COVER REVEAL for The Rose Code by Kate Quinn

Today, I’m delighted to share the cover for The Rose Code, Kate Quinn’s newest novel – release date March 9, 2021. It has a wonderful colour scheme, an intriguing female figure – don’t you love the red dress and pearls? – and a back drop that suggests the computers used for WWII code breaking.

Kate’s novels are well known for larger-than-life characters, page-turning tension, and superb writing. Her ability to transport readers in time and place has earned her high praise from readers and reviewers. This new novel follows Kate’s highly successful novels, The Alice Network and The Huntress, and I can’t wait to read it.

The New York Times and USA Today bestselling author of The Huntress and The Alice Network returns with another heart-stopping World War II story of three female code breakers at Bletchley Park and the spy they must root out after the war is over.

The Rose Code by Kate Quinn ~~

1940. As England prepares to fight the Nazis, three very different women answer the call to mysterious country estate Bletchley Park, where the best minds in Britain train to break German military codes. Vivacious debutante Osla is the girl who has everything—beauty, wealth, and the dashing Prince Philip of Greece sending her roses—but she burns to prove herself as more than a society girl, and puts her fluent German to use as a translator of decoded enemy secrets. Imperious self-made Mab, product of east-end London poverty, works the legendary codebreaking machines as she conceals old wounds and looks for a socially advantageous husband. Both Osla and Mab are quick to see the potential in local village spinster Beth, whose shyness conceals a brilliant facility with puzzles, and soon Beth spreads her wings as one of the Park’s few female cryptanalysts. But war, loss, and the impossible pressure of secrecy will tear the three apart.

1947. As the royal wedding of Princess Elizabeth and Prince Philip whips post-war Britain into a fever, three friends-turned-enemies are reunited by a mysterious encrypted letter–the key to which lies buried in the long-ago betrayal that destroyed their friendship and left one of them confined to an asylum. A mysterious traitor has emerged from the shadows of their Bletchley Park past, and now Osla, Mab, and Beth must resurrect their old alliance and crack one last code together. But each petal they remove from the rose code brings danger–and their true enemy–closer…

You can pre-order The Rose Code from a vendor of your choice at:  https://bit.ly/3k4t8o5

Add to your Goodreads list at https://bit.ly/2XBJgUD

Sign up for Kate’s newsletter at https://bit.ly/2DfrgIz

Earlier in the year, Kate Quinn was on the blog reflecting on her writing career. She had this to say on what she loves about writing historical fiction:

It’s a way to examine universal human issues through a lens of the past–and a way to make people realize that humanity has not changed, even if it dresses in different clothes and uses different language than we do in the modern era!

 

DON’T MISS OTHER POSTS ON READING & WRITING HISTORICAL FICTION.  FOLLOW A WRITER OF HISTORY (using the widget on the left sidebar)

M.K. Tod writes historical fiction. Her latest novel, TIME AND REGRET was published by Lake Union. Mary’s other novels, LIES TOLD IN SILENCE and UNRAVELLED are available from Amazon, NookKoboGoogle Play and iTunes. She can be contacted on Facebook, Twitter and Goodreads or on her website www.mktod.com.

The Ongoing Fascination of War by Catherine Hokin

I had the pleasure of reading a pre-release version of Catherine Hokin’s The Fortunate Ones. My Goodreads review: The Fortunate Ones is a story that matters. Set in World War Two Germany and post-war Argentina, it will grab your attention from start to finish, and make you think about war, consequences, choices, and the power of love. Here’s Catherine to talk about the ongoing fascination of war.

~~~

War is hell – there’s a statement I doubt anyone would disagree with. Being caught up in a war, either as a combatant or a civilian, must be one of the worst experiences anyone can endure, and yet, since story telling began, we have filled up our firesides and our books and plays and poems with stories of conflict and the pain that comes with it.

The urge to write about war has been with us far longer than the desire to write about love. Most people’s main experience of classical literature comes through the epic adventures of the Trojan War. Beowulf, composed between 700 and 750 and the oldest surviving Germanic epic poem, tells the story of a monster-battling warrior. One of the oldest English poems in existence is The Battle of Maldon, believed to have been written in 991. More recently, the dynastic mayhem surrounding the Wars of the Roses shows no signs of losing its appeal and there can’t be a secondary school pupil in the UK who doesn’t know the name of at least one WWI poet.

I used to teach some of those pupils and, no matter their ability or level of interest, there was always a moment (usually in the middle of a discussion of something revolting like trench foot) when the age penny dropped. When somebody realised that the boys in uniform were barely older than the boys in the classroom. You could feel the change in mood every time it happened.

They all knew (or could at least regurgitate) the poetry’s key themes and functions: to encourage the heroic, to celebrate bravery and promote the sense of a communal experience; to de-mystify war and bring home its realities; to be anti-war and a propaganda tool. They were street-smart enough to spot the manipulation of words and ideals, but it was the realisation that the dead and the horribly maimed were too often 17 and 18 that brought empathy. That sent them home asking for family stories, or sent them to the newspapers and pictures of Aleppo. That brought wider themes back into the classroom: how recounting experiences can be an act of remembrance; how unimaginable trauma can be dealt with through literature and be made smaller, more relatable. Without wishing to go all Dead Poets’ Society, that moment of connection was when the cost of war became real.

Don’t get me wrong, I am not sticking The Fortunate Ones in a bracket with Wilfred Owen and Siegfried Sassoon. I do think, however, that all war-based writing comes from a shared source: the need to make sense of the horrors people inflict on each other in the name of religion or politics or land, or whatever excuse one group can dig up for killing the ‘other’.

I was born in 1961 and grew up in the shadow of WWII. Films were obsessed with it; my parents (who were small children in Liverpool during the conflict) and their friends constantly talked about it; the shadow of rationing still dictated their attitudes to food and waste. Taking it back a generation, my grandfather fought all four years of WWI and carried the mental scars to his dying day.

One of the most common words I heard in relation to WWII in those days, was ‘monster’. Hitler was a monster, the Nazis were monsters. Then I heard about the Holocaust and what other term could you use? That word was where The Fortunate Ones started: an exploration of what monster actually means, in this context most particularly through the character of Inge.

There are universal themes and collective experiences we draw on, but there are also risks involved in writing about war, especially if what you are writing touches on the concentration camps. I was asked why I even wanted to do it, why anyone would write about something as horrific as the Holocaust, and wasn’t it an exploitative thing to do? They are fair questions and were constantly in my mind while I was writing.

Holocaust literature has never been, as odd as it feels to use the word, as popular. There are many theories as to why this is. That the number of survivors is shrinking plays a part, bringing as that does an increased need for remembrance, a need to hold onto accounts that many have only felt able to share years after the actual events took place. The Holocaust has also been described as an embodiment of some of our deepest fears, and that resonates with me. We can pretend such a horror, with its inescapable round-ups and removals and contempt for human life, can never happen again but do we believe that? When we live in a world stained by rising antisemitism and we see children being forcibly snatched from their parents at the Mexican Wall? When we have witnessed genocide in Rwanda and Bosnia and Rohingya?

Like all the generations before us then, we make sense of our world’s cruelties through reading, and telling, stories. Holocaust and WWII literature is part of this: our horror story existing still, albeit just, in living memory. We exorcise our fear of war’s pain and death and separation on the page, but we also we look for hope. The moments of bravery and sacrifice that change a life. Those acts we hope we would be capable of, an uncertainty we hope will never be tested.

Writers will never stop writing on war’s themes, they are too universal. I hope, however, we all recognise that the topic comes with responsibilities.

We cannot glorify war. We cannot romanticise it and make light of its horrors. We cannot use its realities carelessly, creating situations that cannot possibly have happened and blunting or belittling what could. We must do our research and root our characters in real events which we handle with care.

Those were my rules when writing The Fortunate Ones. If I’ve achieved nothing else, I hope in those I’ve been true.

Many thanks, Catherine. As an author who has written four novels featuring war, your words resonate for me and I am sure they will resonate with many others. In our current world of ‘proxy wars’, we should be even more mindful of the horror and obscenity war brings.

The Fortunate Ones by Catherine Hokin ~~ Every day he stood exactly where he was directed. He listened for his number, shouted his answer in the freezing cold. He was ragged and he was starving, but he was alive. He was one of the fortunate ones whom fate had left standing. And he needed to stay that way. For Hannah.

Berlin, 1941. Felix Thalberg, a printer’s apprentice, has the weight of the world on his shoulders. His beloved city is changing under Nazi rule and at home things are no better – Felix’s father hasn’t left the house since he was forced to wear a yellow star, and his mother grows thinner every day.

Then one night, Felix meets a mysterious young woman in a crowded dance hall, and his life is changed forever. Hannah is like a rush of fresh air into his gloomy, stagnant life and Felix finds himself instantly, powerfully infatuated with her. But when he tries to find her again, she’s vanished without a trace.

Was Hannah taken away by the Gestapo and held prisoner… or worse? When Felix himself is imprisoned in Sachsenhausen concentration camp, his thoughts are only for her safety. And when a life-threatening injury lands him on the ward of Dr Max Eichel – a Nazi medical officer with a sadistic reputation – his love for his lost Hannah sees him through the pain.

Until one day Dr Eichel brings his pretty young wife to tour the camp and Felix’s world is thrown off-kilter. Framed in the hospital window he sees – impossibly – the same girl he met that fateful night… her wrist in the vice-like grip of the deathly calm SS Officer. And it’s clear Hannah recognises him at once – there is no mistaking her expression, she has been dreaming of him too…

FOR MORE ON READING & WRITING HISTORICAL FICTION  FOLLOW A WRITER OF HISTORY (using the widget on the left sidebar)

M.K. Tod writes historical fiction. Her latest novel, TIME AND REGRET was published by Lake Union. Mary’s other novels, LIES TOLD IN SILENCE and UNRAVELLED are available from Amazon, NookKoboGoogle Play and iTunes. She can be contacted on Facebook, Twitter and Goodreads or on her website www.mktod.com.

The Garden of Evening Mists

My Toronto book club discussed Tan Twan Eng’s THE GARDEN OF EVENING MISTS last week. The verdict was resoundingly in favour of this powerful novel of memory and forgetting, war and peace, love and hate. Although there were points of criticism, most felt the writing style – particularly the descriptive portions, and there are a lot of those – is evocative and beautifully done. The novel is atmospheric and restrained. No one was surprised that it had been nominated for the Man Booker prize.

There was some debate about the main character, Judge Teoh Mun Ling, whose story drives the novel. Some found her persona rather flat while others appreciated her reserve, her passion and the strength she portrays. We see her during WWII and the occupation of Malaysia (then Malaya) by the Japanese when she was a prisoner of war, during the communist insurgency that followed and later in life when she confronts and records her past.

Memories I had locked away have begun to break free, like shards of ice fracturing off an arctic shelf. In sleep, these broken floes drift toward the morning light of remembrance.

Nakamura Aritomo – the other main character – intrigued our reading group. A former gardener to the Japanese Emperor Hirohito, he’s austere, dedicated, enigmatic, passionate, and a master at designing and building gardens that reflect the landscape and deceive the eye. He’s also a master tattooist, a skill that ultimately becomes an unexpected twist in the story.

In terms of criticism, some thought the story moved too slowly and that the multiple time periods and large group of characters were confusing. One of our members felt the book should have been edited down at least 50 pages, if not more. Two people chose not to finish the novel. And there was considerable discussion of the rather flat voice of the narrator – Mun Ling.

Everyone agreed that we’d learned a lot about WWII in that part of the world along with the hardship and brutality suffered during Japanese occupation and appreciated the opportunity to read a novel set in such a different part of the world.

As for me, I’m giving it 4 stars on the Goodreads scale. I believe it’s a novel that deserves to be read slowly and I suspect that I would get even more from the story if I were to read it a second time.

FOR MORE ON READING & WRITING HISTORICAL FICTION FOLLOW A WRITER OF HISTORY (using the widget on the left sidebar)

M.K. Tod writes historical fiction. Her latest novel, TIME AND REGRET was published by Lake Union. Mary’s other novels, LIES TOLD IN SILENCE and UNRAVELLED are available from Amazon, NookKoboGoogle Play and iTunes. She can be contacted on Facebook, Twitter and Goodreads or on her website www.mktod.com.