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A Writer of History

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A Writer of History

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Historical Fiction – WWI and WWII Favourites

11 Monday Mar 2013

Posted by awriterofhistory in Historical Fiction, Historical Non-Fiction, Uncategorized, Writing about WWI, Writing about WWII

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Angels in the Gloom, At Some Disputed Barricade, Birdsong, Charlotte Gray, Deafening, In the Garden of Beasts, Letters of Agar Adamson, No Graves as Yet, Shoulder the Sky, The English Patient, The Secret Life of Bletchley Park, Vessel of Sadness, Vimy, Vimy Ridge 1917, We Shall Not Sleep, WWI fiction, WWI Non-Fiction, WWII fiction, WWII Non-Fiction

MyBooks1So many books, so little time is a frequently heard mantra amongst readers. The same notion applies to writers crafting new stories. Reading is essential to writing. According to master storyteller Stephen King, “If you want to be a writer, you must do two things above all others: read a lot and write a lot. There’s no way around these two things that I’m aware of, no shortcut.”

My own collection of books bulges with historical fiction and historical non-fiction as well as a number of books on the craft of writing. Those concerning WWI and WWII have relegated other favourites to lesser shelves and basement hideaways.

mybooks3Some personal favourites:

BIRDSONG by Sebastian Faulks is the “story of Stephen, a young Englishman, who arrives in Amiens in 1910. Over the course of the novel he suffers a series of traumatic experiences, from the clandestine love affair that tears apart the family with whom he lives, to the unprecedented experience of the war itself.” In the introduction, Faulks declares that the theme he explored was “how far can you go?” and “what are the limits of humanity?“

I have never been a student of history. Teachers presented the subject as an exercise in memorization and I never found the rhythm or rationale to glue together facts into a compelling canvas of people with competing interests. In the early days of writing a novel set in WWI, I struggled to find descriptions of battles that were not dense with jargon and the minutiae of warfare. VIMY RIDGE 1917 by Alexander Turner is a slim volume full of maps and timelines, pictures and diagrams all of which helped me understand the unfolding of that great battle and others like it.

While visiting the Vimy memorial in 2010, I purchased LETTERS OF AGAR ADAMSON. Norm Christie, the editor, writes “As a historical document the letters of Agar Adamson stands on their own. But what gives his letters even more depth is the complex and touching relationship with his wife, Mabel Cawthra.” Reading letters is not a narrative experience. Rather, it is one full of gaps, seemingly inconsequential details, occasional outbursts and names of people known only to the letter writer. But if you persist, Agar’s character shines through and you begin to appreciate the real experience of WWI.

Pierre Berton was a well-known and well-loved Canadian author and journalist who dedicated most of his writing to non-fiction tales exploring Canadian history and heritage. VIMY is his account of that famous battle, the horrific conditions of trench warfare and the intensity of preparing to take a ridge that had defeated two earlier assaults. “Drawing on unpublished personal accounts and interviews, Berton brings home what it was like for the young men … who clawed their way up the sodden, shell-torn slopes in a struggle they innocently believed would make war obsolete.” My grandfather survived Vimy Ridge which prompted my desire to incorporate this battle into two of my novels.

Anne Perry wrote a series of WWI novels, one for each year of the war. Although each novel is a self-contained story, collectively they tell the tale of the Reavley siblings, Joseph, Judith and Matthew, and an ominous character called the Peacemaker whose actions threaten the very survival of Britain. I first read AT SOME DISPUTED BARRICADE, and when I realized it was part of a series, read the rest in order: NO GRAVES AS YET, SHOULDER THE SKY, ANGELS IN THE GLOOM, WE SHALL NOT SLEEP. These absorbing stories illuminate the realities of WWI, painting pictures of those who struggled to survive, those who offered support and those who led others to small and great victories.

One day, browsing the shelves of my nearby bookstore, I found DEAFENING by Frances Itani with its story of Grania, a young deaf woman, who falls in love with Jim, a hearing man. “As the First World War explodes across Europe, Jim leaves to become a stretcher bearer on the Western Front, a place filled with unforgiving noise, violence and death. Through this long war of attrition, Jim and Grania attempt to sustain their love in a world as brutal as it is beautiful.“

mybooks4WWII is rife with spy stories. Several have kept me up late at night fearing at any point the capture and torture of one or other fearless agent. Sebastian Faulks comes through with another winner, CHARLOTTE GRAY. “In 1942, Charlotte Gray, a young Scottish woman, heads for Occupied France on a dual mission – officially to run an apparently simple errand for a British special operations group and unofficially, to search for her lover, an English airman missing in action.“

And who did not weep when either reading or watching THE ENGLISH PATIENT? This novel by Michael Ondaatje is a complex but moving tale of love and redemption set in North Africa and Italy during WWII.

With espionage as a theme in one of my novels, THE SECRET LIFE OF BLETCHLEY PARK by Sinclair McKay called to me immediately. I had to know what happened at Britain’s code-breaking centre and the personalities who worked there. McKay delivers, bringing “stories of the ordinary men and women who made it happen” to life while explaining the intricacies of that highly confidential work and world.

My copy of VESSEL OF SADNESS originally belonged to my stepfather. It is a story of those who fought and died in 1944 at Anzio, Italy. After the invasion of Sicily, the Allies slowly made their way into Italy, taking piece by painful piece of that country from the Germans. An assault originally imagined to be swift, played out over months and months of gruelling effort. Vessel of Sadness spares no detail of the true story to capture the Alban Hills. Based on his own experiences in the British army, William Woodruff’s tale is brutal and achingly human.

Erik Larson writes non-fiction that reads almost like fiction. The New York Times review of his book IN THE GARDEN OF BEASTS said “there has been nothing quite like Mr. Larson’s story of the four Dodds [William, his wife Mattie, daughter Martha and son William Jr], characters straight out of a 1930s family drama, transporting their shortcomings to a new world full of nasty surprises.” If you seek to understand pre-WWII Germany, this is one of the best and most readable sources.

Below is a list of some other novels and non-fiction works I have on my real and electronic shelves. All have played a part to inform my writing.

WWI

  • Marching as to War – Pierre Berton
  • The Serpent’s Tooth – Michelle Paver
  • The First Casualty – Ben Elton
  • Three Day Road – Joseph Boyden
  • A Soldier of the Great War – Mark Halprin
  • Life Class – Pat Barker
  • Maisie Dobbs – Jacqueline Winspear
  • Fall of Giants – Ken Follett
  • Elsie and Mairi Go to War – Diane Atkinson

WWII

  • Resistance – Anita Shreve
  • Hornet Flight – Ken Follett
  • The Good German – Joseph Kanon
  • The Spy Who Spent the War in Bed – William B. Breuer
  • Unlikely Soldiers – Jonathan Vance
  • Inside Camp X – Lynn Hodgson
  • Restless – William Boyd
  • Fallen Skies – Philippa Gregory
  • Operation Mincemeat – Ben Macintyre

I’m sure I’ll find and read more, unless, of course, I decide to write stories of another era :)

An old gig called me back

12 Wednesday Dec 2012

Posted by awriterofhistory in Uncategorized, Writing Process

≈ 10 Comments

Tags

career path, Mary Tod, my writing, workshop facilitation

After more than three years writing full-time a very good friend asked me to help her run a client workshop with over 120 people in attendance, so last week was a topsy turvy one with conference calls, prep work and a day-long client facilitation event. Phrases like consensus building, communication strategy, stakeholder engagement, business model, goals and principles, and governance structure filled my head. Just like exam preparation, I studied the players involved, made notes on their issues, checked facts and figures and then reminded myself of effective facilitation techniques.

Workshop ImageThursday night I readied my briefcase (!!) and set the alarm for 5:45. Friday morning I was downtown by 7 and with coffee in hand organized flip charts, chairs, coloured markers and posted a page reminding participants of proper etiquette like turning off cell phones, respecting diverse viewpoints, and allowing others to be heard. As people filtered in, the chatter built like gathering thunder until just before 9 when I could hardly hear myself think. My friend approached the podium, my stomach tightened. Showtime.

Surging energy. A whirl of faces. The sharp smell of marker pen. Pages and pages of flip charts. Spilled coffee. Smiles and frowns. Slumped shoulders. Arms akimbo. Aching feet. Then before I knew it, we were done.

I used to do this kind of work for a living. And now I write historical fiction. The contrast could not be greater.

The Next Big Thing … Follow Up

07 Friday Dec 2012

Posted by awriterofhistory in Historical Fiction, Uncategorized, Writing Process

≈ 1 Comment

Tags

blog hop, Geoffrey Fox, Kirstie Olley, Literature & Society, Richard Sutton, Saille Tales, Sophie Schiller, Storybook Perfect

The Next Big ThingLast Wednesday I posted a series a questions and my answers for a blog hop called The Next Big Thing. I tagged four people for December 5th and I’m excited to share links to their posts:

Richard Sutton of Saille Tales

Sophie Schiller of SophieSchiller.blogspot.com

Geoffrey Fox of Literature & Society

Kirstie Olley of Storybook Perfect

Have a look at what they are writing and where they found their inspiration.

Historical Fiction Writer Beverly Magid

11 Thursday Oct 2012

Posted by awriterofhistory in Uncategorized

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Several weeks ago I connected with Beverly Magid who has written two historical fiction novels. Like many others, Beverly has chosen the self-publishing route and I thought it might be interesting to feature a few authors who have taken that path. Here’s Beverly’s story using many of the same questions I asked the top historical fiction authors.

Why do you write historical fiction?    I don’t think I started out to write historical fiction.  But my stories develop from characters that I am drawn to.  With Sown in Tears it was something that my father said on a tape he recorded about growing up in Russia.  I had heard about the hardships the family endured, but it was specifically his description of my grandmother trying to keep him from getting sick during the influenza epidemic of 1918, when millions died.  She moved him from one relative’s house to another, hoping to stay one step ahead of the disease.  The image of her being so fiercely protective stuck with me for a long time.  I finally had to see if I could develop a story about a mother in hard times.  My protagonist is definitely not my grandmother, but I hope I did justice to her maternal qualities.

As for the first book, Flying Out of Brooklyn, it’s set in one of my favorite decades, the 1940’s.  Because of World War 2, women suddenly had opportunities to work in areas that had been the sole province of men. They were needed to take the place of the men who were off fighting and life changed in every aspect for the women.

What was the impetus to change from journalism and PR work into writing historical fiction?    The changes in my career evolved.  I lived in New York, had been an aspiring actress, which meant doing many different kinds of jobs.  But something that always interested me was writing, scribbling stories and poems as a child.  Language has a great power to affect, whether spoken or written.  One of my jobs when I was looking for acting work (and getting mainly off-off-off Broadway opportunities), was working for a weekly music/radio publication.  We’d work all night putting together record reviews, interviews, stations ratings and it gave me the first chance to do a lot of the writing.  A friend wanted me to work with her public relations firm and I elected to start an office for her in Los Angeles. In turn I was hired to start a broadcast column for a music industry magazine, which then led me to an established public relations firm where I branched out into film, theater and celebrity personalities, in addition to music.  But all the time I was still scribbling stories. At a writers workshop I met Janet Fitch (White Oleander, Paint It Black) who introduced me to other writing teachers and finally asked me to join her own private workshop, with the idea of developing a novel.  Again it was two characters I liked, from a short story which I didn’t like, that was the basis for Flying Out of Brooklyn.

Do you have a particular approach to research and writing?    I wish I could say I have a particular approach to writing.  It’s mainly getting me to sit down and not get up for several hours.  I find I can’t keep going an entire day and I envy those writers who say they do.  The research depends on what time period I’m writing about.  The 1940’s was more easily accessed through back issues of the New York Times and the Brooklyn Daily Eagle.  Information about 1905 in Russia came through the archives in the Yivo Institute in New York, plus many other books and forays onto Google. During the time I researched Brooklyn, for  Flying Out of Brooklyn, I did find a neighborhood in Williamsburg which looked exactly as I imagined the neighborhood in my novel. For Sown in Tears, I also traveled to Russia and the Ukraine, which took me to the areas of earlier shtetls (towns or villages), where the Jewish communities were forced to live. I spoke to some of the surviving residents whose families once came from those areas. But again, once I gathered the information, I had to absorb it and let it go, writing mostly from my imagination.

Have other writers influenced you and, if so, how have they influenced you?    My influences don’t just come from historical writers, but good writers of any genre.  But some writers I treasure include, to mention just a few, Hilary Mantel (Wolf Hall), Markus Zusak (The Book Thief), Irene Nemirovsky (Suite Francaise), Tolstoy, Edna O’Brien (everything she wrote), the aforementioned Janet Fitch, the plays of Tennessee Williams, Arthur Miller, the stories of Alice Monroe.  They all have the gift of language, setting a scene so you can almost smell the air, feel the temperature, taste the food on the table, involving all the senses of the reader.

How do you select new stories to tell? Do you think of yourself as having a brand?    I know in today’s world, branding yourself and your writing is a major marketing ploy, but in general I think of myself as being eclectic and not easily pinned down.  However, the issues of women, of any era or age, get a big priority in my writing.  Although both heroines happen to be Jewish, I think of their story as being universal and relevant to women everywhere.  And I hope that the problems that my male characters face are ones that men will recognize no matter who they are.

What techniques do you employ to write productively?    As for my productive writing techniques, they amount to recommitting myself to the story and not allowing myself to get bogged down with emails, twitters, Facebook or re-runs of Law & Order until I’ve finished that day’s work and it’s dark outside.  I won’t tell you how often I actually succeed.

Can you tell us a little about taking a self-publishing path?    I finally chose to go with self-publishing because this approach is no longer stigmatized even by traditional publishers.  After taking as long as I do with the writing of the book, I found myself too impatient to wait for agents and publishers to make up their minds.  Many praised the writing but were looking for that next big blockbuster.  It’s amusing to realize that the latest blockbuster, Fifty Shades of Gray, was actually self-published first.

For Sown in Tears, I am working with a firm to help me navigate the social media/internet channels and of course I’m reaching out to previous readers, libraries, religious groups and women’s organizations.  Speaking to groups, doing book signings, answering fans’ emails, blogging, all helps to connect you to your readers.  And I love it.  It’s always amazing how differently people see your work and relate to it.  I learn from all of the exchanges.

What strategies guide your writing career?    The only strategy I have for writing is attempting to train myself to be more disciplined and to be as observant of the world and people around me as I can.  Listen, look, learn.

What would you do differently if you were starting again?    The only thing I might change if I were starting again, is to start writing novels much earlier in life.  I am awestruck by the number of books some writers have been able to produce in their lifetime.  But then I might have missed out on some of the adventures and experiences that I have had, which resulted in who I am and what I write.

Beverly’s latest novel is Sown in Tears. “Russia, 1905 — A night of terror for the Jews of the village of Koritz, in the Pale of the Settlement of Russia, leaving Leah Peretz to survive alone with her two young children.”

Now for something completely different

24 Friday Aug 2012

Posted by awriterofhistory in Uncategorized

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Babes on Bay Street, Betty Friedan, letters to my daughter, The Feminine Mystique

A woman I know runs a blog called Babes on Bay Street with a tagline of “wisdom, courage & inspiration”. It’s an online community that offers support and inspiration to women striving to succeed while balancing work and life – at least that’s my interpretation. By the way, Bay Street is the Toronto equivalent to Wall Street or other global financial centres such as those in London, Hong Kong, Tokyo, and Zurich.

I’ve written a few guest posts for her blog in the form of letters to my daughter, Lesley. I thought they might interest those of you in the earlier stages of your careers, or those with daughters and sons attempting to travel this path.

I wrote the first letter after rereading The Feminine Mystique by Betty Friedan. That letter considers Friedan’s messages from today’s vantage point. The second letter includes a top 15 list of things to help maintain balance while succeeding at a career and raising a family. In letter three I reflected on lessons from my early career days.

I don’t for a moment pretend to have all the answers, however, in keeping with the spirit of Babes on Bay Street, I do hope these letters offer some wisdom and support as this next generation of women – and men – take on their own challenges.

PS – I’m not abandoning historical fiction by any means. In fact, my passion for the topic  keeps growing. Next I’m planning to look across the interviews with top historical fiction authors with an eye for commonalities and further insights.

Writeitdownith she-it (ed) me

23 Friday Mar 2012

Posted by awriterofhistory in Uncategorized

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This is a tag/you’re it game, a Lucky Seven writing meme:

  1. Go to page 77 of your current MS
  2. Go to line 7
  3. Copy down the next 7 line/sentences, and post them as they’re written. No cheating.
  4. Tag 7 other writers.
My latest manuscript is called Blind Regret, a multi-time period novel with WWI, of course, as one of the time periods, and a woman and her grandfather as the protagonists.

On the kitchen table was a map of France with yellow highlights marking places her grandfather mentioned in his diaries: Le Havre, Bailleul, Cassel, Arras, Thiepval, Amiens and others clustered primarily in the north. Grace loved to roll the names around on her tongue, exotic sounds from a different culture.

She lifted her head as a car backed down the driveway gravel spitting in all directions followed by the roar of an engine accelerating quickly. Music blasted from the second floor. How on earth can they do their homework with all that noise? She thought about 
Out of context, these sentences look rather forlorn. But, I’m excited about the story! Now all I have to do is think of seven folks to tag!

Surveying Fiction Readers

14 Wednesday Mar 2012

Posted by awriterofhistory in Uncategorized

≈ 5 Comments

AN OPEN REQUEST  …

After researching the reasons why people read historical fiction for a blog post, and finding almost nothing, I decided to create a survey to discover more about those who read historical fiction and those who do not – demographics, story preferences, favourite time periods, reasons for reading or not reading this genre, sources of recommendations in this digital world of ours and so on.

As readers, would you please take a few minutes to complete the survey? It doesn’t matter whether you read historical fiction or not because I’d like to hear from as wide a range as possible. And if possible, to add to the robustness of data collected, please pass the survey URL along to friends of all reading interests, ages and in any part of the world you can reach!

Here’s the link: https://www.surveymonkey.com/s/LNM7DKQ

Many thanks,

Mary

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