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Elinor Florence lives in small town British Columbia. After a long and varied career in journalism, Elinor now writes historical fiction and has a passion for WWII. With Remembrance Day and Veteran’s Day less than a week ago, it’s fitting to feature her latest novel Bird’s Eye View, set during WWII.

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Historical fiction doesn’t necessarily mean ancient history. The broadest definition of the genre includes any novel written at least fifty years after the events took place.

Fifty years ago we were living in 1969, so somewhat alarmingly, even fiction set in my high school years would fall into the historical category.

Since I began my wartime novel Bird’s Eye View just six decades after the Second World War ended, I was able to do “living research” — that is, I didn’t have to resort to dusty tomes in a library to find out what happened. I could simply ask the people who were there.

That, my friends, was a double-edged sword.

On the one hand, I gathered colourful details of personal experience from people who lived through the war, either as participants or observers, and wove them into my novel for authenticity.

On the other hand, it meant that I was figuratively mopping the perspiration from my forehead with a hanky while writing, because I knew that every page would be scrutinized by real live people who knew what I was writing about!

Bird’s Eye View tells the story of a fictional Saskatchewan farm girl who joins the air force in the Second World War and becomes an aerial photographic interpreter in England, searching for bomb targets on the continent. Letters from her family and friends keep her in touch with the home front back in Canada.

It is the only novel ever written featuring a Canadian woman in uniform as the main character. To gather information, I interviewed many veterans, both male and female. My lifelong career as a journalist assisted greatly during this process. I included so much genuine historical detail that I call my novel fact-based fiction.

The combat stuff was fairly easy to garner, since much has been published about battles and military strategy (all of it written by men, I might add.) However, my novel isn’t a mere recitation of dry facts.

I wanted to bring the power of human emotion into my story. I interviewed male veterans for their feelings of fear, and grief, and homesickness, and their tremendous longing for the war to end. Many readers have told me that the book moved them to tears.

The research got more difficult when I turned to women in uniform. In spite of the fact that 50,000 Canadian women served during the war, very little has been written about them.

That’s not an exaggeration — I couldn’t even find an accurate description of a Royal Canadian Air Force Women’s Division uniform, let alone the training they received and the jobs they performed.

So I relied heavily on personal interviews, and it is here that my living research really bore fruit — not only for the basic information, but for the wonderful anecdotes that women told me.

For example, a Canadian air force veteran named Lou Marr who trained as a photographer told me that when the weather was hot, and the darkroom was sweltering, the girls would strip down to their undies while developing their photos because nobody could enter the darkroom as long as the red light over the door was turned on. That’s exactly the sort of detail that never found its way into the written record — the men didn’t even know it was happening!

Another example: a British air force veteran named Eileen Scott who worked at RAF Medmenham, the beautiful stone mansion in England that served as the headquarters for photo interpretation and the setting for my novel, told me that although pets were strictly forbidden, the girls had a secret cat who climbed up the wisteria vines late at night and scratched at their windows. Hence the cat’s name: Wisty.

These details and many others gleaned from oral history made their way into my novel — that the new female recruits drilled so long and hard that many stopped having their periods; that servicewomen often threw away their gas masks and used the containers as handbags; that women back home on the farm had trouble controlling the horses and cattle while the men were overseas.

My mother, who lived near an air training base in Saskatchewan as a teenager and therefore had a bird’s eye view of the home front, was extremely helpful. Almost every day I phoned her to ask questions like this: “What was a post office savings account?” or “Did you ever dance The Lambeth Walk?” In gratitude, I dedicated my novel to her.

Finally, I wove a poignant true life story into my novel. My mother was engaged during the war to a young airman from Tasmania named Maxwell Cassidy, who was accidentally killed while still training in Canada. He never saw home again, never even lived long enough to see combat overseas. His body still lies in a cemetery in North Battleford, Saskatchewan, a huge air training base during the war and my hometown.

Through the internet, I tracked down the Cassidy family in Australia and asked permission to use Max’s name in my novel. They were overjoyed to learn that my mother was still alive and remembered this fine young man with great fondness — living history, indeed.

And because I wanted their stories to be preserved, I have written the true accounts of Maxwell Cassidy, plus all the other male and female veterans I interviewed, on my website here: https://www.elinorflorence.com/blog/category/wartime-wednesdays/.

Some of these veterans are still alive. I’m so thankful that I was able to record their living history, and more importantly, for the opportunity to thank them in person for their contribution to the Allied victory.

Note: I have since written a second novel, Wildwood. It’s a contemporary novel with a strong vein of 100-year-old prairie pioneer history running throughout. For this novel, I wasn’t able to interview living pioneers but instead relied heavily on dozens of personal memoirs written by homesteaders.

Many thanks, Elinor. Stories about women serving during WWII are an important reminder of those whose wartime service we honour on Remembrance Day and Veteran’s Day.

PS: I love your story about the Australian Cassidy family.

Bird’s Eye View by Elinor Florence ~~ Rose Jolliffe is an idealistic young woman living on a farm with her family in Saskatchewan. After Canada declares war against Germany in World War II, she joins the British Women’s Auxiliary Air Force as an aerial photographic interpreter. Working with intelligence officers at RAF Medmenham in England, Rose spies on the enemy from the sky, watching the war unfold through her magnifying glass.

When her commanding officer, Gideon Fowler, sets his sights on Rose, both professionally and personally, her prospects look bright. But can he be trusted? As she becomes increasingly disillusioned by the destruction of war and Gideon’s affections, tragedy strikes, and Rose’s world falls apart.

FOR MORE ON READING & WRITING HISTORICAL FICTION  FOLLOW A WRITER OF HISTORY (see left hand sidebar)

M.K. Tod writes historical fiction. Her latest novel, TIME AND REGRET was published by Lake Union. Mary’s other novels, LIES TOLD IN SILENCE and UNRAVELLED are available from Amazon, NookKoboGoogle Play and iTunes. She can be contacted on Facebook, Twitter and Goodreads or on her website www.mktod.com.