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A Writer of History

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A Writer of History

Tag Archives: Tracy Chevalier

Writing historical fiction – greatness and great times

07 Monday Jan 2013

Posted by awriterofhistory in Historical Fiction, Historical Fiction Survey, Top Historical Fiction Authors

≈ 24 Comments

Tags

Alison Weir, Anya Seton, Bernard Cornwell, CJ Sansom, CW Gortner, Deanna Raybourn, Diana Gabaldon, Elizabeth Chadwick, Ellis Peters, Georgette Heyer, Hilary Mantel, Jacqueline Winspear, Jane Austen Dorothy Dunnett, Jean Plaidy, Ken Follett, Larissa MacFarguhar, Margaret George, Michelle Moran, Patrick O'Brian, Philippa GRegory, Sharon Kay Penman, Susan Higgonbotham, The New Yorker, Tracy Chevalier

Some time ago, Larissa MacFarquhar wrote about Hilary Mantel in The New Yorker. What struck me at the time is the notion that Mantel doesn’t ”believe in inventing greatness where none exists” and ”feels she can write about greatness only in historical moments that have already proved ripe for its flourishing. She believes that there are no great characters without a great time; ordinary times breed ordinary people”. Mantel implies that our present times are ordinary not great.

Does the favourite authors list from my survey imply that readers like to read about great times? Let’s have a look.

Sharon Kay Penman – Richard III, King John, Henry III, Edward I, Henry II and others

Philippa Gregory – War of the Roses, Katharine of Aragon, Tudor England, 18th C slave trade

Elizabeth Chadwick – knights and crusades, King John, Henry I, Eleanor of Aquitaine

Diana Gabaldon – mid to late 18th C time travel

Bernard Cornwell – Napoleonic Wars, Arthurian times, Alfred the Great, Hundred Years War

Ken Follett – WWI, WWII, Henry I and King Stephen plus contemporary times

Anya Seton – mid 19th C, Aaron Burr, John of Gaunt & Katherine Swynford, 17th C US, Anglo Saxon England

CW Gortner – Elizabeth I, Catherine de Medici, Spanish Queens Isabella and Juana

Alison Weir – Eleanor of Aquitaine, Elizabeth I, Tudor times, Lady Jane Grey, many non-fiction books

Margaret George – Mary Magdalene, Cleopatra, Mary Queen of Scots, Helen of Troy, Elizabeth I

Georgette Heyer – Regency romance, contemporary and historical thrillers, William the Conqueror

Michelle Moran – Napoleonic times, Madame Tussaud, Nerfertiti, Nefertari, Cleopatra’s daughter

Jean Plaidy - Norman times, Plantagenet, Tudor, Stuart, Charles II, Queen Victoria

CJ Sansom – series set in time of Henry VIII

Jane Austen – wrote about her own times so not technically historical fiction

Dorothy Dunnett – 15th and 16th centuries, William the Conqueror

Ellis Peters – 12th century Cadfael series, English murder mysteries

Susan Higginbotham – Edward II, Edward III, Henry VI, Henry VIII, War of the Roses

Tracy Chevalier – eclectic mix of periods and subject matter

Jacqueline Winspear – aftermath of WWI

Patrick O’Brian – Napoleonic Wars

Deanna Raybourn – mysteries set in Victorian times

My conclusion is that readers enjoy reading about greatness and great times. What do you think?

Tracy Chevalier – Remarkable Creatures

26 Monday Nov 2012

Posted by awriterofhistory in Historical Fiction, Top Historical Fiction Authors, Writing Process

≈ 3 Comments

Tags

book review, historical fiction, Remarkable Creatures, ten ingredients of successful historical fiction, top historical fiction authors, Tracy Chevalier

I’m going to try something different. A few posts ago, I wrote about the ten essential ingredients for successful historical fiction. Remarkable Creatures by Tracy Chevalier is the first novel I’ve finished reading since that post. Chevalier was in the top historical fiction authors list so, why not rank her story against the list of essential ingredients?

Like a teacher marking the first exam of many or a judge ranking the first of many glorious dives, I will probably err on the side of being critical rather than generous. My apologies to the author.

Remarkable Creatures is the story of Mary Anning who has a unique gift: ‘the eye’ to spot fossils no one else can see. When she uncovers an unusual fossilized skeleton … she sets the religious community on edge, the townspeople to gossip – and the scientific world alight with both admiration and controversy. Prickly Elizabeth Philpot … becomes Mary Anning’s unlikely champion and friend, and together they forge a path to some of the most important discoveries of the nineteenth century.

(1) superb writing – Chevalier’s prose is a delight but I found her pacing too leisurely although one could argue that the pacing suits a character of quiet gentility like Elizabeth Philpot and the seaside town of Lyme Regis in the 19th century. The dialogue works very well, a great blend of speech patterns that identify the time and circumstances of various characters without weighing the story down in colloquial phrases and speech patterns. In terms of emotional resonance, I identified with Elizabeth’s desire to make a life for herself and her willingness to be unconventional, and empathized with Mary Anning’s passion for fossil hunting and her fierce drive to help support her family. The plot twists and turns although the story remains subdued. 7/10

(2) dramatic arc of historical events – Chevalier structures the story by tracing the timeline of Anning’s major finds using alternating first person narratives of her main characters, Elizabeth and Mary. While I found each voice engaging, ultimately the calm unfolding of this first-person narrative undermines the drama of discoveries that must have turned the scientific and religious world upside down. For me, tension was missing. 6/10

(3) characters both heroic and human – In my opinion, Chevalier gets top marks for her portrayal of the two main characters and through their eyes, other characters such as Colonel Birch, William Buckland, Elizabeth’s sisters and Mary’s mother Molly also come alive. 9/10

(4) immersed in time and place – every historical novel comes with expectations of the time in which it is written. As a purchaser, one expects to be transported to another world and like a hypnotist’s subject I was ready to dwell in the early 19th century the moment I opened Remarkable Creatures. On page 9, this sentence was the compelling step back in time: “Once our brother married there would be neither the place nor the money for us all to live at Red Lion Square.” Descriptions of Elizabeth’s brother John, Lyme Regis, the Assembly halls and Margaret’s one chance to capture a husband solidified the era for me and Chevalier held all senses firmly in that period. 8/10

“The bathing machine, a little closet on a cart, had been pulled far out into the water to give her privacy.”

“And they find Bishop Ussher’s calculation of the world’s age as six thousand years comforting rather than limiting and a little absurd.”

Describing a salve made by Elizabeth’s sister Margaret, “made of beeswax, turpentine, lavender, and yarrow.”

“I expect your ichthyosaurus has a place in Aristotle’s Great Chain of Being.”

(5) corridors of power – Chevalier writes convincingly of the small town minister who is scandalized over Elizabeth Philpot’s notions that God’s creations might have become extinct, science battling religion. She also positions the leaders of England’s Geological Society and noted French naturalist and zoologist, Baron Georges Cuvier, as masters of their domains of power in evolving scientific thought. Another corridor of power is that of gender in the early 19th century. Men had all the power, brother over sister, husband over wife, even Philpot’s young nephew has more power than Elizabeth to enter the premises of the Geological Society at a crucial point in the novel. 7/10

“Besides which Mary Anning is a female. She is a spare part.”

“God in his infinite wisdom has peppered this world with mysteries for men to solve.”

(6) authentic and educational – I now know a lot about fossils, fossil hunting, and the debates prompted by Mary Anning’s discoveries. Remarkable Creatures also illuminates the prejudices of the times – the role of women, the spinster’s lot in life, country versus city, social classes and pecking order. Chevalier brings these details out seamlessly but without interfering with the story’s flow. Through Mary’s discoveries and Elizabeth’s learning the reader also learns. What could be dull, scientific information is anything but. 8/10

“Mr. Buckland handed me the blade, then sat back to watch me scrape along one of the ribs, freeing and brushing away the limestone that clung to it. Slowly a clear line emerged, and because I went at it carefully, the rib weren’t nicked or scored, but smooth and whole.”

“… quarrymen and not considered suitable for any but the most desperate women.”

(7) ageless themes – struggling out of poverty, the destructive power of jealousy, standing up for what you believe in and for people who are powerless, finding one’s identity, dealing with fame, the understanding that freedom has its price. These themes ring out with conviction. 8/10

Elizabeth: “So be it. A woman’s life is always a compromise.”

Mary: “She had too openly flouted the rules of what was expected from a girl in her position.”

(8) high stakes – reputation, friendship and love are at stake in the story. Significant matters although I sensed the outcomes early on which in my mind detracts from the impact. The most compelling matter is the friendship between Elizabeth and Mary. 6/10

In Mary’s voice: “It seemed whenever I found something, I lost something else. I found an ichthyosaurus and lost Fanny. I found Colonel Birch and lost Miss Elizabeth. I found fame and lost …”

(9) sex and love – the only significant male/female relationship is that of Mary and Colonel Birch. Chevalier renders it with charm, creating tension in the telling and a strong sense of poignancy in the conclusion. 7/10

“There I found out that lightning can come from deep inside the body.”

(10) dysfunctional families – the families of Mary and Elizabeth are not dysfunctional, although they operate in ways that modern readers might find unusual. From my perspective, minimal drama emerged from the family dynamics. 5/10

While I enjoyed the story, the characters and Tracy Chevalier’s writing, Remarkable Creatures is a quiet book and not a compelling page-turner. But then, of course, this is only my opinion.

An interesting exercise. What do you think?

Top Historical Fiction Authors – Further News

27 Friday Apr 2012

Posted by awriterofhistory in Historical Fiction Survey

≈ 7 Comments

Tags

Edward Rutherfurd, Lisa See, reading the past, Sarah Dunant, top historical fiction authors, Tracy Chevalier

Did your mother ever tell you that haste makes waste?

Yesterday, after posting the top historical fiction authors, I checked the comments at Reading the Past where Sarah Johnson had also mentioned the top 20, and found a query about Tracy Chevalier. Interesting point, I thought. I certainly loved the two of her books that I read. Perhaps she missed the cutoff point. I decided to check.

I am embarrassed to say that the methodology I used for counting was not sufficiently thorough. As a result, I have now completely redone the count with the assistance of my Excel savvy, and very patient, husband.

Tracy Chevalier along with Sarah Dunant, Lisa See and Edward Rutherfurd should have been included.

Revised Top Authors Lists

Forty names in total. All but Alan Furst, Kate Quinn and Julia Quinn remain on the list in roughly the same order. Congratulations to those who have been added.

  • a few author counts have gone up or down
  • readers chose 29 female authors and 11 male authors
  • as an update to what I reported yesterday, 14 of 58 Cornwell mentions are men; 8 of 37 Follett mentions are men
  • overall, men offered fewer favourites than women (which made counting their entries easier)

Every author mentioned by every survey participant is now accurately reflected in a comprehensive Excel spreadsheet. That’s 2366 names that I can sort and count for future purposes.

I apologize for any inconvenience I may have caused to Sarah Johnson who graciously hosted yesterday’s list.

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  • Favourite historical fiction author – Edward Rutherfurd
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