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Tag Archives: Elizabeth Chadwick

Writing historical fiction – greatness and great times

07 Monday Jan 2013

Posted by awriterofhistory in Historical Fiction, Historical Fiction Survey, Top Historical Fiction Authors

≈ 24 Comments

Tags

Alison Weir, Anya Seton, Bernard Cornwell, CJ Sansom, CW Gortner, Deanna Raybourn, Diana Gabaldon, Elizabeth Chadwick, Ellis Peters, Georgette Heyer, Hilary Mantel, Jacqueline Winspear, Jane Austen Dorothy Dunnett, Jean Plaidy, Ken Follett, Larissa MacFarguhar, Margaret George, Michelle Moran, Patrick O'Brian, Philippa GRegory, Sharon Kay Penman, Susan Higgonbotham, The New Yorker, Tracy Chevalier

Some time ago, Larissa MacFarquhar wrote about Hilary Mantel in The New Yorker. What struck me at the time is the notion that Mantel doesn’t ”believe in inventing greatness where none exists” and ”feels she can write about greatness only in historical moments that have already proved ripe for its flourishing. She believes that there are no great characters without a great time; ordinary times breed ordinary people”. Mantel implies that our present times are ordinary not great.

Does the favourite authors list from my survey imply that readers like to read about great times? Let’s have a look.

Sharon Kay Penman – Richard III, King John, Henry III, Edward I, Henry II and others

Philippa Gregory – War of the Roses, Katharine of Aragon, Tudor England, 18th C slave trade

Elizabeth Chadwick – knights and crusades, King John, Henry I, Eleanor of Aquitaine

Diana Gabaldon – mid to late 18th C time travel

Bernard Cornwell – Napoleonic Wars, Arthurian times, Alfred the Great, Hundred Years War

Ken Follett – WWI, WWII, Henry I and King Stephen plus contemporary times

Anya Seton – mid 19th C, Aaron Burr, John of Gaunt & Katherine Swynford, 17th C US, Anglo Saxon England

CW Gortner – Elizabeth I, Catherine de Medici, Spanish Queens Isabella and Juana

Alison Weir – Eleanor of Aquitaine, Elizabeth I, Tudor times, Lady Jane Grey, many non-fiction books

Margaret George – Mary Magdalene, Cleopatra, Mary Queen of Scots, Helen of Troy, Elizabeth I

Georgette Heyer – Regency romance, contemporary and historical thrillers, William the Conqueror

Michelle Moran – Napoleonic times, Madame Tussaud, Nerfertiti, Nefertari, Cleopatra’s daughter

Jean Plaidy - Norman times, Plantagenet, Tudor, Stuart, Charles II, Queen Victoria

CJ Sansom – series set in time of Henry VIII

Jane Austen – wrote about her own times so not technically historical fiction

Dorothy Dunnett – 15th and 16th centuries, William the Conqueror

Ellis Peters – 12th century Cadfael series, English murder mysteries

Susan Higginbotham – Edward II, Edward III, Henry VI, Henry VIII, War of the Roses

Tracy Chevalier – eclectic mix of periods and subject matter

Jacqueline Winspear – aftermath of WWI

Patrick O’Brian – Napoleonic Wars

Deanna Raybourn – mysteries set in Victorian times

My conclusion is that readers enjoy reading about greatness and great times. What do you think?

Facebook – more fun than I imagined

17 Monday Dec 2012

Posted by awriterofhistory in Connecting Readers & Writers, Industry News

≈ 11 Comments

Tags

Amazon, Elizabeth Chadwick, Facebook, historical fiction community, power of social media, Sharon Kay Penman, social media tools

My Facebook pageTrue confession time – after reading of an editor’s comment that she always checks Facebook before deciding to take on a new author, I decided to get serious about Facebook. That was eight weeks ago. In that time, I’ve found 202 new friends and discovered a world of social interaction that is truly enjoyable.

Although still a relative neophyte, I now know a bit more about how this particular social media tool works. I’ve caught up with friends from the past, seen many pictures of children, grandchildren, dogs and cats, been inspired by words of wisdom that others share and expanded my connections with the historical fiction community. I’ve enjoyed hearing about the successes of new authors and the progress that writers like Elizabeth Chadwick and Sharon Kay Penman are making on their WIPs. Personalities emerge through choices people make about what to post and where to comment. Politics emerge too and I have tried to be careful not to dive into those particular waters. From a sociological perspective Facebook is fascinating!

Then, of course, there’s the opportunity to understand Facebook as a business. Two items come to mind.

  1. Recently I asked my son why he had ‘liked’ an ad for Volkswagon. He said that he had not to which I said, but I’ve seen three of these ‘likes’ in the past few weeks. A bit of head scratching followed and then an aha! Apparently about a year ago he had seen what he thought of as a clever ad for Volkswagon and ‘liked’ it. The folks at Facebook facilitate advertising for companies by putting them in touch with friends of someone who has ‘liked’ their product regardless of how current that activity might be. I suppose the assumption is that your friends will like the same products you do. Facebook owns the information about your friends and can use it for their commercial purposes. Interesting that Volkswagon fails to mention that my son liked their ad 12 months ago. Not surprising, merely new to me.
  2. Facebook seems to be aggregating product mentions on behalf of advertisers and posting them on your timeline as though they were status updates. I saw one today that leverages status updates from two of my Facebook friends where the word Amazon is included. (I won’t post a picture because I don’t want to include the names of friends.)

Both of these examples remind me that there is no such thing as ‘free’ in today’s digital world. I wonder if these commercial aspects are improving Facebook’s share price?

Advice From Top Historical Fiction Authors

14 Friday Dec 2012

Posted by awriterofhistory in Historical Fiction, Writing Process, Top Historical Fiction Authors

≈ 7 Comments

Tags

historical fiction survey, Sharon Kay Penman, Elizabeth Chadwick, top historical fiction authors, CW Gortner, Margaret George, Michelle Moran, Susan Higginbotham, Helen Hollick, Hilary Mantel, advice for writers

When I interviewed some of the top 20 historical fiction authors, I asked each one what advice they would offer to other writers. Here’s what they said.

  • Find a story you are really committed to; write the story that’s in your heart; write what you want (Hilary Mantel, Susan Higginbotham, Helen Hollick)
  • Find an agent if at all possible (Sharon Key Penman)
  • Read and research widely and diligently, then let it simmer (Hilary Mantel, Elizabeth Chadwick)
  • Educate yourself on the world of e-books and self-publishing (Sharon Kay Penman)
  • Trust your gut (CW Gortner)
  • Find your unique voice (CW Gortner)
  • Master your craft (CW Gortner)
  • Shape your drama around history (Hilary Mantel)
  • Don’t bend the facts (Hilary Mantel)
  • Treat historical figures with respect (Susan Higginbotham, Elizabeth Chadwick)
  • Enjoy yourself (Elizabeth Chadwick)
  • Be proud of what you do (Margaret George)
  • Never give up; keep writing (CW Gortner, Michelle Moran)

So, if you are feeling daunted by feedback from your agent, uncertain of plot direction, distracted by Facebook, Twitter and other tools, proud of the day’s word count, disappointed with yet another rejection, exhilarated by some accomplishment, envious of a fellow author’s progress, pleased that you survived NaNoWriMo, or struggling for exactly the right turn of phrase – think of these writers who trod the same path and achieved success.

Listen to their advice, allow it to permeate your writer’s soul.

Books, books, books

05 Friday Oct 2012

Posted by awriterofhistory in Historical Fiction, Top Historical Fiction Authors

≈ 1 Comment

Tags

Anne Perry, Barbara Kyle, Bernard Cornwell, Colleen McCullough, CW Gortner, Deanna Raybourn, Diana Gabaldon, Edward Rutherfurd, Elizabeth Chadwick, Emma Darwin, favourite historical fiction authors, Geraldine Brooks, Harry Sidebottom, Helen Hollick, Hilary Mantel, historical fiction survey, Jacqueline Winspear, John Jakes, Ken Follett, Lindsey Davis, Margaret George, Michelle Moran, Sarah Dunant, Sarah Waters, Sharon Kay Penman, Susan Higginbotham

After conducting the historical fiction survey and discovering a bunch of favourite authors, I decided that I should read as many of them as possible – not all their work but at least one book each. In some cases – Philippa Gregory is an example – I had already experienced the author but others, like CW Gortner or Deanna Raybourn, were unknown to me. So here’s my progress on the top 40, by the way, I’m concentrating on living authors.

READ OR READING

  • Sharon Kay Penman – Time and Chance
  • Philippa Gregory – the latest was Fallen Skies (an early work set in post-WWI times)
  • Elizabeth Chadwick – The Running Vixen
  • Bernard Cornwell – Sword Song
  • Ken Follett – Fall of Giants
  • CW Gortner – The Last Queen and The Queen’s Vow
  • Michelle Moran – Cleopatra’s Daughter
  • Susan Higginbotham – Traitor’s Wife
  • Helen Hollick – Forever Queen
  • Anne Perry – The Sheen on the Silk
  • Geraldine Brooks – People of the Book
  • Jacqueline Winspear – Maisie Dobbs
  • Deanna Raybourn – Silent in the Sanctuary and Silent in the Grave

TO BE READ

  • Diana Gabaldon – one of her Lord John Grey series (since I’ve read almost all of Outlander)
  • Alison Weir – Mistress of the Monarchy (a new author for me)
  • Margaret George – Mary Queen of Scotland and the Isles (such a tragic figure)
  • CJ Sansom – Heartstone (one of his Matthew Shardlake series)
  • Tracy Chevalier – The Virgin Blue (interweaving present and past)
  • Hilary Mantel – Bring up the Bodies (completing the Wolf Hall story)
  • Sarah Dunant – Sacred Hearts (set in a 16th Italian convent)
  • Colleen McCullough – The Independence of Miss Mary Bennet (haven’t read this Australian author since The Thorn Birds)
  • Lindsey Davis – The Course of Honour (another new author)
  • Edward Rutherfurd – Dublin (who can resist Dublin?)
  • Sarah Waters – The Night Watch (WWII is up my alley)
  • Jean Auel – I’ve read them all (no pun intended)
  • John Jakes – On Secret Service (because I enjoy spies)

I have my work cut out for me. I’ll be trying to figure out what makes them such favourites.

PS – I’ve also read The Mathematics of Love by Emma Darwin, Fire in the East by Harry Sidebottom and The King’s Daughter by Barbara Kyle.

Top Historical Fiction Authors Talk about Branding

28 Friday Sep 2012

Posted by awriterofhistory in Historical Fiction, Connecting Readers & Writers, Top Historical Fiction Authors

≈ 4 Comments

Tags

Sharon Kay Penman, Elizabeth Chadwick, favourite historical fiction authors, CW Gortner, Margaret George, Michelle Moran, Deanna Raybourn, Helen Hollick, Hilary Mantel, author brand, brand represents trust, Susuan Higginbotham, JK Rowling, The Casual Vacancy

As James Patterson said in a quote I used several days ago: “Brands are nothing more than trust.”

I asked each of the top historical fiction authors I interviewed what brand they are trying to create for themselves and I thought it might be interesting to look at their responses collectively.

Do not think of myself as having a brand – Sharon Kay Penman and Hilary Mantel

Personal brand – Helen Hollick, CW Gortner and Deanna Raybourn

Series brand – Helen Hollick

Well-researched historical fiction from a less travelled point of view – Susan Higginbotham

Writer of famous women whose names have been obscured by history – Michelle Moran

Historical accuracy married to vivid story-telling that puts the reader there in the moment – Elizabeth Chadwick

Biographicals – Margaret George (something that evolved rather than a planned brand)

Bringing to life misunderstood or maligned characters or eras – CW Gortner refers to this as a possible future brand

Other than Chadwick, none of the authors mentioned great stories as part of their brand, however, since they are all recognized as great storytellers, I’m going to assume that they each would have added that to their brand statement.

Returning to the notion of trust, when we pick up a Margaret George book we know we’re in for a great fictionalized biography of people like Mary Magdalene or Helen of Troy; Susan Higginbotham will bring us lesser know figures from history like Kate Woodville, sister to Elizabeth or Bess de Montacute who marries Hugh le Despenser;  Michelle Moran gives us stories of Cleopatra’s Daughter and Nefertiti; and, Helen Hollick delivers another exciting story about her pirate, Jesemiah Acorne or another instalment in one of her series about King Arthur or King Harold. We trust them. After all, they’re our favourite authors.

So let’s switch to another favourite author, JK Rowling and her just released adult book, The Casual Vacancy. The Huffington Post offers a round-up of reviews with eight relatively negative and only two positive. Reading them, one has the impression that if Rowling was not already famous, she might not have made it past the agent stage.

And what’s my point? JK Rowling has a brand, a wonderful brand that has served her and her readers well for many years. She has abandoned that brand and broken trust with her readers. The jury is out on whether she will be able to establish a new brand.

Historical Novel Society Conference

18 Tuesday Sep 2012

Posted by awriterofhistory in Historical Fiction, Historical Fiction Survey

≈ 4 Comments

Tags

historical fiction survey, historical novel society, Philippa GRegory, Bernard Cornwell, Diana Gabaldon, Elizabeth Chadwick, CW Gortner, Margaret George, Helen Hollick, HNS London 2012, reader opinions revealed, Emma Darwin, Harry Sidebottom

The days are counting down to the Historical Novel Society conference in London which begins on Friday, September 28. I will be there – excitement enough given the potential to meet all sorts of historical fiction enthusiasts as well as listening to noted and celebrated authors like Emma Darwin, CW Gortner, Diana Gabaldon, Elizabeth Chadwick,  Margaret George, Philippa Gregory, Bernard Cornwell, Harry Sidebottom, Helen Hollick.

Already a shiver is going up and down my spine!

Tension elevates the excitement – tension from two different sources. One source is that I will be on a panel alongside Justin Neville, Harry Sidebottom and Emma Darwin. The topic, Reader Opinions Revealed, is based on the historical fiction survey I conducted last April and have written about in numerous blog posts.

The second source of tension is an opportunity to chat with an editor about my writing, a brief ‘pitch session’ but nonetheless guaranteed to create anxiety as the time approaches.

Advice, crossed fingers and good wishes welcome :)

Top Historical Fiction Authors Talk About What Attracts Readers

04 Tuesday Sep 2012

Posted by awriterofhistory in Historical Fiction, Historical Fiction Survey, Top Historical Fiction Authors

≈ 3 Comments

Tags

writing historical fiction, historical fiction survey, Sharon Kay Penman, Elizabeth Chadwick, favourite historical fiction authors, Margaret George, Michelle Moran, Susan Higginbotham, Deanna Raybourn, Helen Hollick, Hilary Mantel, C.W. Gortner

Those who are frequent readers will know of the interviews I’ve conducted with top historical fiction authors. Collectively these interviews generated lots of interest and discussion. But … what can we learn by looking across nine favourite authors?

One question I asked was what do you think attracts readers to your books. Let’s have a look.

Sharon Kay Penman: readers appreciate “that I am writing of people who actually lived and events that really happened” and “my efforts to be as historically accurate as humanly possible.”

C. W. Gortner: “readers have told me … I write about human beings, not cliches: that I show flaws and weaknesses as well as strengths” and “find the connections between us … that shared emotional experience”

Hilary Mantel: tries to bring the “best writing she can” to her readers … “finds the dramatic shape in real events” … and regards each novel as a “joint effort between writer and reader”

Susan Higginbotham: tells stories “through fresh viewpoints” and “treats the historical figures … with respect” and “tries to avoid black-or-white characters or cliched characters”

Helen Hollick: ” I think the passion I feel for my characters comes across in my writing”

Michelle Moran: “I hope it’s the historical accuracy and the ability to be transported back in time”

Elizabeth Chadwick: readers tell me “they love the feeling as if they are there in the moment … appreciate that the characters are of their time, believable and not anachronistic … they enjoy the vividness, the colour and also the emotional and historical integrity”.

Margaret George: “people do say they feel like they are really there”

Deanna Raybourn: “I try to tell a good story with characters my readers will care about. I am rabid on the subject of historical accuracy”

Common threads – historical accuracy, characters we can understand and care about, the drama of history, vividness of the time.

Connecting back to the survey – the top three reasons for reading historical fiction are (1) to bring the past to life appreciating how people lived and coped in very different times, (2) because it’s a great story, and (3) to understand and learn about historical periods without reading non-fiction. And the number one response to the question of what detracts from your enjoyment of historical fiction – historical inaccuracies.

No wonder these authors are favourites!

Top Historical Fiction Sites – Historical Tapestry

12 Thursday Jul 2012

Posted by awriterofhistory in Connecting Readers & Writers, Historical Fiction, Historical Fiction Survey, Top Historical Fiction Sites

≈ 5 Comments

Tags

advice for historical fiction authors, connecting readers and writers, Daphne du Maurier, Elizabeth Chadwick, historical fiction survey, historical fiction trends, Historical Tapestry, Michelle Moran, popularity of historical fiction, social reading, Susanna Kearsley

The survey asked readers to list favourite sources for book recommendations. Four top sites emerged from their responses. Historical Tapestry is one of those sites and I am delighted that Marg, Teddy, Kelly, Ana and Alex agreed to be interviewed. Marg kindly colour-coded their responses.

Happily, this week is their blogiversary week. Make sure you drop by for a visit.

Why did you start blogging? Did your group come together to create the blog or did you add folks as time progressed?

Marg: I had a period of seven years where I didn’t read much at all. Once I did return to reading with a vengeance, the next thing was that I wanted to find people to talk to about the books I was reading. I started hanging out on the Oprah books boards where I met Kelly and Teddy and some other bloggers and then I started hanging out on other forums as well. I can’t remember how I found my first book blogs but after watching those blogs I started to think I could do that. Then I read a book that I just HAD to talk about and my book review blog was born.

Teddy: I use to keep a spiral notebook with notes about all the books I read.  I always had such a hard time referring back to any specific book because there was no order.  I was in a book club in Yahoo groups and a couple of the members started their own book blogs.  I started reading them and realized that a book blog would be a much more organized way to keep track of books that I read.  I never dreamed that people would actually read and follow my blog, much less, that publishers would start sending me books to review.  Seriously, who knew?  Then one day I was invited to join Historical Tapestry, wow what an honor that was!

Kelly: I never even really paid a lot of attention to blogs until I decided to have one of my own. I had an old Livejournal account where I sort of rambled, but that was about it and hardly anyone ever followed it. I knew that I liked talking about books, though, which lead me to online areas and then that lead to meeting Marg. She started her blog in November of 2005 and I followed suit in December. It was initially just a fancier place to ramble, just about books this time, but it grew to be much more than that.

Ana: I have always written the titles of the books I read. When I started discovering the internet, one of my first interests was joining book groups and book forums. I started reading everyone else’s blogs and one of my friends challenged me to start one. A few years later I met Marg at one of the books groups, she invited me to join Historical Tapestry and the rest, as they say, is history! 

Marg: In terms of how Historical Tapestry began, I had been chatting with Kelly on MSN Messenger (remember that?) and I said to her I am thinking I would like to do a historical fiction group blog and she said I have been thinking about something similar. I knew Ana from a historical romance focused Yahoo group and initially there were a couple of other people that Kelly and I knew from the Oprah boards. They didn’t stay too long so then we asked Teddy to join us and Alex initially was involved because she did all our fabulous graphics and did a couple of guest posts and then joined permanently.

Kelly: Man, we used to chat on MSN all the time! Now there are so many other ways to chat… Anyway, I remember our initial conversations about starting Historical Tapestry. I even remember the discussion about a name and our search for our first background. (Thankfully we have Alex now, so our backgrounds look much nicer!) It is too bad that our other early members don’t even blog at their own blogs anymore, but I like the group we have now. I did know Teddy a bit, but I only met Ana and Alex through this blog. 

Alex: I’m the latest addition to our group. If my memory is correct, I already knew Marg because we were both in an HF discussion group. Teddy and Kelly I only knew through this blog, but Ana is a good friend of mine for several years now. We used to blog about period dramas (another passion!).

Why do you review historical fiction?

Kelly: I read historical fiction because history is my ‘thing’. I am a huge history buff. I have always been one, too. It was my favourite subject all through school and I took all the variations that were offered. I actually used to read more non-fiction than historical-fiction, but after I graduated from university I was a bit burned out on academic work. And now, my reading interests are just so eclectic it is hard to find time for everything. There are some subjects I still prefer non-fiction to fiction, but for me it is all about experiencing these time periods in a readable way with characters and situations you can get lost in. It just seems to help make history more real when spend time with the characters that lived it. I am not sure if that makes sense, but non-fiction is more aloof than fiction.

Alex: Like everyone in our group, I’ve been interested in history for as long as I can remember. It was really my passion and I even decided to follow this interested and study archaeology and history at university. When I think about it, I enjoy many genres (HF, sci-fi, fantasy, paranormal, non-fiction…), but each time I need a comfort read, most of the time I choose an HF book.

Ana: I read a variety of genres but historical fiction is my first and biggest passion. Like my blog colleagues I have always been interested in history and reading is one way of making the past come alive.

What trends have you seen in HF novels in the past? What new trends are emerging?

Alex: The most recent HF trend that comes to my mind is the Tudor period. I don’t think I ever saw as many books about those times as these past 10 years or so. Right now I’m noticing an interest in Spanish Inquisition, but maybe this is just wishful thinking.

Ana: Yes, I agree that the Tudors were a big trend. I do hope we get to see some other themes soon though.

Kelly: A more recent trend was the large amounts of books related to the Titanic to coincide with the anniversary of the Titanic sinking. One that I find emerging is WWI books with the upcoming anniversary of the start of that war in 1914. I think that those books will become popular in the next little while. I don’t think anything competes with the Tudor obsession, though.

Is historical fiction growing in popularity? If so, why.

Kelly: That’s a really good question. I have been pondering it since I originally read it. I have found that more blogs seems to talk about historical fiction, but it could also be that I am paying more attention to it. There does seem to be books that are transcending their genre and being read more mainstream. It seemed like for years historical fiction was either something you liked or something you found boring. There was no in-between. Now I find that people who swore off historical fiction entirely, and blatantly admit that in their posts, are sneaking one or two in and then slowly historical fiction is becoming a genre they enjoy. Maybe this is just something I hope is happening?

Who are your readers? What do you know about them? Do you collect specific data about them?

Alex: We do know that most of our readers are from North America, but we don’t really look for any detailed information about them. We have several countries represented in our group (Canada, Australia, Portugal and France) and we know that we have readers from all those nationalities too.

Stats from Sitemeter.com

Ana: Other than that we also know their favourite features on our blog: Reviews and The Why I Love Guest Posts

What features does your blog include? What features are most popular? Are you planning to add any features?

Marg: We do have a few features that we use on a regular basis. Personally, my favourite is the WhyILove feature where authors tell us something they love about their characters, or their story/book. I really enjoy seeing what authors are passionate about in their own books and some of the posts we have had have been completely fascinating. Another regular feature is the BooksofaLifetime where we ask our guests to talk about the books and authors that have influenced them as readers and writers. In addition, there are Spotlights on particular series/authors, CoverStory posts about the book covers for specific titles which might just be different editions or covers from different countries.

We have also been known to run weeks focusing on particular authors. For example, we have had SusannaKearsley, ElizabethChadwick and MichelleMoran as our focus over the years. On a larger scale we are currently in the midst of ourfourthseason, where we spend a month talking about particular author – in this case Daphne du Maurier.

When you add in the HistoricalFictionReadingChallenge and the new feature that we are hoping to announce in our upcoming blogiversary, there’s quite a lot on!

Ana: I think Marg pretty much said it all about the features we currently have. I think we probably have to do a new poll to find out what appeals more to our readers but the Challenge is definitely a favourite.

Do you think of the blog as having a brand? If so, what is it?

Marg: I don’t think that we have consciously developed a brand as such, but thanks to Alex’s fantastic graphics I think we definitely have a cohesive feel to our blog, and we have tried to keep that feel going to the other sites that we use as well.

Do you conduct reviews on a paid basis for any other publications?

Ana: No, I only review for the fun of it. I do receive books from authors for review but that’s about it.

Kelly: Same here.

Marg: Nope. Do it all just for the love of it here too.

Why do you think so many people blog about historical fiction or participate in blogs about historical fiction? What are the implications for writers, agents and publishers?

Ana: I think blogs are an easy and fast way to share information about book releases, likes and dislikes. With so many blogs around today you can choose the one(s) that better fits your reading tastes and interact with people who share the same tastes on a daily basis. I think authors and publishers already see that they can use it as a big promotion tool.

What do you see writers doing differently to market their books and build their platforms? What about publishers?

Marg: There is a definite increase in the number of authors who are looking to online sites like blogs etc to publicise their books, whether it be through guest posting, getting reviews etc and social media like Facebook and Twitter. Anything that helps find your audience is a good thing!

What advice do you have for writers?

Marg: Whilst I wouldn’t dare give advice in relation to actual writing, I would say one thing and that is that at the very least you should have some web presence. Some authors manage to blog, be on Facebook, Twitter and Pinterest and so much more. I am not suggesting that all authors need to do that, but at the very least there should be a website where readers can go to find out more about the books you have out.

If you are going to do any of the other stuff like blogging then it is important to be consistent. For example, if your blog hasn’t been updated for more than a year and there is no post saying anything as to why, then it just looks bad and it would be better to have no reference to the blog on your website.

Other than that, write on! There are plenty of avid readers out there who are looking for interesting books, with interesting settings and characters!

Top Historical Fiction Author – Elizabeth Chadwick

04 Wednesday Jul 2012

Posted by awriterofhistory in Historical Fiction, Historical Fiction Survey, Top Historical Fiction Authors, Writing Process

≈ 9 Comments

Tags

a writer's research process, Dorothy Dunnett, Elizabeth Chadwick, favourite historical fiction authors, historical fiction, historical fiction survey, Living the History, Roberta Gellis, Sharon Kay Penman, top historical fiction authors

I am very pleased to announce Elizabeth Chadwick as the fourth interview in the Top Historical Fiction Author Series. In a recent survey of 805 individuals, readers ranked Ms. Chadwick third in the list of favourite authors. A wonderful accomplishment.

I’ve read several of Ms. Chadwick’s books, the most recent being The Running Vixen. Originally published in 1991, the reprint clearly shows that Elizabeth Chadwick’s writing stands the test of time. I was immediately transported to 1126 and immersed in the tale of Adam de Lacey, Heulwen FitzMiles and England in the time of Henry I and his daughter Matilda.

Please use the comments feature if you have questions or comments for Elizabeth.

Why do you write historical fiction?   It began with teenage hormones and falling in love firstly with Keith Michelle when he played Henry VIII in the BBC series about his six wives, and secondly with a French actor called André Lawrence in a series about a handsome French knight living in the holy land in the 12th century. I had told myself stories from earliest memory, always verbal never written down and usually inspired by things that had fired my imagination – frequently cowboys and Indians, horsey stories, or traditional fairytales with a dash of excitement. While on my French actor crush, I began writing my own tale about a 12th century knight who had been born in Syria of Anglo Arab parentage, and decided to return to Europe. I had to research the period because I knew nothing about it. The more I researched the more interested I became and the more the story grew. By the time I arrived at page 500, I knew that what I wanted to do for a living was write historical fiction with strong themes of adventure and romance.  In the decades since then, I have continued to research and the mediaeval period still holds its fascination for me, as does writing about it.

You are clearly very skilled at writing historical fiction. What do you think attracts readers to your books?    I have always written for myself. That was how it began – stories to entertain me, but once they were written and I entered the adult world, I began to wonder if I could write historical fiction for a career for other people to enjoy.  Going from what readers tell me when they write to me, or talk to me on Facebook and Twitter, they love feeling as if they are there in the moment with the characters. They really appreciate that the characters are of their time, believable and not anachronistic, but also accessible. They enjoy the vividness, the colour and also the emotional and historical integrity.

Do you have a particular approach to research and writing?    Once I have decided who or what I am going to write about, my first task is to write a synopsis and the first three chapters that will sell the novel to my agent and editor.  That means a lot of polishing on the thinking and writing front over a short space of time and concentrated area. At this stage I will do preliminary research – enough to know the broad brush strokes and the major points I’m going to be using to dramatise the novel.  Once it’s a done deal, I do the writing and the research alongside each other.There are two  aspects to my research.  One is the must-have detail.  What do I have to know in order to write this novel? That is obviously a primary concern. The other aspect is ‘What might be interesting to know to deepen my awareness of the period I’m writing about and to help develop my characters and their situations?’   In other words I research both specifically and in a more random fashion.  Since I’ve been studying the 11th to 13th centuries for 40 years now, I  have a reasonable working knowledge base, but I’m still aware how much more I don’t know.

I also research in a multidisciplinary way. I research the primary sources to get a general idea of mindset, and by primary sources, I include archaeology and living history. I re-enact with early mediaeval living history Society Regia Anglorum to get a flavour of the life and times and to learn and experiment with the crafts and artefacts of the period. Re-enactment and archaeology bring history off the page and into the  three-dimensional which make all he difference to the writing when my knowledge is filtered through those mediums and returns to the page in novel form.  I go to locations to walk around and get a feel for atmospheres and a closer look at the local history of the area.  Of course one should never ever splurge one’s research into the novel as info dump.  It’s one of the fastest ways to send the poor reader to sleep. However, the more one knows about one’s chosen historical period, the easier it becomes to walk around within that period and the more the characters will be of their time.

Have other writers of historical fiction influenced you and, if so, how have they influenced you?    Several in my early days and for various reasons, not least that all do their research in depth. There are others beyond the three below, but these ladies were probably my major influences when I was starting out.

Roberta Gellis – Among her oeuvre, she has written several very strong romantic historicals set in the Middle Ages. I picked them up during my late teens and early 20s.  Bond of Blood, Knight’s  Honour, The Sword And The Swan, and the famous  Rosalynde Chronicles where I fell head over heels in love with Ian de Vipont – a tall, dark, handsome hero who could have been the generic romance novel cardboard cutout, but proved in Gellis’ hands to be so real that I swear I could see him standing in my room. Roberta Gellis showed me that it was possible to write strong historical romances where the characters were of their time and not modern people in fancy dress.

Sharon Kay Penman.  With The Sunne in Splendor and Here Be Dragons, Sharon showed me the other side of the coin to Roberta Gellis.  i.e. that it was possible to write deeply engaging and romantic (in the best possible use of the phrase) novels about real people and make you utterly bereft that you had to leave them behind when you came to the end of the novel. That you could weave the research into a fantastic story without warping the historical fabric out of true.

Dorothy Dunnett. Whenever I wanted to raise my game, I would read Dorothy Dunnett. Not that I ever have or will raise my game to her level. She was in a league of her own and still is. She taught me a great deal about the imaginative and fearless use of language.

What ingredients do you think make for a top historical fiction author? Do you deliberately plan for these ingredients in your writing?    A top historical fiction author will be someone who can tell a story that brings the past to life while maintaining the historical integrity.  There should be sufficient drama, history, entertainment and food for thought to keep the reader busy from beginning to end, and perhaps go away wanting to know more about the subject, and to read more of the author’s books! I don’t deliberately plan these ingredients, but hope that they happen as a matter of course.

How do you select new stories to tell?    Usually something will spark my interest when I am reading a primary source chronicle. I will think ‘Hmmm, I want to know more about this incident, or this person’. So I will go and find out more, and if that more is interesting and has a full story behind it, then it becomes a viable subject for future work. With William Marshal and The Greatest Knight, I kept coming across him whenever I was doing research on my earlier novels. I knew he’d led a full and adventurous life and I thought it would be interesting to explore in fiction. With the Eleanor of Aquitaine novels which are my work in progress, I know she has been written about before, but there is so much left to find out and to say, that I think my novels will bring a whole new set of facets to her life story.

What advantages do you think come from writing trilogies as you have done? Any disadvantages?    One advantage is a nice long publishing contract, so I can plan a couple of years in advance!  I have time for the characters to develop and change as they would in real life and to flow through the scenes like turning seasons.  Readers become invested in the lives of these characters and are keen to engage with the next instalment. Disadvantages – not so much a disadvantage, but something to be aware of, is keeping it fresh. You can’t suddenly decide you want to write something completely different in the middle of book two. You are in it for the long haul.  It is also better to make sure that your novels stand alone even while being part of a trilogy, so that a reader who picks up book 3 will not be bewildered, and will be encouraged to go back and read books one and two.

What techniques do you employ to write productively?    Backside on seat basically! I set myself a word count of at least 1000 words a day, seven days a week when I’m writing fresh material.  I don’t have a problem with writer’s block, but should the words be flowing more slowly, then I will write my scene as a rough sketch and come back to it later to fill in the colour.  Even though I am writing 1000 words a day, I give myself regular breaks. Some of these breaks will be of the go for a walk, make a cup of coffee type of moments.  Others will be dropping in to Twitter or Facebook for a few moments of chat.  This is extremely productive as it’s engaging with readers and with interested and interesting people. I have to stress that I can do this because it’s the way I work. I’m an extreme multitasker. if you’re someone who needs to sink into your world for hours on end my particular way of working won’t suit you. But if you can work on several levels at once, then it’s a good method. One of my breaks in the day is to go to the gym and this helped keep up my fitness and energy levels. I think this too is important.  Build some exercise into your routine.

Do you think of yourself as having a brand? If so, how would you describe it and how do you reinforce it?    Loosely I think. I haven’t pro actively gone out to build a brand, but that brand has formed around me by a couple of decades of really strong word-of-mouth recommendations by readers.  The perceived view is historical accuracy married to vivid storytelling that puts the reader there in the moment.  Again it’s what I’m told, and what I have built on from there. I run a blog called Living The History which contains essays on different aspects of the mediaeval period and characters I’m studying. (The most popular post is a mediaeval sexuality!).   I have extra historical information at my website.  On a daily basis, I put up books from my reference library and my historical photo archive at Facebook, and talk further about them in response to reader comments.

What do you do to connect with readers?    Simple. I talk to readers at Facebook, Twitter, Good reads and on blogs, and I just treat them as I would like to be treated myself  when talking to someone about a subject I’m interested in.   I chat.  I sometimes have a giggle.  I keep it good-humoured and I’m just me.  It seems to work. I never ever do it cynically either.  You have to mean it; you have to be yourself; and while it’s okay to put the novels and your success at the forefront every now and again, don’t make it a daily habit. Give the readers added value, and they will value you.

What do you know about your readers?    That they are lovely people from all sorts of different backgrounds round the globe who have a keen interest in history and a love of historical fiction. They want to engage; they want to talk history; they want to know.  But they also want to be entertained.  Age and gender are no obstruction.

What data do you collect about your readers?    If they write to me or openly volunteered information, then that tells me something about them, but I don’t go collecting information or keeping tabs on them.  That smacks too much of cynical marketing, and while cynical marketing will get you so far, it’s not always productive for the long haul and the hearts and minds.  I’ve done very well indeed by just being open and natural and me. Readers can smell the whiff of marketing a mile off.  Sometime being full on works, but you really have to know what you’re doing.  It doesn’t suit me.  I prefer the gentler approach with grace.

What strategies guide your writing career?    Professionalism.  Always hand in a manuscript that is the best you can do and ahead of deadline.  Do everything with a whole heart and to the best of your ability.  Play nice with others but always be true to yourself. Sounds a bit like a mantra for life I guess, but then writing is my life.  Keep an eye on the market, but don’t be it’s slave, and don’t get hung upon self-destructive emotions because someone has given you a snarky review or said something unpleasant about you online.  That’s their problem.  Don’t sweat the stuff you can’t change.  I have seen authors get themselves a bad reputation with readers because they bite back at bad Amazon reviews.  It doesn’t matter, really it doesn’t.  Be professional – as I said.

What would you do differently if you were starting again?     It’s a very different world out there now. I would probably network a lot more, and I would really love to have done a history degree  and learned the nuts and bolts of academic study in a dedicated course rather than having picked it up as I’ve gone along.  As a writer I wouldn’t have done anything differently.

Do you have any advice for writers of historical fiction?    Do not defame those who have gone before – maintain the integrity even if your characters are imaginary. You are building a world for your readers and it has to feel real to them, so that means you have to do the research.  You don’t have to dump it into the novel, but you do need it to inform your writing.  It’s like the difference between watching men fight with rubber swords where you can see them bending, and with the real thing with the battle light gleaming off the steel.  C.S. Lewis called it the deep magic, and if you write with that deep magic, audiences will know and appreciate that difference.  I would also add enjoy yourself!

What great insights and information about how you write, Elizabeth. I find the notion of ‘deep magic’ very intriguing. As someone who reached out to contact you for this interview, I can attest to your gentle and graceful approach as well as your professionalism. 

Readers and fellow writers will truly appreciate your candour.

Top Author and Top Blogger Series

04 Monday Jun 2012

Posted by awriterofhistory in Historical Fiction, Historical Fiction Survey

≈ 3 Comments

Tags

historical fiction survey, reading the past, historical novel society, Elizabeth Chadwick, top historical fiction authors, Historical Tapestry, CW Gortner, Margaret George, Michelle Moran, Susan Higginbotham, Deanna Raybourn, Helen Hollick, Passage to the Past, top historical fiction bloggers

I’m pleased to announce a series of interviews with top historical fiction authors and top historical fiction bloggers.

After musing on the historical fiction survey, I thought that a series of interviews with top historical fiction authors and top bloggers would provide interesting insights. I have developed a set of questions and secured the agreement of all four top bloggers as well as seven authors in the top 20 group. Responses will be posted beginning this week.

Questions for top authors include:

  • Do you have a particular approach to research and writing?
  • What ingredients do you think make for a top historical fiction author? Do you deliberately plan for these ingredients in your writing?
  • What brand are you trying to create for yourself?
  • What do you do to connect with readers?
  • What strategies have guided your writing career?
  • What would you do differently if you were starting again?
  • and several more…

Questions for top bloggers include:

  • What new trends are emerging in historical fiction?
  • Is historical fiction growing in popularity. If so, why?
  • What are your marketing strategies for your blog?
  • Why do you think so many people blog about historical fiction or participate in blogs about historical fiction?
  • What advice do you have for writers?
  • and several more…

Top authors who have agreed to participate are: Elizabeth Chadwick (3), CW Gortner (8), Margaret George (10), Michelle Moran (11), Susan Higginbotham (15), Deanna Raybourn ( 17) and Helen Hollick (19). I’ve listed them along with their top 20 position taking into account authors with the same popularity ranking.

The top HF bloggers are: Reading the Past, Passages to the Past, Historical Novel Society and Historical Tapestry.

It will be exciting to hear their responses and see if some patterns emerge. Stay tuned.

 

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