Getting to setting in The Importance of Pawns

Keira Morgan discovered the Renaissance when her grandmother gave her a book about England’s queens when she was five. At university, she studied Renaissance and Reformation history to the doctoral level. The Importance of Pawns is her first novel and you won’t be surprised to know that it’s set in her favourite time period. Today, Keira provides insights into the interplay between setting and character.


When anyone asks about The Importance of Pawns, the first thing I say is, “It takes place in the 16th Century French court.” 

In other words, I situate the person in time and place. With this information about the setting, I announce that mine is an historical novel and I promise implicitly that the details will be authentic to the period.

So, what is setting and how important is it?

According to Masterclass, the setting is the most important part of a historical fiction novel. It should take place during an authentic period in history and be set in a real historical place. For example, New York City during the Great Depression or Paris, France during World War II. 

M. K. Tod has added to that description from her research. Setting includes:

  • atmosphere,
  • landscape,
  • landscape of the person and
  • internal landscape. 

Simply put, it is the place where the scene occurs. It includes details such as timing (day, hour, year), mood invoked, historical aspect, details that reveal personality, and the actions that preceded it. Each scene must do this. 

To illustrate, here is the setting from early in the first chapter of my novel. My readers need to be situated right away and I use a simple, often used device; I state the time, place, and principal character. If I want my reader to keep on, I must engage their emotions and intrigue them from the start. By showing Countess Louise as she engages with her physical and interpersonal landscape, I hope to capture these responses.


4 January 1514, Early afternoon

Château de Blois

Countess Louise d’Angoulême

When would that Agnez arrive? It was unsuitable that a woman of her rank should be kept waiting by a servant girl. She [Countess Louise] paced once more around the perimeter of her suite’s presence chamber, running her fingers over the thick Flemish tapestries that absorbed the chill from the stone walls. She reminded herself that she had done very well to parlay King Louis’s favor into this suite of three rooms, despite the overcrowding at the Christmas court. It had taken some effort on her part, but despite Queen Anne’s enmity, she had even charmed the king into furnishing the rooms. When she arrived early in December, she had come accompanied only by her bed and clothes chests. 

Chateau de Blois tapestry – Source Wikimedia

Louise threw herself into a folding leather chair in front of the hissing fire. The crowned L & A for Louis and Anne emblazoned on the fireplace hood drew her eyes. How the emblem irritated her! When her son was king, she would order those initials replaced immediately.


Since I came from an academic and bureaucratic background, learning to write fiction did not come easily to me. It will not surprise you that finalizing these two paragraphs took many rewrites. Finally, I realized that I must show Louise’s presence chamber through her eyes and voice when she was impatient and irritated. Only then could I create the atmosphere and choose the details that captured the scene without the dreaded telling

It required a lot of stripping away. I removed almost all the furnishings. At first, only the tapestries, expensive Flemish tapestries, and a leather chair remained. More than that, Louise had to do something with them. So, she ran her fingers over the Flemish tapestry (though now I wish she had ‘stroked the Flemish tapestry,’ but I defy any writer ever to be satisfied.) 

Later, I remembered that even for the richest, no-one travelled without a bed. Beds were hugely expensive, bulky items passed from generation to generation. When the court moved from one place to the next, it took its furniture with it and left the unused rooms in the Château empty. Even if the king could supply his heir’s mother with a few chairs and tapestries, he would not have beds or chests to spare. I wanted to add these details — without another of those dreaded flaws, the info dump.

By presenting everything from Louise’s perspective and introducing the enmity between her and the queen, I could show their conflict through implication and carefully chosen detail. For example, she feels satisfaction at having brought only the essentials — her bed and clothing chests. Her reasons aren’t made explicit, but over time her obsession with money will become clear. But this hint suggests something about her character. Another example is her reaction to the crowned L & A emblems on the fireplace hood. The reader learns something about the depth of her resentment by her intention to remove it ‘immediately’ when her son became king. 

Louise reveals her own sense of her importance because her son is heir to the throne. Moreover, she expects to be so influential that she will have the power to give such an order and have it obeyed. 

In these details of setting, I present past actions (both the fact that François is heir and the embellishment of the fireplace hood occurred well in the past) that create the present and will significantly affect the future.

Did I have all this consciously in mind when I wrote these two paragraphs? I admit I did not. I had not then read the observations on setting I’ve referred to at the opening of this post. But by then I’d learned about the importance of the apropos detail.

Louise was as real to me (or I knew her even better) than most people around me by then. So was Blois. So was the moment I was writing about. Those were the elements that made it possible to recognize what needed revising. For the future, I am now `consciously aware of the elements of setting that inform effective historical fiction writing.

Many thanks, Keira, for illuminating the role of setting. This brief scene tantalizes the reader to want more!

The Importance of Pawns by Keira Morgan ~~ Danger lurks beneath the glitter of the sixteenth century French court. The queen lies dying; the king has but months to live. Their two daughters, Claude and young Renée are heiresses to the rich duchy of Brittany. Countess Louise, their guardian, schemes to steal their inheritance.

For years she has envied the dying Queen Anne, the girls’ mother. She plots to marry wealthy Claude to her son. Her unexpected guardianship presents a golden opportunity, but only if she can remove their protectress Baronne Michelle, who loves the princesses and safeguards their interests. 

As political tensions rise, the futures of Princess Renée and the Baronne hang in the balance, threatened by Countess Louise’s designs. Will timid Claude untangle the treacherous intrigues Countess Louise is weaving? Can she outflank the wily countess to protect young Princess Renée? And can she find the courage to defend those she loves?

Based on historical events and characters, this timeless story will rivet you until the last page. It is a tale of envy, power and intrigue pitted against loyalty and the strength of women’s friendships. 


M.K. Tod writes historical fiction. Her latest novel, PARIS IN RUINS, is available for pre-order on Amazon USAmazon CanadaKobo, and Barnes&Noble. An earlier novel, TIME AND REGRET was published by Lake Union. Mary’s other novels, LIES TOLD IN SILENCE and UNRAVELLED are available from AmazonNookKoboGoogle Play and iTunes. She can be contacted on FacebookTwitter and Goodreads or on her website

The Loyalist Legacy by Elaine Cougler

the-loyalist-legacyPlease welcome Elaine Cougler author of The Loyalist Trilogy who has just launched the The Loyalist Legacy, novel three of the trilogy. After exchanging Facebook comments for many months, Elaine and I met at the Historical Novel Society conference in 2015 and found that we are kindred spirits.

Setting the Scene for a New Novel by Elaine Cougler

We writers think long and hard about those opening lines to our books, so long, in fact, that sometimes we just can’t get started. That would be the famous blank page phenomenon. We struggle and strain, write and rewrite, all to start the story in a way that will “hook” the reader with the first lines.

I was no different with The Loyalist Legacy. I wanted to show immediately the plight of my heroine left alone on an isolated piece of land where danger was the closest neighbour and back-breaking work was all that kept her and her children alive. You can see what I did with some of the details below to emphasis the danger.

Her anger was another feature needed for the opening of the story. What better way to introduce that than with her slapping a huge mass of dough on the table? If you’ve ever kneaded dough, you know exactly how heavy it can be. That worked to set the scene physically as well as setting up tension between Catherine and her missing husband, William.

Here’s how it all came out:

Catherine stood against the wooden table and pounded the grayish dough into a glutinous sticky mass. With each stroke her anger rose. She picked the bits of batter from her fingers and pushed them into the dough with more force than usual. And heeled her hands into the ball once more. Slapping it into the meager flour bits on the table, she saw the loaves begin to take shape and, in spite of herself, breathed a little easier.

William Junior glanced up from his numbers at the other end of the table. She felt his eyes on her and the question he dared not ask. Not until she simmered down anyhow. The loaves slipped easily into the greased pans and she smoothed the tops before spreading a cloth over them and lifting the whole lot to the warming shelf above her great black beast of a stove. William’s stylus scraped on the slate. She turned to face him, this child who would rather perfect his letters than play jacks in the corner with his brother and sister.

“Go ahead, William. Ask me.” She forced a smile and was rewarded with a softening of his features.

“Why did Daddy go? Who is Uncle Robert? What will we do if the Indian comes back?” He took in a quick breath. “You’re so angry, Mama. Why?” The stylus dropped to the table but he paid it no mind. His head tipped up toward her as though the very angle of his holding it could slice into her thoughts and make her answer.

“Slow up, my son. One day all your questions are going to get you into trouble.” She tousled his dark hair and felt his tension ease. Her own did, as well. “Uncle Robert is your father’s brother who lives far away. In the United States. We told you that, William.” He didn’t need to know why she was so angry. Only a child, even though he was her eldest, he didn’t have to shoulder the worries of their world just yet. Far be it from her to pass her burdens and fears to his thin shoulders even though he was almost eight years old.

“But Mama, I saw you punching that dough. The whole table shook. I couldn’t make my letters straight.” He stood before her, up to her chest, his green eyes wide. He needed an answer. She reached for him but he edged back.

“Come outside with me, away from your brother and sister.” She brushed past him and grabbed the door handle.

Sunlight swept across the expanse of the lowlands on either side of their river making a golden path right up to their porch. Thames, the river was called, named by Governor Simcoe after the main shipping channel in London far across the ocean. John, her father-in-law, had told her about his trip to Detroit with the Governor so many years ago. She could see him now sitting in the rocking chair by that giant stove in the house by the mill. His face shone and his voice rose and fell with each new detail in the story. She shook her head and tucked a stray strand of hair under her cap. What had happened to them? No word in almost two years.

Excerpt from The Loyalist Legacy.

When the War of 1812 is finally over William and Catherine Garner flee the desolation of Niagara and find in the wild heart of Upper Canada their two hundred acres straddling the Thames River. On this valuable land, dense forests, wild beasts, disgruntled Natives, and pesky neighbors daily challenge them. The political atmosphere laced with greed and corruption threatens to undermine all of the new settlers’ hopes and plans. William cannot take his family back to Niagara, but he longs to check on his parents from whom he has heard nothing for two years. Leaving Catherine and the children, he hurries along the Governor’s Road toward the turn-off to Fort Erie, hoping to return in time for spring planting.

With realistic insights into the challenging lives of Ontario’s early settlers, Elaine Cougler once again draws readers into the Loyalists’ struggles to build homes, roads, and relationships, and their growing dissension as they move ever closer to another war. The Loyalist Legacy shows us the trials faced by ordinary people who conquer unbelievable hardships and become extraordinary in the process.

Praise for Elaine Cougler’s writing:

“….absolutely fascinating….Cougler doesn’t hold back on the gritty realities of what a couple might have gone through at this time, and gives a unique view of the Revolutionary War that many might never have considered.” Sharon’s Garden of Book Reviews.

“….an intriguing story” A Bookish Affair

“I highly recommend this book for any student of history or anyone just looking for a wonderful story.” Book Lovers Paradise

“Elaine’s storytelling is brave and bold.” Oh, for the Hook of a Book


Elaine Cougler can be found on Twitter, Facebook Author Page, LinkedIn and on her blog at

You can also check out the VIRTUAL BOOK TOUR for The Loyalist Legacy on Elaine’s website.


book-tour-logo-finalMany thanks, Elaine. Wishing you great success!

FOR MORE ON READING & WRITING HISTORICAL FICTION follow A WRITER OF HISTORY (using the widget on the left sidebar)

M.K. Tod writes historical fiction and blogs about all aspects of the genre at A Writer of History. Her latest novel, TIME AND REGRET was published by Lake Union on August 16, 2016. Mary’s other novels, LIES TOLD IN SILENCE and UNRAVELLED are available from Amazon, NookKoboGoogle Play and iTunes. She can be contacted on Facebook, Twitter and Goodreads or on her website