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A Writer of History

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A Writer of History

Category Archives: Guest Posts

Edward IV’s Women by Anne Easter Smith

16 Thursday May 2013

Posted by awriterofhistory in Guest Posts, Historical Fiction, Historical Fiction Enthusiasts, Researching historical fiction

≈ 3 Comments

Tags

Anne Easter Smith, Catharine de Claringdon, Edward IV, Elizabeth Lucy, Elizabeth Woodville, Jane Shore, Lady Eleanor Butler, Plantagenets, Queen by Right, Richard III, Royal Mistress, The King's Grace

Royal Mistress by Anne Easter SmithI am delighted to have Anne Easter Smith guest post today. Anne is an award-winning historical novelist whose research and writing concentrates on England in the 15th century. Today, she’s talking about her research process and the women who surrounded Edward IV.

Thanks for hosting me today, Mary. I’ll begin by answering your question about my research process. It is rigorous! And it never ends!

Anne’s Research Process

First of all I get down on the floor with a big flip chart and make a graph with my main characters along the top and a monthly/yearly timeline down the side. Then I go to my favorite–and trusted–books on the period, turning to the index and finding my character (or her leading man, because as we know history is about men and written mostly by men!) I systematically go through every entry marking on my chart where she (or he) was at any specific time and what they were doing there. Once I have a goodly number of entries and have finished Part One of the book, I write down a list of all the places I have not been to and begin to plan The Research Trip. I need to walk the walk and see what my characters would have seen. Once I’m home again with a bag full of photos, brochures, maps and notes then I feel ready to start writing.

Edward IV’s Women

Now onto the meat of the matter. You asked me to write about Edward IV’s women. Perhaps we should explain that Edward is a major character in my new book Royal Mistress which tells the dramatic story of Edward’s favorite and final mistress, Jane Shore.

I know we are all mesmerized by Richard III at the moment, but as a king, his brother Edward IV was far more influential, being that he reigned for more than 20 years (give or take the 10 months he was in exile), while Richard reigned for only two.

So I set out to make Edward more prominent when I chose Jane Shore as my protagonist in Royal Mistress. Of course, he had appeared in three of my other four books, and I had formed a pretty good idea of who he was after all those years of researching the York family during the Wars of the Roses. It’s astonishing how much larger than life he became as I wrote about him. Had he lived today, he would probably have been a celebrated professional athlete or maybe a movie star–with the requisite trophy girlfriend on his arm.

He brought England out of a hundred plus years of war–first with France and then with his cousins, the Lancaster branch of the Plantagenets. I explain all this in Queen by Right (I hope!). Finally, in the 1470s and early ‘80s, England was able to concentrate on building up its economy at home, while the merchant class was thriving.

Trouble was, Edward was really better sitting on a horse and leading his men to battle than sitting on his throne leading politicians, and I think he got bored. By the time he was in his mid-thirties he was overweight and indolent. However, he never lost his lust for the opposite sex.

Although the names that have come down to us of his known mistresses number a mere five, Edward and his chamberlain were reputed to enjoy the pleasures of unsuitable young ladies on occasion during their forays into the city of London. Perhaps one of them gave birth to Grace, subject of my third book, The King’s Grace, a bastard of Edward’s whose mother has never been determined.

Sir George Buck, in his “History of the Life and Reign of Richard III” published in 1646 and who was the first historian to try and rectify the bad reputation the Tudors had foisted on Richard, mentions a little known first mistress of Edward, Catharine de Claringdon, but he is the only one who has.

However, the other four women are well documented. I shall skip over his queen, Elizabeth Woodville, as for most of Edward’s reign she was his acknowledged wife, although he did fall hook, line and sinker for her and thus marry her in secret to get her into bed, forgetting she was really not a suitable consort for the king of England.

So who were the three mistresses of whom Edward himself remarked that “one was the wiliest, another the merriest, and the third the holiest harlot in the land”? We are not sure which order the first two (and let’s throw Elizabeth Woodville in that timeline, too) came, but they were written about in 1460s, the early part of Edward’s reign.

We do know that Jane Shore was Edward’s last mistress, beginning in the mid 1470s and still in favor when he died, and the one Edward described as the “merriest.” Poor Eleanor Butler, nee Talbot, ended her life in a nunnery, which might suggest why Edward nicknamed her his “holiest” concubine.

By process of elimination, the “wiliest” must have been Elizabeth Lucy, nee Wayte, often called the elusive mistress. We think she was born in 1445, three years after Edward, and was the daughter of a landowning family from Hampshire. She became the wife of a knight named Lucy and was widowed young. She gave birth to two of Edward’s known bastards: Elizabeth, born circa 1463, who ended up marrying a Thomas Lumley; and Arthur “Wayte” in 1465 or 1467, who was finally recognized at court, surprisingly by King Henry VII, and rose to become Viscount Lisle. Why Elizabeth was wily, we aren’t sure, but she was never mentioned after 1467, giving rise to the supposition she may have died giving birth to Arthur.

The more interesting of the early mistresses is Lady Eleanor Butler, nee Talbot, daughter of the earl of Shrewsbury. This was no commoner, and her sister was the duchess of Norfolk, and both were known for their beauty. She married Sir Thomas Butler, heir to Lord Sudeley, at age fourteen or thereabouts, whose pedigree had connections to royalty. Sir Thomas died in 1461 leaving her childless and a wealthy widow. It was when she appealed the Crown’s confiscating her inheritance that she petitioned the lusty Edward in person and was soon being pursued by the handsome young king.

But did he or did he not promise her marriage in order to get her into his bed–commonly known as a pre-contract? That is the question that had enormous ramifications for Edward’s son and heir at the time of Edward’s death in 1483. Let me explain.

Today, there is nothing binding between a man and a woman promising to marry. We call it an engagement and it is usually the precursor to the actual binding of the couple in matrimony. In medieval times, the promise of marriage followed by intercourse was tantamount to a binding commitment or marriage and recognized by the church.

After Edward’s death, his brother Richard of Gloucester became Protector of his nephew, the boy king Edward V, who was awaiting his coronation. During those precarious weeks in May and June 1483, the Bishop of Bath and Wells, one Robert Stillington, stepped forward and declared he had been witness to a pre-contract between Edward and Eleanor BEFORE Edward secretly married Elizabeth Woodville, making Edward’s marriage with the queen bigamous and thus bastardizing all the offspring of that union.

Ah, you say, but Richard of Gloucester had designs on the throne and probably paid the bishop to come forward with this preposterous story. Why did he wait until Edward was dead to announce his information to the world? Why didn’t Eleanor Butler come forward at the time of Edward’s announcement of his marriage to Elizabeth in 1464; surely she had a better claim to that marriage certificate? We have to remember that this was in medieval times and women had no power, especially a woman like Eleanor who had no father or husband or brother to step forward for her. It would be her word against Edward’s and Edward was the king. What about the good Stillington? He knew how to feather his nest: Was it coincidence that at the beginning of the year of Edward and Eleanor’s pre-contract, Stillington held only a couple of minor ecclesiastical appointments and was keeper of the Privy Seal, but later that same year he was given a handsome annual salary, and when the marriage of Edward and Elizabeth was revealed, Stillington became Bishop of Bath and Wells. Hmmm, a possible reward for keeping his mouth shut?

When all hope was lost to Eleanor by the marriage of the king to Elizabeth, she retired to a convent and died there in 1468. Poor “jilted” Eleanor. Edward managed to ignore the whole episode until it came back to bite him in his posterior–posthumously.

Edward’s final–and he is said to have declared favorite–mistress was Jane Shore, the subject of Royal Mistress. But I don’t want to spoil the drama that was Jane Shore’s rise and fall. You’ll have to read Royal Mistress to discover that for yourself! All I will say is that she was witness to some of the most compelling events in 15th century English history, was the lover of three powerful men, and the unfortunate scapegoat of my favorite king, Richard III. Jane’s story has inspired plays, poems, ballads and prose down the centuries, and her nickname was always The Rose of London.

Anne Easter SmithSuch an interesting story, Anne. It is always fascinating to me how many mistresses kings and nobles had in long ago times and the intricacies of court life, illegitimate offspring, the machinations of the church and so on. I am delighted to host you on A Writer of History. I’m sure that some of the writers who read my blog will also be fascinated by your research approach!

Anne Easter Smith is the author of five novels about the York family during the Wars of the Roses. She is a native of England who has lived in the US for 45 years and now makes Newburyport, MA her home.

Taking the Plunge as a Self-Publisher – Guest Post by Derek Birks

29 Tuesday Jan 2013

Posted by awriterofhistory in Guest Posts, Historical Fiction, Writing Process

≈ 12 Comments

Tags

Derek Birks, Feud, Great Historicals, historical fiction, Historical Novels Review, marketing your books, publishing industry, self-publishing

FEUD by Derek BirksA few weeks ago, Derek Birks stopped by the blog and posted a comment on Who to Believe Readers or Editors. It seems that Derek and I had something in common – readers who love our novels and editors who say nice things but ultimately reject them. Derek has self-published FEUD and I asked him for advice. Here is his very thoughtful response.

Before I took the plunge and self-published my first book online as an e-book I was pretty sure it would be a big mistake. Well, the jury is still out on that one because so far my experience has been very mixed. This is not a “rags to riches” story. I’m writing this in the hope that if others have had similar experiences to me they will be encouraged to learn that they are not the only ones.

Let me say at the outset that no-one forced me to take this route and no-one owes me their attention. I was rather naive when I started. My thought process was quite simple: my book was well written – even agents said so and I’d done more work on it since I last submitted it to any agents – therefore readers of historical fiction would want to read it and would be prepared to pay a modest sum for the pleasure of doing so.
Well, there will be a lot of you out there thinking: “what a muppet!” What I had not taken on board, of course, was that there were thousands of books sitting out there in the ether and all the authors thought their books were pretty darn good. Also many of those authors – unlike me at the start – were working their little socks off to get their books noticed.  Slowly it dawned on me that no-one was going to buy my book because hardly anyone on the planet knew of its existence and most of those who did thought: “mmm…self-published? E-book? It’ll be rubbish.”

Armed with this life changing revelation, I discovered book blogs and started to contact review sites to ask for reviews. Again, at first I just didn’t quite appreciate how many authors there are out there seeking reviews. Given that, I’m amazed that some kind bloggers agreed to review it. I’m also staggered that they have the time to do so and the patience to deal with so many requests. Some reviewers didn’t reply to my email – and I don’t blame them, life’s too short!

Inevitably I got a bit depressed about all this and began to question the quality of the book – was I kidding myself that it was worth reading at all? But the feedback from those who read it was consistently great and that small crumb of comfort kept me believing in it.

When I got a 5* review from the Historical Novel Review and Feud appeared on the Great Historicals site, I thought: at last now things will really take off. Well, I sold a few more books, which was good, but I didn’t really feel that lift off in any tangible form had taken place.

Promoting any aspect of ‘me’ – as those who know me will verify – is a struggle for me. It’s not my natural method because I’m normally fairly laid back and low key about what I do. Nevertheless, I set up a Twitter account – thanks to daughter Katie’s patient instructions – and then set about establishing an “online presence.” As a result I’ve met some really nice people, all of whom love books. I carry on with Twitter because I enjoy using it and the short snappy communication suits me, but I’m not sure it has much impact in terms of promoting the book. As we all know, self-promotion becomes wearisome to others after a very short while.

Where does all this leave me? Well, I’m taking the long term view – which is what I should have done to start with. Since I want to become a published writer I must expect that it is not going to happen overnight. So I am dividing my time between writing the sequel to Feud – which I am loving – and trying to persuade lovers of historical fiction and action novels to read it – which I don’t find quite so easy!

I am not saying “keep going, there is light at the end of the tunnel”; I am saying “there might be light at the end but you may as well enjoy the tunnel while you’re in it.”

There are two reasons why I now feel quite relaxed about the whole process.

One is a comment a complete stranger posted upon reading Feud: “the pace took all sense of time away.” If someone can say that, then I’m not going to spend another minute worrying about whether it sells or not.

The other reason is that I can now see the second book – the sequel to Feud – taking shape. It is developing day by day, month by month, from the first ideas into a genuine story. And, as every fiction writer knows, the thrill is in creating the characters and guiding them as they take your story by the scruff of the neck and make it come alive. What more could I want?

FEUD by Derek Birks

In 1459 England stands on the brink of chaos. The most powerful nobleman in the land, Richard of York, and the weak king, Henry of Lancaster, prepare to settle their differences on the battlefield. As the rule of law breaks down all over England old scores are being settled.

For a long time the Elders and the Radcliffes have been, at best, uncomfortable neighbours but when Ned Elder’s father and brother are murdered and his sisters abducted by the Radcliffes, the young knight is forced to flee from his home. His sister Emma is torn from the quiet solitude of her household and forced into marriage. Eleanor, her wild and beautiful younger sister, is condemned to imprisonment in a remote nunnery.

But neither Ned nor his sisters are willing to concede all to the Radcliffes without a fight. And so the feud begins and the fate of the Elders will hang upon more than just Ned’s skill with a sword, but on the courage of his sisters and the girl he loves, as the feud is played out amid the blood and misery of the Wars of the Roses. 

Guest Post – Olly Wyatt

08 Wednesday Aug 2012

Posted by awriterofhistory in Guest Posts, Historical Fiction, Writing Process

≈ 3 Comments

Tags

authenticity in historical fiction, historical fiction, Oliver Wyatt, The Democrat, writing historical fiction

A few weeks ago, Olly Wyatt connected with me after reading a post about the historical fiction survey. Olly has written a book called THE DEMOCRAT. In this guest post he talks about his philosophy for writing historical fiction.

Historical fiction is about waving goodbye to the present, immersing yourself in another time and fulfilling that desire to go beyond the years of your own life. Ignoring your own values is as important an attribute in historical writing as discovering those of other eras. Once we have done this, historical fiction demands that we ask questions about what existed at a particular time. Political, moral and social values specific to the era you’ve decided to write within, are as important considerations as being accurate about facts like the use or absence of electricity, steam power or the combustion engine. Read any diary and you’ll soon sense the way people thought, what they were averse to, what they desired and the thinking behind that distinction.

Writing The Democrat, set in the 1790s, I had to ignore everything that came after that date. You couldn’t allow, for example, the Marxist thinking of the 19th century or the calamities of the 20th century to colour your thoughts. The world of the 1790s was the world of Thomas Paine and the promotion of republicanism, the world of Burke and arguments for conservatism, the world of Adam Smith and the defence of individualism. In many ways the book is about a collision of these outlooks and at its centre is a person who has to decide what beliefs he is going to act upon to represent the ordinary people as effectively as possible.

We historical fiction writers also have to be careful about imposing an assumption that the course of history has always been progressing towards freedom. History books have a habit of insisting that this is an inevitability. The Democrat is about a time when people are looking back at the Glorious Revolution, a century earlier in 1688, when the relationship between the governed and the governing appeared to be moving into a golden age. That it didn’t and that freedoms regressed from 1690 to 1790 see our characters trying to establish rights to which they believe they were entitled that had alluded them.

At the heart of historical fiction is an understanding for what your characters have suffered and an admiration for how they attempted to solve the problems thrown at them. Thomas Carlyle said the writing of a life should be, above all, an act of sympathy. This sympathy can be imagined as in pure fiction or found through research as in biographically based historical fiction. In addition, I believe we must also be ready to understand the things our characters do that we cannot sympathise with and at least explain why they had to do something we might not agree with. For me it is about understanding someone as well as having sympathy for them.

Thomas Muir, the subject of The Democrat, was an incredibly articulate lawyer who ended up defending himself against the dubious charge of sedition brought against him by a politically motivated judiciary after he’d tried to extend the rights of ordinary people. Within weeks the trial brought against him was considered illegal. The establishment, however, was unwilling to listen because they valued his exile more highly than reforming society. But this is just the beginning because Muir doesn’t give up easily. Instead he embarks upon a perilous ocean odyssey pursued by the British government, its navy and its allies, in his attempt to cross the Pacific to eventually return to Scotland.

My own often perilous journey through piles of research began in Edinburgh’s Rare Books Library making notes on hundreds of documents from the 1790s. I then had the challenge of telling Thomas Muir’s story as powerfully as I possibly could whilst being as true as possible to what I perceived to be the relevant historical facts.

Whilst I believe that we must be authentic to the values and thinking of the time we choose to write within, our writing can still resonate with our own day. As I wrote The Democrat, Arab protests for democracy were gathering pace in North Africa and the Middle East. A year earlier in the United Kingdom, we had had the parliamentary expenses scandal. People were disillusioned with their politicians. With demands for democracy being made in places like Tunisia, Egypt, Libya, Syria and Bahrain as well as much needed reform to the UK’s democratic infrastructure under way, there seemed to be no better time to tell Muir’s story and in so doing, sketch out a historical novel that was relevant to our own times as well as being true to Thomas Muir’s.

Thank you, Olly, for your very thoughtful words on writing historical fiction. You highlight central dilemmas of authenticity that go beyond historical fact to the more nuanced aspects of respecting the times we write about.

Olly Wyatt’s debut novel, The Democrat, is a finalist in the 2012 Global Ebook Awards. 

The ebook and paperback are available from www.thedemocratbook.com.

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