From Family to Fiction

David O. Stewart is writing a series of novels called the Overstreet Saga, and I had the pleasure of endorsing the first of those novels, The New Land, with this comment:

“An engrossing saga of hope, determination, and bravery in a new world called America. Seeking land and opportunity, Johann and his wife Christiane risk everything to cross the Atlantic. Upon arrival in Broad Bay, they are devastated by the false promises of charlatans, the harsh land, and the ever-present threat of native attacks. Only through faith, grit, and the power of love do they secure a future and build a legacy for their family. David O. Stewart’s action-filled prose creates an unforgettable story.” 

Today, David shares the experience of writing historical fiction inspired by family stories, especially when you knew and cared for some of the figures. Many thanks, David.

From Family to Fiction by David O. Stewart

Writers are magpies of experience.  Whatever we seem to be doing, we also are gathering material: ideas, events, settings, phrases, facial expressions, actions, and feelings.  Whether writing fiction or nonfiction, we dredge through that inventory of random observations to meet the writing challenge of the moment.  

Mostly we don’t get in trouble for scavenging bits of life from the world’s vault of experience, so we do it unblushingly.  And we get away with it.

The risks from such scavenging rise dramatically, however, if the source is family.  Family members know things that others don’t.  Family members are more likely to remember at least their version of an event.  They’re (at least slightly) more likely to read what you write.  And the cost of offending them can be high.  Some writers produce long books – multiple volumes, even – about themselves and their close relations, often settling long-simmering scores.  I, however, have written nonfiction about the long dead, or novels featuring characters I’ve only imagined.  Until now.

Now I have a fictional trilogy coming out with stories inspired by the experiences of my mother’s family in America.  The first installment has launched as The New Land The next two will be released next year.  The novels follow stories that have been in my head for as long as sixty years.

Gratifying, yes.  But, maybe, a bit risky?  

Not very risky, it turned out, for The New LandBook One of the modestly-titled Overstreet Saga.  The story unfolds on the Maine coast in the eighteenth-century.  Not much information has survived about the ancestors who blundered into dangerous place, so the story is mostly made up – that is, fiction!  Anyway, those long-gone ancestors are in no position to kick up a fuss.

Book Two, The Burning Land, launches next May.  Picking up family descendants in the Civil War and Reconstruction years, I remain on safe ground.  I know more about those ancestors (census records, military records) but they’ve also been dead for more than a century, along with anyone who knew them.

The forecast is less clear with Book Three, The Resolute Land, which will release next autumn.  Scrounging around for an idea for Book Three (publishing loves trilogies), I had a slap-my-forehead moment.  During World War II, my mother worked for Mrs. Roosevelt in the White House.  Her brothers served in the Army Air Forces.  One flew in Europe and the other in Asia.  And their father was Midwest regional director of the War Production Board. Those four figures provided a stout structure for capturing much of that gigantic war: two on the home front plus one in each major theater of the fighting.

Then a small interior voice whispered. Did I want to write stories inspired by family I actually knew? I immediately began to rationalize. That grandfather died before I was born.  I never spent much time with my uncles, never speaking with them about their war experiences.  So I would just borrow the outlines of their lives, not their actual personalities.

I resolved to eschew research about the three men.  I wouldn’t quiz my cousins.  Nor would I seek records of their military and public service.  The characters they inspired would be fictional creations with fictional exploits, fictional friends, and fictional lovers.  Any offending passages would be the result of my twisted imagination, not malice.

But that left the fourth character, the one inspired by my mother.  She was pivotal to the tale, offering a backstairs look inside the Roosevelt White House, the center of the war, and also functioning as the hub of the fictional family.  The problem, of course, was that I knew Mom really well, for a lot of years. Her voice in my head wasn’t going to be quiet while I wrote this book.  

Parts of the real person seeped into the fictional character.  I still had to imagine dialogue, scenes and other people in her life.  But some of the personality is her: highly verbal, socially ept, quick to judge, strong yet unpredictably vulnerable, resilient, coaxing fun from unpromising circumstances.  The fictional character is not my mother, but then again. . ..

The experience leaves me on edge.  I think I’m glad to share some of her with readers.  I hope they are drawn into the character’s challenges and how she deals with them.  Then again, I also hope I’ve been fair to the real person who inspired the story. We’ll see.

David O. Stewart is the author of five non-fiction books and six novels, counting the three books in The Overstreet Saga. For more about his writing, check out the post on his recent non-fiction about George Washington and his mystery series, specifically The Paris Deception. He’s way more productive than me!

The New Land by David O. Stewart ~~ Lose yourself in the challenges and emotions of eighteenth-century Maine. 

In 1753, Johann Oberstrasse’s wife, Christianne, announces that their infant sons will never soldier for the Landgraf of Hesse like their father, hired out to serve King George of England. In search of a new life, Johann and the family join an expedition to the New World, lured by the promise of land on the Maine coast. A grinding voyage deposits them on the edge of a continent filled with dangers and disease. Expecting to till the soil, Johann finds that opportunity on the rocky coast comes from the forest, not land, so he learns carpentry and trapping. To advance in an English world, Johann adapts their name to Overstreet.

But war follows them. The French and their Indian allies mount attacks on the English settlements of New England. To protect their growing family and Broad Bay neighbors, Johann accepts the captaincy of the settlement’s militia and leads the company through the British assault on the citadel of Louisbourg in Nova Scotia. Left behind in Broad Bay, Christianne, their small children, and the old and young stave off Indian attacks, hunger, and cruel privations.

Peace brings Johann success as a carpenter, but also searing personal losses. When the fever for American independence reaches Broad Bay in 1774, Johann is torn, then resolves to kill no more…unlike his son, Franklin, who leaves to stand with the Americans on Bunker Hill. At the same time, Johann faces old demons and a new crisis when an escaped prisoner—a hired Hessian soldier, just as he had been—arrives at his door.

DON’T MISS OTHER POSTS ON READING & WRITING HISTORICAL FICTION. FOLLOW  A WRITER OF HISTORY

M.K. Tod writes historical fiction. Her latest novel, PARIS IN RUINS, is available for pre-order on Amazon USAmazon CanadaKobo, and Barnes&Noble. An earlier novel, TIME AND REGRET was published by Lake Union. Mary’s other novels, LIES TOLD IN SILENCE and UNRAVELLED are available from AmazonNookKoboGoogle Play and iTunes. She can be contacted on FacebookTwitter and Goodreads or on her website www.mktod.com.

Fiction versus biography – an author’s dilemma

Author Oliver Greeves is a direct descendant of Frances (Fanny), Viscountess Nelson and her son, Josiah Nisbet. Today, Oliver shares the rich deposit of fascinating history and unknown detail about Fanny and Horatio and those around them, and talks about the decision to create Fanny’s story through fiction rather than biography. The resulting novel is Nelson’s Folly.

*****

Like many fellow authors I have had a variety of jobs. Early on I was a historian and have a PhD in that discipline. Later I had a career in business and later still I was an executive coach. History is all about finding the truth of a situation looked at from the viewpoint of the people who lived it.  Business is about making things happen and coaching explores the interaction of personality and relationships. Fiction takes the reader into an imagined world where truth is often less important than plot and character. 

I had a dilemma when I decided to fulfil a life-long dream of writing the untold story of my ancestor, Fanny Nelson, and her husband British naval hero Lord Admiral Horatio Nelson.  The dilemma was this: In the absence of detailed records of their relationship – Horatio destroyed most of Fanny’s letters before going into battle – how could I capture the essence of their relationship? The answer was to write a novel rather than a biography.  I hope by sharing the challenges in achieving this, I will help other authors with the same issue.

How I came to write the story

My novel Nelson’s Folly is a Napoleonic era adventure story exploring the relationships and battles of British naval hero Admiral Horatio Nelson. It provides new insights since it gives voice to those crowded out by the legend, especially Horatio’s wife Fanny, my ancestor. 

Despite the “hero” as part in our family history, no one spoke of Nelson and Fanny when I was growing up. There seemed to be something sad which kept my parents from talking about either of them. Wanting to know more, the first person outside the family I asked about my ancestor Fanny Nelson, was the guide on HMS Victory which was Horatio’s famous flagship at the battle of Trafalgar. “Cold-hearted b***h,” he muttered. This was discouraging and there was little else to work with so I didn’t pursue it any further until many years later when more letters came to light. These cast a different light on the interactions between Fanny and Horatio. Increasingly fascinated by Fanny’s life and times, I travelled extensively researching her story and learning about the turbulent times of the French Revolutionary War and the Napoleonic War which followed. I was ready and I then faced the fiction versus biography decision.

Letting the Characters Speak for Themselves

I can see why many authors prefer to write historical fiction and why it was the best choice for me. Choosing fiction to explore this relationship meant I could be relaxed about the events themselves. I did not need to judge Horatio or Fanny, I just let the characters loose and their actions spoke for themselves. We know the broad truth and the novelist creates contexts or scenes in which these truths become evident to the reader. We will never know the entire truth but with the facts we do know, the imagined contexts (which themselves have elements of truth) it is possible to create plausibility. Together with the personalities, motives and values of the protagonists this is enough for a persuasive story about the hero and unappreciated wife. A host of lessor characters, who may or may not have been at the scene at a particular time, add to the texture of the novel bringing life and colour to the plot. 

Choosing the subject matter

When I joined a writing programme at Writers NSW, entitled (ambitiously), “A Novel in a Year”, I intended to write a novel about Horatio’s stepson, Josiah. My story began in St Paul’s Cathedral with Nelson’s funeral in 1805. I intended to have flash-backs. But I realised that the back story was too extensive to be treated in this fashion so I ought to write this first. Nelson’s Folly ends in 1801 when Fanny and Horatio part company. It is written from Fanny’s perspective.  I am currently working on a second novel that starts in 1802 and is from Josiah’s perspective.

History lives on – watch belonging to Lady Fanny Nelson known as the ‘nursery watch’ c.1808

Time Frame

Some readers feel I should have begun the novel when Horatio and Fanny first met and ended it where I have – when they parted. Once again, a person interested primarily in history might want this. Other readers, attracted to Horatio’s magnificent achievements want to know what happened to him after he parted from Fanny. As a novelist I wanted to talk about those years when the relationship was strong and then how it came apart. This is the historical novelist’s prerogative and it is a part of the subtle locating of the story so as to bring the reader’s focus where it is intended to be.

Footnotes

Some readers have suggested I should have “footnoted” the book, giving references to historical facts and telling the reader what is and what is not “true.” This sounds an easy way to spoil the flow of a great story doesn’t it? 

Relevant biographies.

I have read most of the current biographies of Horatio. Many of these refer to Fanny but, of course, her role is a very subordinate theme in all of them and occasionally the biographers are inordinately insensitive to her part in Horatio’s life. There are two biographies of Fanny. The first, published in 1939 by E.M. Keate, a daughter of the Head Master of Eton College, I inherited from my aunt. 

One passage caught my attention:

(Horatio) often declared, and so did many of his friends, that his marriage (to Fanny) was of equal service to his character to any naval exploit he had achieved. While he was near her no step was ever taken, not any letter despatched, without being submitted to the opinion of his highly esteemed counsellor with her sound judgement and cultivated understanding.”

This was a Fanny I had never been told about. This book spoke to me.  Why was a capable woman, respected in the 18thcentury treated so appallingly by the man she loved? The answer was clear: hero worship dulls the senses even of the biographer and the historian. 

A later biography by Sheila Hardy, published in 2005, draws on more recent research and is more typical of our time. It deals with many day to day details of her life but has less focus on the dramatic context or her unassailable character which was to be sacrificed for the sake of the legend.

The mystery of Fanny’s true character was finally revealed to the world in 2005 with the publication of Nelson, the New Letters by Colin White and more recently still by Martyn Downer who discovered and published Nelson’s Prize agent’s letters in the attic of a Scottish Manor House.  Long lost letters proved that rather than being a cold-hearted shrew – which supporters of Nelson’s mistress Emma had purveyed – Fanny was a warm-hearted, supportive wife who helped make him the hero he became. She loved her faithless man to the end. It was time for me to share her real story.

The Book Cover 

Publishers know very well that the book cover is a very important part of the novel. Later in life I inherited a famous miniature of Fanny, painted when she was in middle age. There are four known paintings of Fanny and unfortunately none of them do her justice. Mine which is the best known, having been carried in E.M. Keane’s biography, is of her in late middle age. I wanted a younger, more vivacious Fanny. Earlier portraits however were painted in Nevis by local artists who capture some of her character but lack artistic quality. Then who or what should I put on the cover? I wanted pictures that related to the text. The back cover was easy – pictures of one of Horatio’s famous fights as well as a grand piano, a reference to Fanny’s musicality which is an important part of the story. The front cover was to illustrate “Folly” – Horatio’s vanity and misjudgement. This is symbolised by the figure atop Nelson’s Column in Trafalgar Square – a sort of romantic ruin. But the picture of Fanny?  I finally decided on a cover picture with a double meaning. The picture is actually a fragment of a fine oil painting of Bertha Eccles, an Edwardian beauty and my Grandmother, which is also in my possession. While the reader will assume naturally enough that this is Fanny, I see it as her great great granddaughter looking back at her ancestor with sympathetic grace. The figures are dramatically finished in red and are a wonderful credit to my cover designer.

In Praise of Historical Fiction

In re-assessing the Nelson myth, I knew I would be faced with criticism and even hostility. However as both a historian and a descendant of Fanny, I felt it was time for a new generation of readers to discover her story. This they would if it was presented as an entertaining story, historically accurate in most respects – and fictional. Fanny deserves more credit than she was given by history. Like so many women behind famous men, her story was submerged by the legend of the spouse. In Nelson’s Folly I have tried to achieve a balance. I have aimed to recreate these famous events accurately but, in doing so, to use the freedom of fiction to enliven everything. I enjoyed the journey. Did I succeed? You be the judge.

Nelson’s Folly by Oliver Greeves ~~ It’s 1792 and a young widow and her son build a happy life in Norfolk with her Naval officer husband, Horatio Nelson who has been sidelined by rivals. As the Revolutionary War begins, opportunities at sea re-open for Horatio while Fanny learns the twists of Georgian society.

From France to Egypt then into the intrigues of the Court of Naples, Lord Nelson and Fanny’s son Josiah see beauty and cruelty as lives intertwine. Years pass and Horatio returns a hero, but he has changed. How is a self-reliant woman going to face down the Navy’s superstar? A compelling exploration of duty in all its forms, Nelson’s Folly is a sweeping, historically rich novel based on the true story of Horatio and Fanny Nelson and their lives together – and apart.

Oliver Greeves can be contacted via email – ogreeves@gmail.com. You can follow him on  Facebook | LinkedIn and learn more about Nelsons Folly on his website www.fannynelsonfan.com. The novel can be ordered at Amazon UK | Booktopia | Dymocks.

Many thanks, Oliver. I’m so pleased to host you on A Writer of History and to hear about Fanny Nelson. I’m sure your novel will delight and intrigue readers.

DON’T MISS OTHER POSTS ON READING & WRITING HISTORICAL FICTION.  FOLLOW A WRITER OF HISTORY

M.K. Tod writes historical fiction. Her latest novel, PARIS IN RUINS, is available on Amazon USAmazon CanadaKobo, and Barnes&Noble. An earlier novel, TIME AND REGRET was published by Lake Union. Mary’s other novels, LIES TOLD IN SILENCE and UNRAVELLED are available from AmazonNookKoboGoogle Play and iTunes. She can be contacted on FacebookTwitter and Goodreads or on her website www.mktod.com.