I purchased Geraldine Brooks‘s latest novel The Secret Chord for the twenty-hour trip home from New Zealand. It’s set around 1000BC in the second iron age, the time of King David and had all the qualities I was looking for:
- long story – check;
- interesting historical times – check;
- excellent author – check;
- intriguing first page – check.
Most of us know the story of David and Goliath, but how many know of David’s life after that? According to the Books of Samuel, David was the second king of the united kingdom of Israel and according to New Testament accounts, an ancestor of Jesus. In addition to his skills as a leader and military man, King David was a brilliant musician and composer. According to the International Fellowship of Christians and Jews, “It is safe to say that David’s musical genius and commitment to the worship of God cast a refreshing shadow over the entire book of Psalms.”
The Secret Chord reveals the man behind the legends, a man with both great strengths and great failings. Told from the perspective of Natan (Nathan), the king’s prophet, Brooks has created a compelling drama of David’s life. I couldn’t put it down.
Using the the top attributes of favourite historical fiction from the 2013 historical fiction survey, here’s my perspective. (I should confess that I did not read with pen in hand, which means I have no detailed notes from which to write a review.)
(1) Feeling immersed in time and place – right from the prologue I was in a long ago time “I have laid my head down in many places–on greasy sheepskins at the edge of battlefields, under the black expanse of goat hair tents, on the cold stone of caves and on the scented linens of palaces” … “from across the wadi, I can hear the thin squeal of the planes scraping upon the logs. Hard work to get these trees here, felled in the forests of the Lebanon, lashed together into rafts, floated south on the sea, dragged up from the coast by oxen … soon the king will come .. I know when he arrives by the cheers of the men. Even conscripted workers and slaves call out in praise of him …”
Brooks engages all senses immediately and consistently throughout the story. She offers names, language and imagery of the time: merkavot for chariot, stela for an upright stone slab, “picking at the skein of my deeds like a woman at her weaving basket”, eved hamalek which means servant of the king, Beit Lehem for Bethlehem — and these are in the first chapter.
(2) Superb writing – Brooks’s prose flows almost like a song, giving the feeling that she has polished every phrase to a glossy, lyrical shine. Scenes are well structured, and very little – whether dialogue or description – seems superfluous. Long sentences are artfully interspersed with shorter ones to provide pleasure in the reading. Each chapter left me eager to turn the page.
(3) Characters both heroic and human – kings, generals, prophets, warriors, royal wives and their children populate the story with jealousies and love, heroic deeds and barbaric ones, great wisdom and blind stupidity, loyalty and betrayal, deaths and births, friends who become enemies, enemies who become friends.
Told through Natan’s voice in first person, two characters dominate, King David and Natan his prophet, although many others enrich the story. Through David’s eight wives we see great love and passion as well as political shrewdness and cruelty. His pampered sons and daughter show us the tender side of King David along with his blindness to their faults and rivalries. Those who are trusted advisors include David’s nephew Yoav (Joab) who becomes his leading general.
(4) Authentic and educational – In The New York Times Book Review, Geraldine Brooks refers to King David as a man who “shimmers between myth and history in the Second Iron Age.” She describes Natan as “a Hebrew prophet, which means he’s a much blunter truth-teller” and “the pebble in the shoe, the goad in the hide, a courtier who doesn’t always have to be courtly, because it’s understood that he serves a higher power.”
Brooks gives us a full accounting of David’s rise to power, the forging of a unified nation from the tribes of Judah and Israel, the formation of what will eventually be called Jerusalem and the destruction of all but one of David’s sons.
Although David’s authenticity is disputed, Brooks declares she is “with the British politician Duff Cooper, who says he did [believe], since no people would make up such a flawed figure for a national hero.”
And even if he didn’t live, The Secret Chord offers a clear window into the way people lived, thought, fought, and survived so long ago and the faith that sustained them.
(5) Dramatic arc of historical events – Geraldine Brooks has written a superb drama. Every chapter reveals the dilemmas and challenges of the times, building to a climax that is hugely rewarding. The Secret Chord, whether based on myth or truth, will captivate you from beginning to end.
Two additional thoughts: (1) time shifts were not always distinct, so I occasionally struggled to know where I was in the story, and (2) at the beginning, ancient names like Shmuel for Samuel and Shaul for Saul added unnecessary challenge to deciphering who was who.
I’m stingy with five star reviews, but, in my opinion, this one deserves such a rating.
For the highlights of King David’s tumultuous life check out this article on Wikipedia.
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M.K. Tod writes historical fiction and blogs about all aspects of the genre at A Writer of History. Her latest novel, LIES TOLD IN SILENCE is set in WWI France and is available from Amazon, Nook, Kobo, Google Play and iTunes. Her debut novel, UNRAVELLED: Two wars. Two affairs. One marriage. is also available from these retailers.