself to wake up. Uncertainty hovered like a sharp, black crow.

In the groggy moments between sleep and wakefulness, a shattering noise erupted. She pushed herself out of bed and went to the window, alert for further sounds. An answering crash followed splitting the sky directly overhead, penetrating her world like a never-ending drum roll.

It’s started, she thought. All that preparation had to lead to something. But it sounds close, much closer than we’ve ever known. She wondered about the men they had watched. What did it feel like to be in the midst of all that noise? How many would die in this attack?

She moved quickly around her bedroom, extracting clothing from a tall oak dresser, stepping over her hatbox full of letters dog-eared from frequent reading then hanging her dressing gown from a large white hook on the back of the door. Helene put on woollen pants, pulled a thick sweater over her head and pinned her hair into a knot with an urgent twist. She spun around to see Jean waiting at the door.

“Shhh,” she cautioned unnecessarily.

They let themselves out of the house without a sound and ran, fear pounding with every step. As they hurried along familiar paths, leaping across melting streams, clawing their way to the top, the guns grew louder and a sharp, acrid smell filled the air.

Helene’s legs had almost given out when they reached their perch and they stood, with no need to crouch down and hide, for no one could possibly notice them given the furore of action rippling across the battle field. Never in their wildest dreams, could they have imagined such a scene.

Instead of orderly drills or the calm stacking of sandbags and trucks waiting to load or unload, below them was a sea of stirring mud, grey dawn streaking the sky, sharp flashes of red, the roar of airplanes overhead. In the far distance near the ridge, an orange glow hovered like a bulging midnight sun. Shells burst from all directions illuminating soldiers advancing, bayonets flashing with deadly purpose.

Helene looked at Jean, a mix of fear and awe on his face. She said nothing, for what possible words could make sense of the destruction carried out below? In the preceding weeks what they had heard and seen – the bright snap of flares and answering clouds of smoke, the stuttering back and forth of machine guns, the sharp whine as planes breached the horizon, the gentle drift of observation balloons – were only the barest hints of reality. Helene and Jean were silent, standing vigil over an unfolding battle, honouring those who fought for their freedom, men they would never know.

Wherever she looked troops moved forward, less than twenty yards behind exploding bombs launched by their own artillery. This barrage was their shield, a curtain of steel protecting them from German counter-attacks. Yard by yard they advanced, scrambling across uneven ground, thick clumps of earth flying through the air around them.

Gradually the sky lightened bringing the battle into sharper focus. Jean shouted in his sister’s ear.

“Look over there. I think the Germans are retreating.”

In the direction Jean pointed the scene was total confusion, men advancing steadily in tight clumps like waves pounding the shore. A sudden flurry of snow obscured her view and she wondered how the soldiers could possibly find their way.  The snow left as quickly as it had appeared and she saw white and black puffs of smoke marking the first line of enemy trenches as German soldiers turned and fled.

She tracked one steel-helmeted soldier. Although he was too far away for her to see his face, she watched him turn, lunge after his comrades, rifle clutched against his chest, one step, two, three, four, his feet struggling for a foothold in the mud. When a bright flash of orange sparked from behind, he flung his arms wide, jerked towards the man on his right and fell, face forward, to the ground. Helene’s stomach heaved with the realization that she had just watched a man die.

Before she could say anything to Jean, a plane, trailing black streamers, emerged from the far left and flew low over the scene, its klaxon sounding like an ancient battle cry.

While they watched, Helene thought of Guy. Had he grown accustomed to these mind-numbing sounds mixed with exploding bursts of earth and war material? Was this what it had been like when he was wounded? Was he brave or did he fear for his life. Did he lead his men with care? Did he shout at death as it whirled around him? How could he face battle again and again, her wonderful brother who laughed and teased, enjoyed the give and take of argument, took pride in his studies, loved his family. How could any of them?

Overwhelmed, she tugged at her brother’s arm. “We should go home.”

She thought at first he might refuse but then she saw the fear in his eyes. He swallowed before agreeing in a trembling voice.

~~~~~~~~~~~~~

The central figure of Vimy MemorialAnd here’s a scene from Unravelled. Edward Jamieson is in the Signal corps responsible for a group of soldiers taking vital messages back and forth across the battle field. It’s the afternoon of April 9th.

Pushing through a knot of soldiers, Edward was breathing hard as he approached Lieutenant Burke.

“Jamieson. Why aren’t you at your post?” Burke lifted his head from the communications grid-map and shouted to be heard over the machine gun firing to his left.

“Vital communication from HQ, sir.” Unable to find a runner to take the message to Burke, Edward had abandoned his post to take it himself. He would experience serious consequences if Burke disagreed with that decision. “There was no one else to bring this to you.”

Burke scanned the message. “Bloody hell. How’ll we alert them in time?”

“I’ve tried wireless and airlines. Can’t reach them.”

“Someone will have to go on foot.” The Lieutenant gripped his forehead as if that would help him focus. “I’ll find Andrews. He’s back.”

Edward checked his watch. “There isn’t time, sir. You take over my post while I run the message forward.” Burke nodded; after all, a lance corporal was the more dispensable man.

The message announced a delay to Z-hour. The Eighty-Seventh Battalion, along with two other battalions, were to take the highest point of the ridge called Hill 145, which was critical to destroying Germany’s stranglehold in the northeast. By now, the Eighty-Fifth would also be in position and all would be waiting for Z-hour before commencing action. If the battalions advanced at the old Z-hour without artillery cover they would be destroyed by enemy fire. Edward had less than thirty minutes to reach them.

Wasting no time saluting, he put on a red armband, tucked the message in his tunic pocket and immediately headed east, his destination five hundred yards away but more than three times that distance using the trenches. Going above ground would be suicide.

Unlike their own trenches, which he could navigate in his sleep, Edward knew only the general layout of newly won German trenches; information gleaned from training diagrams and captured soldiers. He would have to work his way through fighting trenches, communication trenches and finally the resistance trenches. Once he got there, he could follow the resistance trench to find the Eighty-Seventh.

To avoid snipers, Edward moved in a crouched position as he scrambled over a ledge of fallen sandbags where a recent barrage had weakened the retaining wall and destroyed the fire step. He passed by a Maxim gun still on its sledge mount, an unused roll of ammunition hanging out one end. On his right, several stocks of stick grenades remained intact on a dirt shelf. A dead German soldier lay only a few feet away, his helmet off, the left side of his face missing.

Despite the cold, Edward sweated in his greatcoat. Mud oozed with each step, slowing his pace. His foot slipped. He grabbed at a section of chicken wire attached to the retaining wall to steady himself. A few yards ahead, a pool of water lay in front of a tunnel entrance. While slogging through the water, an explosion ripped the sky, spraying earth and shrapnel. Large clods of dirt struck his helmet.

Just inside the tunnel the ground wobbled beneath his feet. Struggling to keep his balance, he realized he was standing on two dead soldiers. He shuddered but kept going, barely able to see in the tunnel’s gloom. Panting, he slowed his pace to avoid falling; not one second could be wasted. Outside, the bursting curtain of steel continued its deadly assault.

He emerged from the tunnel and hurried along an empty trench as snow swirled in a sudden flurry, biting his face and limiting his sight. A low-flying aircraft swooped overhead looking for flag wavers reporting on objectives achieved. Edward heard the blaring of its klaxon. His legs pounded up and down, pleading for rest.

He lifted his eyes from the footpath, searching for a communication trench to take him forward. There it was. He could see the junction ahead. He turned left to follow its zigzag pattern. After a few minutes he found another fighting trench, then fifty feet later a second communication trench. Glancing up, he cursed, ducking quickly to avoid a roll of barbed wire. The second communication trench would be longer than the first as it bridged the gap between fighting trenches and resistance trenches. In the distance he heard the sound of howitzers launching another offensive.

Scrambling over piles of rubble and fallen support beams, Edward thought he could see another T-junction ahead. If that were the case, he would be at the first resistance trench. When he reached the junction, he cursed again and stopped, his path completely blocked. He retraced his steps to a scaling ladder and climbed out of the trench to proceed above ground beyond the blockage. The sudden buzz of a whizbang warned him of danger and he threw himself to the ground as a shell exploded no more than twenty feet away. He got to his feet and ran forward a short distance before jumping back into the communication trench beyond the blocked area. The sharp tang of cordite hung in the air.

Stark flashes of red lit the clouds as he rounded another corner and saw stretcher-bearers coming towards him followed by a stumbling line of German prisoners, one of them dressed in pyjamas. On the stretcher lay a grey-faced soldier bleeding from wounds in the arm and leg. Edward squeezed past the smells of blood and fear.

A few steps later he entered the first of three resistance trenches. He had to reach the third, most forward trench. Edward looked at his watch; unless he went above ground, he wouldn’t make it. Around the next bend he found another ladder, slung his rifle off his shoulder and scrambled out.

As he emerged from the trench, sunshine broke the gloom, flaming against a distant spire. Wreckage surrounded him: barbed wire, torn sandbags, abandoned artillery, stinking shell holes. Wounded men littered the field, begging for help. Dusk would soon close in; he stopped for no one.

Machine-gun fire crackled on his far right as German gunners emerged from a dugout desperate to inflict pain and damage on those who would soon force them out. Edward dodged to the left. He was almost there. Keeping low to the ground, he hurried on with only one purpose—reaching the Eighty-Seventh.

When the sniper’s bullet hit him, all thought of the message tucked in his pocket disappeared. He crumpled to the ground like a rag doll.

~~~~~~~~~~~~~~

Land dedicated to CanadaI’m working on a third novel, a split-time story about Grace who is tracing her grandfather’s WWI experience through his diaries and Martin (Grace’s grandfather) who is experiencing the war first hand.

April 9th was a cloudy morning. From three a.m. onwards, light mist and rain so cold it was almost snow helped conceal the Canadian army as they assembled in jumping off zones. Earlier in the day, Martin and his men were in Zivy Cave, a vast space where brigade and battalion staff along with hundreds of soldiers waited. Equipped with electric lights, running water, tables, kitchens and telephones, the cave had been a hub for the 19th Battalion, its spokes connected with all other battalions through a maze of trenches and tunnels. With so much snow and rain, the roof dribbled coating the floor with grey-white slime. The air smelled of tobacco, sweat, food, cordite, mud, latrines, and rot.

At four a.m. they moved into Zivy Tunnel, where they remained jammed shoulder to shoulder for the last ninety minutes before attack. Martin watched Butler moving around the tunnel, checking his men, clasping a shoulder here and there, his voice jolly as though the day’s objective was nothing unusual. He thought the Captain looked tired.

“Remember men,” Butler said, looking at his soldiers one by one, “we’ve practiced hard. You all know your parts and how to step in for others. Remember the artillery conquers and it’s our job to occupy. You’ll do well. I know you will. I’m proud of you all.”

Butler often said ‘artillery conquers, infantry occupies’ as though imbuing their role with grand purpose. Once Martin and Pete had discussed the validity of that phrase, trying to decide whether it somehow demeaned the infantry or whether their captain would have preferred the artillery to leading foot soldiers like them. Pete had observed the contradiction between a culture slavishly adhering to command and control and the chaotic disorder of battle.

“We need to work differently,” Pete had said, walking back from yet another battle briefing.

“You’re right. What’s more important, initiative or obedience? They want us to follow orders blindly without thinking like we’re playing parts in some symphony and can’t ever stray from the score.”

“Yeah, and they’re still using techniques from two hundred years ago.”

“Well, at least they disbanded the cavalry.”

Pete would have approved of how we’re operating today, Martin thought, stretching his back for a moment to ease the strain of standing so long. He shook his head and pushed the distraction of Pete from his mind. He needed all his powers of concentration and more for what was coming.

At exactly five-thirty the 19th battalion rushed forward, artillery crashing like a thousand thunderstorms. Every stage and every move had been practiced a hundred times and the men executed the opening ballet with precision. Within three minutes they gained their first target and by five fifty-one crossed the German front lines. Exhilarated, the battalion pressed forward into Balloon Trench in preparation for taking their next objective.

The artillery barrage paused allowing reserve units to move up and for a few minutes Martin could hear himself think. So far enemy retaliation had been weak and Sergeant Nully confirmed with a quick nod that their platoon was intact. Looking right to check that Bill remained on his flank, Martin caught a glimpse of his friend’s hefty shoulders but as he turned left to look for Simon, German machine gun fire erupted forcing Martin and his men to take cover. When the guns fell silent, Butler motioned them forward towards Furze trench.

Across the half-dark sky red signal flares marked Allied advances while double green rockets indicated German panic. Crouching low, stretcher-bearers fanned out to search for casualties and through the mist Martin saw a small cluster of prisoners straggle past.

“Bavarians,” Nully shouted to be heard above the barrage.

Worried that decreasing visibility would hamper their efforts, Martin merely nodded in reply. German barrage still concentrated on the Canadian front line, positions they had left more than an hour ago, but surely it would not be long before they adjusted their sights putting the 19th in danger. Continued movement was critical.

“Not much opposition,” Martin said.

“Can’t last, sir. Have to get on with consolidating our position.”

“Right.”

Martin heard the rumble of tanks advancing on their left and checked his watch. Beyond these hulking machines he could see the vague outline of soldiers from another brigade advancing. These men would leapfrog the 19th and continue the push forward leaving German forces almost no time to exit their deep dugouts and defend against the infantry advance. Once again the sky filled with howling madness.

“Dig in. Over here, dig in.” Martin shouted to be heard. “Bernstein, get your machine gun working. Hurry. I need it now.”

Ten feet away Bernstein knelt on the ground and flipped open the front legs that steadied the gun. Kirby stretched beside him and readied a belt of ammunition. The rest of Martin’s platoon fanned out along a low ledge of sandbags. Nully crouched nearby waiting for orders. A group of signallers began to dig a cable trench, two of them carried a huge roll of cable wire. Shells burst to their left.

“How are we supposed to know whether it’s clear up ahead?” Nully’s mouth was only an inch from Martin’s ear.

“I don’t fucking know. Kendal!” Martin called to his signals corporal and the man wiggled close. “Can you reach Butler?”

“No, sir. Our lines aren’t working yet.”

The unfolding scene looked anything but orderly as clumps of men, scattered over a wide swath, made their way up the ridge. Martin and Nully looked at one another. Martin dipped his head only once. They would proceed.

With a sudden spit of rifle fire, Kirby toppled over. Bernstein’s gun fired in return spraying shells in a narrow arc at the source of German attack. Lawson took up Kirby’s post while Martin motioned for three of his platoon to go forward and destroy the enemy’s position. Martin watched as they crawled forward. When he heard their grenades explode followed by the sound of screaming he twisted his mouth into something resembling a smile.

~~~~~~~~~~

Imagine what it was like. Just imagine.

Writing Unravelled – or Surviving as an Expat

21 Thursday Mar 2013

Posted by awriterofhistory in Family History, Historical Fiction, Writing about WWI, Writing Process

≈ 14 Comments

Tags

expat life, Hong Kong, my writing, researching family history, The Writer's Book of Wisdom, Unravelled

At the age of seventy-five, my grandmother died on the way to her second wedding.

Although shocking at the time, I now think of her death as beautifully poignant. For years, I imagined writing a story with this as the ending but the hurly-burly of family life and demanding careers combined with the certainty that I could never be a writer meant that this notion collected nothing but dust like university mementos tucked away in the attic. However, in 2004, fate intervened with a move to Hong Kong.

Hong Kong StreetLiving as an expat is both exhilarating and depressing. My husband traveled constantly throughout Asia. I knew no one and had no job; our children – one working, one in university – remained in Canada. For several months I flapped about like a bird with broken wings until one day Grandma’s story beckoned. What if I could write it? I thought. At the very least, the effort would keep me busy.

I bought a book titled The Writer’s Book of Wisdom: 101 Rules by Steven Taylor Goldsberry (difficult to find books about writing in a city where Cantonese dominates). I reread the notes my mother had drafted about her family. On a trip home, I found old family photos and information about my grandfather’s WWI war service. And with no idea what I was doing, I plunged right in.

View of Central and Victoria HarbourWriting gave me a sense of purpose. Every morning, armed with a cup of coffee, I fired up my computer. Some days were filled with research, on other days I crafted sentences, struggling to make the words convey what my senses imagined and to flow with enticing rhythm. Looking back, these early efforts remind me of a child’s crude stick drawings produced with great concentration and displayed at home with pride. When I needed a break, I walked the streets of Hong Kong through wet markets and crowded corners, past the flower sellers and lunch-time noodle shops, through antique stores and galleries dominating an area called Soho, up the hill to the top of Victoria Peak where stunning views of the harbour surrounded by skyscrapers reminded me of my good fortune to be in Asia at a time of incredible change.

That was eight years ago and now I write full time. Unravelled is the product of those early efforts and along the way I wrote Lies Told in Silence (a WWI story set in France that is currently with my agent) and Blind Regret ( a dual time period novel with a hint of mystery). I’ve also become obsessed not only with writing but also with exploring the consequences of war.

By the way, Unravelled ends before my grandmother dies. Perhaps there’ll be a sequel?

Historical Fiction – WWI and WWII Favourites

11 Monday Mar 2013

Posted by awriterofhistory in Historical Fiction, Historical Non-Fiction, Uncategorized, Writing about WWI, Writing about WWII

≈ 6 Comments

Tags

Angels in the Gloom, At Some Disputed Barricade, Birdsong, Charlotte Gray, Deafening, In the Garden of Beasts, Letters of Agar Adamson, No Graves as Yet, Shoulder the Sky, The English Patient, The Secret Life of Bletchley Park, Vessel of Sadness, Vimy, Vimy Ridge 1917, We Shall Not Sleep, WWI fiction, WWI Non-Fiction, WWII fiction, WWII Non-Fiction

MyBooks1So many books, so little time is a frequently heard mantra amongst readers. The same notion applies to writers crafting new stories. Reading is essential to writing. According to master storyteller Stephen King, “If you want to be a writer, you must do two things above all others: read a lot and write a lot. There’s no way around these two things that I’m aware of, no shortcut.”

My own collection of books bulges with historical fiction and historical non-fiction as well as a number of books on the craft of writing. Those concerning WWI and WWII have relegated other favourites to lesser shelves and basement hideaways.

mybooks3Some personal favourites:

BIRDSONG by Sebastian Faulks is the “story of Stephen, a young Englishman, who arrives in Amiens in 1910. Over the course of the novel he suffers a series of traumatic experiences, from the clandestine love affair that tears apart the family with whom he lives, to the unprecedented experience of the war itself.” In the introduction, Faulks declares that the theme he explored was “how far can you go?” and “what are the limits of humanity?“

I have never been a student of history. Teachers presented the subject as an exercise in memorization and I never found the rhythm or rationale to glue together facts into a compelling canvas of people with competing interests. In the early days of writing a novel set in WWI, I struggled to find descriptions of battles that were not dense with jargon and the minutiae of warfare. VIMY RIDGE 1917 by Alexander Turner is a slim volume full of maps and timelines, pictures and diagrams all of which helped me understand the unfolding of that great battle and others like it.

While visiting the Vimy memorial in 2010, I purchased LETTERS OF AGAR ADAMSON. Norm Christie, the editor, writes “As a historical document the letters of Agar Adamson stands on their own. But what gives his letters even more depth is the complex and touching relationship with his wife, Mabel Cawthra.” Reading letters is not a narrative experience. Rather, it is one full of gaps, seemingly inconsequential details, occasional outbursts and names of people known only to the letter writer. But if you persist, Agar’s character shines through and you begin to appreciate the real experience of WWI.

Pierre Berton was a well-known and well-loved Canadian author and journalist who dedicated most of his writing to non-fiction tales exploring Canadian history and heritage. VIMY is his account of that famous battle, the horrific conditions of trench warfare and the intensity of preparing to take a ridge that had defeated two earlier assaults. “Drawing on unpublished personal accounts and interviews, Berton brings home what it was like for the young men … who clawed their way up the sodden, shell-torn slopes in a struggle they innocently believed would make war obsolete.” My grandfather survived Vimy Ridge which prompted my desire to incorporate this battle into two of my novels.

Anne Perry wrote a series of WWI novels, one for each year of the war. Although each novel is a self-contained story, collectively they tell the tale of the Reavley siblings, Joseph, Judith and Matthew, and an ominous character called the Peacemaker whose actions threaten the very survival of Britain. I first read AT SOME DISPUTED BARRICADE, and when I realized it was part of a series, read the rest in order: NO GRAVES AS YET, SHOULDER THE SKY, ANGELS IN THE GLOOM, WE SHALL NOT SLEEP. These absorbing stories illuminate the realities of WWI, painting pictures of those who struggled to survive, those who offered support and those who led others to small and great victories.

One day, browsing the shelves of my nearby bookstore, I found DEAFENING by Frances Itani with its story of Grania, a young deaf woman, who falls in love with Jim, a hearing man. “As the First World War explodes across Europe, Jim leaves to become a stretcher bearer on the Western Front, a place filled with unforgiving noise, violence and death. Through this long war of attrition, Jim and Grania attempt to sustain their love in a world as brutal as it is beautiful.“

mybooks4WWII is rife with spy stories. Several have kept me up late at night fearing at any point the capture and torture of one or other fearless agent. Sebastian Faulks comes through with another winner, CHARLOTTE GRAY. “In 1942, Charlotte Gray, a young Scottish woman, heads for Occupied France on a dual mission – officially to run an apparently simple errand for a British special operations group and unofficially, to search for her lover, an English airman missing in action.“

And who did not weep when either reading or watching THE ENGLISH PATIENT? This novel by Michael Ondaatje is a complex but moving tale of love and redemption set in North Africa and Italy during WWII.

With espionage as a theme in one of my novels, THE SECRET LIFE OF BLETCHLEY PARK by Sinclair McKay called to me immediately. I had to know what happened at Britain’s code-breaking centre and the personalities who worked there. McKay delivers, bringing “stories of the ordinary men and women who made it happen” to life while explaining the intricacies of that highly confidential work and world.

My copy of VESSEL OF SADNESS originally belonged to my stepfather. It is a story of those who fought and died in 1944 at Anzio, Italy. After the invasion of Sicily, the Allies slowly made their way into Italy, taking piece by painful piece of that country from the Germans. An assault originally imagined to be swift, played out over months and months of gruelling effort. Vessel of Sadness spares no detail of the true story to capture the Alban Hills. Based on his own experiences in the British army, William Woodruff’s tale is brutal and achingly human.

Erik Larson writes non-fiction that reads almost like fiction. The New York Times review of his book IN THE GARDEN OF BEASTS said “there has been nothing quite like Mr. Larson’s story of the four Dodds [William, his wife Mattie, daughter Martha and son William Jr], characters straight out of a 1930s family drama, transporting their shortcomings to a new world full of nasty surprises.” If you seek to understand pre-WWII Germany, this is one of the best and most readable sources.

Below is a list of some other novels and non-fiction works I have on my real and electronic shelves. All have played a part to inform my writing.

WWI

  • Marching as to War – Pierre Berton
  • The Serpent’s Tooth – Michelle Paver
  • The First Casualty – Ben Elton
  • Three Day Road – Joseph Boyden
  • A Soldier of the Great War – Mark Halprin
  • Life Class – Pat Barker
  • Maisie Dobbs – Jacqueline Winspear
  • Fall of Giants – Ken Follett
  • Elsie and Mairi Go to War – Diane Atkinson

WWII

  • Resistance – Anita Shreve
  • Hornet Flight – Ken Follett
  • The Good German – Joseph Kanon
  • The Spy Who Spent the War in Bed – William B. Breuer
  • Unlikely Soldiers – Jonathan Vance
  • Inside Camp X – Lynn Hodgson
  • Restless – William Boyd
  • Fallen Skies – Philippa Gregory
  • Operation Mincemeat – Ben Macintyre

I’m sure I’ll find and read more, unless, of course, I decide to write stories of another era :)

WWI – Working the Mines

07 Thursday Mar 2013

Posted by awriterofhistory in Historical Fiction, Researching historical fiction, Writing about WWI

≈ 4 Comments

Tags

Agar Adamson, Battle of Messines Ridge, Birdsong, Project Gutenburg, sapping, Sebastian Faulks, WWI, WWI underground mines

Researching WWI has occupied many, many hours in the past five years. At times I wanted to weep, at other times rage overwhelmed me. At all times I felt the oozing weariness of lives lived in that dreadful war.

Miners were essential to WWI. If you’ve ever read Birdsong by Sebastian Faulks, you will know the intimate details of how sappers (most had trained to be miners) lived and worked. Brutal.

Sapper – a military specialist in field fortification work

Sap - the extension of a trench to a point between an enemy’s fortifications

Here’s a fact BBC News reported about sappers:

One of the most notable episodes [of sapping] was at the Battle of Messines in 1917 where 455 tons of explosive placed in 21 tunnels that had taken more than a year to prepare created a huge explosion that killed an estimated 10,000 Germans.

Ypres and the Battles of Ypres is a Project Guterberg ebook. The book describes the opening event of the Battle of Messines.

On June 7, about an hour before dawn, at 3.10 a.m., the sky was lit up by an intense light, while a series of terrific explosions were heard; nineteen mines, some of whose galleries had taken more than a year to bore, exploded along the enemy positions.

The website firstworldwar.com describes the explosion: “Audible in Dublin and by Lloyd George in his Downing Street study, the combined sound of the simultaneous mine explosions comprised the loudest man-made explosion until that point.  The lighting up of the sky as the detonations ran across the ridge was likened to a ‘pillar of fire’.“

Battle of Messines RidgeTake more than a moment to reflect. Audible in Dublin … pillar of fire. If you had been a soldier waiting to attack, how would you have felt? Would you have been able to keep your footing? Might you have thought that hell could be no worse? Those explosions led to rapid advances for British forces taking the ridge.

Photo Source: Wikipedia Commons

The one ever-present concern for those working underground was being blown up by enemy sappers doing exactly the same work. These men heard one another tap, tap tapping away and even heard the sound of enemy voices.

In letters to his wife Mabel, Agar Adamson includes a document titled ACTION TO BE TAKEN IF MINING NOISES ARE HEARD attributed to 7th Canadian Infantry Brigade and dated 2nd January 1916. Armies are notorious for having detailed instructions and regulations concerning even the smallest aspect of military life. One section of that document caught my eye – Noises alleged to be German Mining on this Corps Front have been actually tracked to:

  • revetting
  • sentries stamping their feet
  • rats working on a parapet
  • a loose beam or branch tapping when blowing by the wind
  • running water
  • beat of a man’s own heart
  • a half dead fly buzzing at the bottom of a hole. N.B. this was mistaken for a machine drill
  • actual mining, sometimes our own

Sapping was a nerve-wracking business.

A Writer of History – One Year Later

28 Thursday Feb 2013

Posted by awriterofhistory in Historical Fiction, Historical Fiction Survey, Writing about WWI, Writing about WWII

≈ 14 Comments

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A Writer of History, my writing

1st Year AWOHOn February 8, 2012, I wrote the first post for this blog. I began with the objective of exploring historical fiction as a genre, but I’ve occasionally posted about my own writing and the research I’ve done concerning WWI and WWII. Lately, I’ve added a few pieces on self-publishing and being an author-entrepreneur.

Looking back, a few highlights stand out for me.

  • 130 posts that have sparked over 500 comments
  • over 24,000 views from 121 countries
  • highest viewing day (511 views) occurred when I released the historical fiction survey results
  • the survey has generated significant interest including an opportunity to speak at the Historical Novel Society in London, as well as a number of guest posts
  • many interviews with well known historical fiction authors
  • many interviews with new or debut authors of historical fiction
  • several interviews with historical fiction bloggers

Along the way, I dissected the ingredients of favourite historical fiction, considered ways for authors to connect to readers, mused on social media, revealed some of my favourite WWI websites and reviewed a number of books, both fiction and non-fiction. Finding new friends in the historical fiction community has been a very special, added bonus.

For some, these results will seem trivial. But I’m more than pleased! So here we go … on to year two.

WWI Letters – A Window on Reality

05 Tuesday Feb 2013

Posted by awriterofhistory in Historical Fiction, Researching historical fiction, Writing about WWI

≈ 6 Comments

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Agar Adamson, researching WWI, writing about WWI, WWI, WWI letters

Letters of Agar AdamsonTwo years ago, when I had the opportunity to visit the memorial dedicated to one of Canada’s most significant battles of WWI, I bought a book titled Letters of Agar Adamson.

At first blush the book looks intimidating, page after page of letters from Agar Adamson to his wife, Mabel, beginning in October 1914 and ending in March 1919. But gradually, Agar became a real person and his circumstances came to life as he filled in the details of training for, and then living with, war.

One aspect I found amazing is that he enlisted at the age of 48 and blind in one eye. Norm Christie who edited the letters  and who has written and produced TV series on WWI, describes Agar as “dying for a change in 1914″, a “bon vivant and lover of excitement”. Agar certainly experienced change and bursts of excitement, if you can call the horrors of trench warfare exciting.

Interesting tidbits mingle easily with descriptions of battle and comments on political bungling. Requests for Mabel to send a new pair of eyeglasses or a pair of pajamas are followed in the very next sentence by news of someone who has been wounded or details about a trench they have taken over.

Living in London, Mabel is the recipient of many requests from her battle weary husband – requests for pens, new glasses, a pair of winter pants, various bits of food, requests to meet with Agar’s soldiers who are on leave or in hospital, requests to admonish one or other of their sons, particularly on the topic of school efforts, requests for the loan of money. Agar always replies with his thanks and often an apology for burdening her once again.

Here are a few examples that illustrate the realities of living with war.

“Thank you for your parcel containing an Easter egg, a cake, a pair of socks and the revolver holster.” 2nd April 1915

“Thank you for my mended glasses. The ham in a tin was most excellent.” 18th April 1915

“Please send me some oysters … and a pair of rubber gloves.” Midnight Xmas Day, 1915

“Thank you for boots, breeches, Blackwoods and “Canada”… 15th May 1916   Since he thanks her for “Canada” on subsequent occasions, this might be a newspaper of some sort.

“Will you send me two strong eye glass black cords, with runners, and if you can find time a good flexible metal cord.” 30th June 1916

“The chicken you sent was very nice. Will you go to Philip Grant, Lower Regent Street Gunsmith and ask him to send me his periscope rifle, the same as he has supplied us before. All ours were destroyed.” 25th July 1916   Do the men have to fight and supply their own weapons?

“Your lemon squash is most excellent, as near a fresh lemon as I have ever met.” 18th August 1916

“Will you please send two pair (heavy) - he’s referring to breeches - that are at the flat, also two sets of my heaviest underwear.” 16th September 1916    September had turned unexpectedly cold.

“Yours of the 10th arrived … also some excellent food. The grouse is always very nice, the large tin of biscuits was very nice.” 15th October 1916    Agar frequently comments on the food Mabel sends.

“You can encourage anybody to send us socks. The Battn is badly in need of them.” 17th November 1916  Imagine not having enough socks for soldiers. In another letter he mentions that the men have insufficient underwear and have to wear the same pair for more than a month.

“Thank you for the fur lining and dates, I am eating one of them now.” 25th November 1917  I suspect he’s eating the dates, not the fur!

“Thank you for the most wonderful ink bottle. I don’t think a shell could spill it.” 7th December 1917  

As the title says, a window on reality.

WWI Air Raid in Paris

14 Monday Jan 2013

Posted by awriterofhistory in Researching historical fiction, Writing about WWI

≈ 5 Comments

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A Hilltop on the Marne, Mildred Aldrich, On the Edge of the War Zone, Paris air raid, researching WWI, WWI, WWI fiction

Some time ago I discovered Mildred Aldrich writing about WWI through letters to friends and family at home. One collection is called A Hilltop on the Marne, others are On the Edge of the War Zone and The Peak of the Load. Aldrich writes in a crisp, matter-of-fact style about events that were anything but ordinary. In March 2012, I wrote about a trip she made to Versailles.

During a visit to Paris in February 1918, she wrote about an air raid.

I was reading when I heard a far-off sound. I knew at once what it was. My hostess and I tumbled out of our beds, unlatched the windows so that no shock of air expansion might break them, switched off all the lights and went on the balcony just in time to see the firemen on their auto as they passed the end of the street … in an instant, all the lights of the city went out, and a strange blackness settled down and hugged the housetops and the very sidewalk. At the same instant, the guns of the outer barrage began to fire, and as the night was cold, we went inside to listen, and to talk.

I wonder if I can tell you .. how it feels to sit inside four walls, in absolute darkness, listening to the booming of the defence, and the falling of bombs on an otherwise silent city, wakened out of its sleep.

It is a sensation to which I doubt if any of us get really accustomed – this sitting quietly while the cannon boom, and now and then an avian whirs overhead, or a venturesome auto toots its horn as it dashes to a shelter, or the occasional voice of a gendarme yells angrily at some unextinguished light, or a hurried footstep on the pavement tells of a passer in the deserted street, braving all risks to reach home.

I assure you that the hands on the clock-face simply crawl. An hour is very long. The raid of the 17th lasted only three quarters of an hour. It was barely half-past eleven when the berloque sounded from the hurrying firemen’s auto – the B-flat bugle singing the “all clear” – and, in an instant, the city was alive again, noisily alive .. doors opened and banged, windows and shutters were flung wide, and the rush of air in the gas pipes told that the city lights were on again.

Aldrich also says:

Few as the air raids have been, Parisians have already learned that the guns for the defence make most of the noise. The explosion of the bombs, if rarer, is a more terrible sound. But what is hard to bear, is the certainty that, although you are safe, someone else is not.

Who to believe readers or editors

31 Monday Dec 2012

Posted by awriterofhistory in Historical Fiction, Writing about WWI, Writing Process

≈ 42 Comments

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annual planning, Lies Told in Silence, Mary Tod, self-publishing, Unravelled, WWI, WWI fiction

Year end is a great time to pause and reflect and for many years I’ve done so by updating my annual plan. The first section – Where Am I? – measures goals against accomplishments. The primary goal for 2012 had been to secure a publisher for Lies Told In Silence. I failed. Well, actually, my agent and I failed.

What’s puzzling to me is that everyone who reads Lies Told in Silence (LTIS) loves it. I don’t think someone is merely being polite when he or she says:

OMG what a great read.  I loved your book and read it in 2 days – couldn’t put it down!!”

“Finished the book this afternoon. Bravo. Very, very good. What a great ending, leaves you craving for more.”

“I’m captivated. You write so beautifully. From the 1st sentence with Helene in the library overhearing her father’s conversation, I was hooked! I love your characters, am amazed by your command of the history and your ability to create a story which is so realistic, personal and charming. That it takes place in a foreign land and, yet, feels so authentic is truly amazing as well.”

“.. your ability to craft such intimate emotions really made the story believable, heartbreaking and touching. One of my favourite things, however, was how vividly you were able to describe their environments — from the battlefields to the gardens surrounding their home in Beaufort, the story captured the physical world in an amazing (and often poetic) way.”

“I got sucked into all the characters right from the get go.  The character development was fantastic.  I loved how the women were very distant with each other but once they left high society Paris the walls came down.  I liked the twists … and how you left us hanging at the end!! Can’t wait to read the next one.

And here’s what editors at various publishing houses said:

..she captured the era and the tensions of the politics well, but the story took too long to get going for me.”

“.. but I didn’t find that the writing quite lifted the characters off the page, the way I wanted it to.”

“.. Mary Tod’s debut is very fine, and that she hits so many of the signature elements of a strong woman’s novel – passion thwarted, the late realization of what might have been, plus a very neatly done ending that sets up the sequel. Tod’s ability to indicate the chaos, the loss, the horror of the war is impressive too. But in the end, I have to confess I was not as swept away by the writing as I had hoped to be, and found that, looking toward the more commercial avenue, it was rather slow going especially in the beginning.”

“the exposition has a matter-of-fact affect that prevents the story from achieving the alchemy of favourite fiction”

“..a wonderful evocation of Paris and the French countryside in the time before and during World War One.  Helene is a sweet and charming character to root for.  Yet I’m afraid that I wasn’t quite as swept away as I’d hoped to be by the story, which felt a bit quiet to me.

Their comments feel like a tennis match where an easy lob is followed by a smashing return. Of course, publishers are skittish or downright afraid these days. A debut author is an investment – believe me, I get that – with uncertain payoff. So, what’s a writer supposed to do when faced with such conflicting opinions?

Options under consideration:

  • continue flogging LTIS through my agent while embarking on a self-publishing path for Unravelled, a companion novel
  • abandon LTIS and Unravelled, work on my third novel which has a mix of present day and WWI and a healthy dollop of romance and mystery to keep the tension high
  • self-publish LTIS and assess market reaction before deciding what to do with Unravelled

Hmm. An interesting inflection point. I suspect more investigation and conversation is required before deciding. On the other hand, I’m an impulsive sort of person and the First World War centenary is coming up …

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