The Sea Gate with author Jane Johnson

The Sea Gate by Jane Johnson is a wonderful story with the perfect blend of present-day and past and a compelling cast of characters featuring the frail but crusty Olivia–I picture Maggie Smith or Judi Dench in the role–and the lovely Becky who is trying to get her life in order.

There are broken families, a house with a hidden passage to the sea, a scheming family intent on fraud, and a long-ago murder or was it merely a disappearance? As the book description says: an entrancing tale of love and courage.

Throughout, Jane Johnson ratchets up the suspense chapter by chapter culminating in a very satisfying ending. I recommend it highly!

The author, Jane Johnson, kindly agreed to answer a few questions.

Most of the story is set in Cornwall in a house called Chynalls. Chynalls is almost its own character in the book. Where did you get the inspiration for it?
Jane: Chynalls was inspired by a number of houses I’ve known over the years. There was my grandmother’s house, which was rambling and rather decrepit, and made strange noises at night (including the sound of a brass doorknob turning where for years there had been no door Flushed); and my great-aunt’s house, from which I stole the scullery, with its channel to wick away water – or maybe blood; and the spider-infested outdoor privy; and one of the houses I grew up in down in a remote spot on the south coast had a tunnel that ran from the cellars to the shingle beach and was locally known as a smugglers’ passage. The ‘sea gate’ itself I spotted in a local village – I lived in the area of West Penwith, in the far tip of Cornwall, where the novel is set.

A Cornwall sea gate used for the cover

Unique and relatable characters are one of Jane Johnson’s strengths. I asked her whether any of the characters in The Sea Gate inspired by real people she knows.
Jane: Not directly, but the idea for the novel came initially from conversations with my mother, who was around the same age as Olivia when the war broke out, and she spent some of those years down here in Cornwall, before going up to London to work. My mother, though, did not have an artistic bone in her body, unlike Olivia, whose paintings made her semi-famous. My mother, on the other hand, when engaging in a Christmas game of ‘Pic-Charades’, in which you have to draw for your game-partner the word on the card, managed to bamboozle me completely by giving a duck 4 legs…
Several of the old folk in the village where I live offered me their recollections of life here during the war and I felt it was important to honour their memories and that remarkable generation. They have – including my mother – all passed now. I mourn them, but am so glad I managed to write some of their experiences into the book.

What was the most difficult part of the artistic process for this book?
Jane: I think the fact that it’s set where I live gave me pause to begin with, especially since some of the events are within living memory for some of the very oldest inhabitants. I didn’t want anyone reading it and complaining that the farmer’s wife wasn’t dead and that he didn’t have a daughter with special needs, or that their father definitely did not hoard butter etc… So instead of calling the village Mousehole, I called it by its old Cornish name of Porth Enys – the Island Port: and that gave me the creative distance I needed to free me to write the story I wanted to write.

Porth Enys … also called Mousehole

Were the WWII incidents and circumstances influenced by what really happened in Cornwall during that war?
Jane: Yes, I used actual incidents and well researched circumstances – the bombing of Penzance, the crash of a German warplane into farm fields, the stationing of internees and POWs at the local farm to carry out the farmwork for the war effort, the pelting with rotten vegetables of French refugees when they docked at Falmouth, the trawlers lost to mines and submarine attacks; the coast dotted with lookout posts and barb-wired off from civilians; the general sense of paranoia about strangers. It was fascinating to do the research and learn more about the region I live in, and enormous fun to write such recent history for once: it’s the first time I’ve written anything so modern, and I thoroughly enjoyed it. My next novel – THE WHITE HARE – is set in a remote valley in Cornwall in 1954. I’m about two-thirds of the way through and the end is in sight!

The Swingate stone near Porth Enys into which a WWII plane crashed.

The Seat Gate by Jane Johnson ~~ A broken family, a house of secrets—an entrancing tale of love and courage set during the Second World War.

After Rebecca’s mother dies, she must sort through her empty flat and come to terms with her loss. As she goes through her mother’s mail, she finds a handwritten envelope. In it is a letter that will change her life forever.

Olivia, her mother’s elderly cousin, needs help to save her beloved home. Rebecca immediately goes to visit Olivia in Cornwall only to find a house full of secrets—treasures in the attic and a mysterious tunnel leading from the cellar to the sea, and Olivia, nowhere to be found.

As it turns out, the old woman is stuck in hospital with no hope of being discharged until her house is made habitable again. Rebecca sets to work restoring the home to its former glory, but as she peels back the layers of paint and grime, she uncovers even more buried secrets—secrets from a time when the Second World War was raging, when Olivia was a young woman, and when both romance and danger lurked around every corner…