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A Writer of History

~ thoughts on writing & reading historical fiction

A Writer of History

Monthly Archives: March 2012

Historical Fiction Survey – who responded?

31 Saturday Mar 2012

Posted by awriterofhistory in Historical Fiction, Researching historical fiction

≈ 7 Comments

Tags

historical fiction survey, power of social media, reader demographics, reading the past, sarah johnson

Not in my wildest dreams did I imagine receiving almost 800 responses to a survey I launched seventeen days ago. One hundred maybe or, if luck intervened, perhaps two hundred but certainly not the 795 as reported an hour ago.

Before launching, I had the good fortune to have Sarah Johnson of Reading The Past agree to write about it on her blog. I also knew of groups on LinkedIn, Facebook and Goodreads where I could post a link and I planned to connect with friends via email and post on my blogs and Twitter (@histfiction). But even with these various avenues, I knew that surveys typically have very low response rates.

The survey is designed to discover more about those who read historical fiction and those who do not – demographics, story preferences, favourite time periods, reasons for reading or not reading this genre, sources of recommendations and so on. Since I write historical fiction, I thought the information might be helpful to authors like me as well as others in the publishing industry. I imagined a few follow on blog posts and a tidbit or two of insight into those who love historical fiction. Instead, I have reams of data to sift and sort and formulate into conclusions; a degree in statistical analysis might be helpful!

Sarah’s endorsement on her blog and on Facebook created threads into other blogs. Twitter – both mine and Sarah’s – led to retweets. Friends passed the survey on to other friends. Carol K posted it on her blog, EdiFanoB posted it to folks in Europe, a friend of my husband gave it to his librarian wife who wanted to send it around to other librarians and so it went reaching folks in India, New Zealand, Australia, South America, Asia and elsewhere. Absolutely fascinating.

More to follow.

Note: this post also appears in One Writer’s Voice.

Finding my grandfather’s WWI records

28 Wednesday Mar 2012

Posted by awriterofhistory in Researching historical fiction, Writing about WWI

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Amiens, army of occupation, Canadian War Diaries, Vimy Ridge, WWI

This post appeared earlier on One Writers Voice. 

Some time ago, I posted a piece written by a friend of mine, Michael Kirk, on how to research your connections to WWI. Mike describes the steps in a straightforward fashion and also provides other information sources and websites. I followed his steps and received my grandfather’s file in less than three weeks – good to know that our government is efficient at some things.

When I first looked through his papers, I was disappointed as so many pages dealt with pay records and expenses. Closer examination offered a glimpse into how the military machine operated and a tiny hint about my grandfather as a soldier.

Aug 30, 1915                         Medical exam and fills in enlistment papers

Oct 21, 1915                           Attestation papers signed – formal enlistment date

Dec 20, 1915                         Forms signed by Officer Commanding

Clearly it takes a long time to get processed and trained.

Jan 1, 1916                            Assigned to Canadian Engineers Division Signals Co, 2nd contingent, as Sapper

A sapper is either a soldier who digs trenches or a private in the Engineers. Since Grandpa was in Signals he would be considered a private. In either case, a lowly occupation.

May 20, 1916                        Drafted to France

May 29, 1916                        Disembarked at Havre, part of 57 Motor Airline Section

Nine months from Toronto to France. He trained first in Toronto then in England. At the rate that soldiers were dying this seems a very lengthy training and conditioning period. My understanding is that the Motor Airline Section was responsible for establishing and operating communications wiring strung along poles in the air rather than cable buried underground. According to one account in the Vimy area alone Canadian Signals established 152 miles of airline routes averaging ten pairs per route, or 3,040 miles of open wire.

Feb 16, 1917                         Transferred to HQ section

Being in HQ meant more exposure to battle planning and strategy. This would have been in the lead up to Vimy Ridge.

June 17, 1917                        Promoted to Lance Corporal

I like to imagine that my grandfather distinguished himself at Vimy Ridge and hence was promoted not long after that successful battle.

Sept 11, 1917                        on leave in UK for ten days

The first mention of any leave taken in more than a year of war. Such a gruelling pace.

Feb 1, 1918                             Reprimanded for disobedience (apparently he presented an expired pass to military police)

If you knew my grandfather you would know that this error would not have been intentional.

May 1, 1918                          Promoted to 2nd Corporal

This would have occurred during the Spring Offensive, Germany’s last major push against the Allies.

Aug 31, 1918                         on leave  for fifteen or sixteen days

After the Amiens offensive which resulted in German retreat behind the Hindenburg line.

Apr 12, 1919                         14 day LOA from CCHQ Sig Corps

My grandfather remained in Europe with the Army of Occupation. CCHQ is Canadian Corps Headquarters.

May 11, 1919                        Proceed to England

May 13, 1919                        Located in Witley (used as a training camp and a camp for those waiting to return to Canada)

June 6, 1919                         Depart for Canada

June 16, 1919                       Discharged

Once I discovered the war diaries for my grandfather’s unit, I found a treasure trove of information with day by day accounts of significant work, weather reports, cryptic comments about recent ‘scraps’ – a euphemism for battles and other actions – casualty lists, maps and various statistics marking the progress of war. A few of these diary entries appear in Unravelled, a novel I’ve written about a WWI soldier and the life he lives after the war.

With time and creativity you can find your own treasure trove.

WWI official diaries

26 Monday Mar 2012

Posted by awriterofhistory in Researching historical fiction, Writing about WWI

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Canadian military, researching WWI, war diaries, WWI

During WWI, official war diaries were a matter of standard practice, recording day by day  the events that occupied millions of men. The following post originally occurred in One Writer’s Voice.

As I was writing Unravelled, I spent a lot of time on the internet, trolling websites and googling with a wide range of search criteria. Much of my focus was WWI as well as Vimy Ridge and, not surprisingly, the Hong Kong libraries had little information to offer so the internet as well as a few books were my primary sources.

One day, to great delight, I discovered a Canadian website devoted to military diaries. My government had carefully created images for every daily diary entry kept at the division and corps level throughout the war. I felt like an archeologist discovering a new dig or a pirate finding buried treasure.

Since my protagonist, Edward Jamieson, was in the Signal Corps, I found a series of diary entries for Canadian Corps Signal Company then spent hours and hours reading diary entries to add contextual detail to my novel. These diaries inspired me to give Edward the role of recording secretary, incorporting a number of verbatim entries to add information about the role of signals in what I hope is a more natural fashion.

The world of soldiering comes alive in daily entries itemizing the tedium and terror of living on the front lines.

Writeitdownith she-it (ed) me

23 Friday Mar 2012

Posted by awriterofhistory in Uncategorized

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This is a tag/you’re it game, a Lucky Seven writing meme:

  1. Go to page 77 of your current MS
  2. Go to line 7
  3. Copy down the next 7 line/sentences, and post them as they’re written. No cheating.
  4. Tag 7 other writers.
My latest manuscript is called Blind Regret, a multi-time period novel with WWI, of course, as one of the time periods, and a woman and her grandfather as the protagonists.

On the kitchen table was a map of France with yellow highlights marking places her grandfather mentioned in his diaries: Le Havre, Bailleul, Cassel, Arras, Thiepval, Amiens and others clustered primarily in the north. Grace loved to roll the names around on her tongue, exotic sounds from a different culture.

She lifted her head as a car backed down the driveway gravel spitting in all directions followed by the roar of an engine accelerating quickly. Music blasted from the second floor. How on earth can they do their homework with all that noise? She thought about 
Out of context, these sentences look rather forlorn. But, I’m excited about the story! Now all I have to do is think of seven folks to tag!

Draft – a new series about the craft of writing

23 Friday Mar 2012

Posted by awriterofhistory in Writing Process

≈ 2 Comments

Tags

Constance Hale, Jhumpa Lahiri, Opinionator, sentence as craft

Several years ago, I read Namesake by Jhumpa Lahiri and was transported into the world of a family who emigrated from India to the United States. In a new series featured at nytimes.com/opinionator and for which Lahiri wrote the inaugural article, authors will speak to us about the craft of writing.

Lahiri’s post is called My Life’s Sentences. A second post appeared two days, in it Constance Hale writes of The Sentence as a Miniature Narrative.

Lahiri says:

The best sentences orient us, like stars in the sky, like landmarks on a trail.

Hale offers:

I like to think of the whole sentence as a mini-narrative. It features a protagonist (the subject) and some sort of drama (the predicate): The searchlight sweeps. Harvey keeps on keeping on.

Both posts have garnered more than 100 comments. Let’s hope they offer lots more. I’d like to sign up but the series has yet to have an RSS feed.

Prompting Readers Senses

21 Wednesday Mar 2012

Posted by awriterofhistory in Writing Process

≈ 1 Comment

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Annie Murphy Paul, brain research, fiction and the five senses, New York Times

A book I read about the craft of writing encourages authors to appeal to every sense – sight, sound, taste, smell, touch – when writing a scene or dialogue. As I edit my work, I often consider this advice and make little notes like ‘what does he smell’ or ‘how does the food feel on her tongue’. You can overdo it, of course, but it wouldn’t hurt to have the five senses written on your bulletin board as a reminder.

 

http://members.optusnet.com.au

Annie Murphy Paul wrote Your Brain on Fiction in this past Sunday’s New York Times which gives an even more compelling perspective. The field of neuroscience has uncovered a new insight: “narratives activate many other parts of our brains as well, suggesting why the experience of reading can feel so alive”.

Paul provides examples for various research studies:

  • “words like lavender, cinnamon … elicit a response not only from the language-processing areas of our brains, but also those devoted to smells.” This area is called the olfactory cortex.
  • “when subjects … read a metaphor involving texture, the sensory cortex … became active”
  • “words describing motion stimulate regions of the brain distinct from language-processing areas”, the motor cortex.
  • Beyond the senses, reading prompts explorations of human and social life. Research shows that “individuals who frequently read fiction seem to be better able to understand other people, empathize with them and see the world from their perspective”.

So the next time you construct a sentence or read a sentence, think about all the different parts of the brain you can exercise in the process.

Thoughts from The Historical Novel

17 Saturday Mar 2012

Posted by awriterofhistory in Historical Fiction

≈ 1 Comment

Tags

authenticity, authority, historical romance, history as process, Jerome de Groot, post-modernism, The Historical Nove

Last week I mentioned Jerome de Groot’s book, The Historical Novel and said it was a slog. The book’s chapter headings are indicative of the scrutiny de Groot offers his readers in the realm of historical fiction: Origins, Genre Fiction, Literary Fiction and History, Postmodernism and the historical novel, Challenging history. Having finished it, I thought a few tidbits might be helpful to others who write or read historical fiction.

Authentic – de Groot speaks about historical fiction (HF) as “‘authentic’ characters in a factual-led framework”. Novelists have the “ability to take dry facts and information and invest them with fictional life”.

Authority – he suggests that writers are quick to position the authority of their works using bibliography, footnotes, maps, acknowledgements and author notes detailing research

History – “writing about history demonstrates the innate falsity of History”; history is open to multiple interpretations; as I read, I drew a continuum starting at one end with the word novel …. then history …. then fact and wondered about where the novels I’ve written fit on that continuum. The past can illuminate the present.

History as process – “all of life is historical, or steeped in the process of history”. This is followed by “the events of history have an impact upon the contemporary.

Social change – “writers such as George Eliot, Charles Dickens, William Makepeace Thackeray, Edward Bulwer-Lytton and Elizabeth Gaskell used the historical novel to contemplate social change”.

Attitudes – “during the twentieth century the historical novel became a more prevalent sub-genre but also one which was increasingly marginal is discussion of the novel proper”. There was a sense that the historical novel was more and more read by women and in some way that made it less admirable than the mainstream novel.

Education – some assert that the purpose of historical fiction is to educate. de Groot observes that readers approach historical fiction ‘wishing to learn more about something unknown”.

Historical romance – “one of the most popular, long-running and widely read types of writing in the world.”

Men and women – “Men tend to rad novels about one fictional character in a range of situations, where women tend to concentrate on one historical period or figure.” Women are prolific writers and readers of historical fiction. As readers, historical fiction offers women “the imaginative space to create different, more inclusive versions of ‘history’ where women take a ‘lead role’ in history. Men seek authenticity, adventure and heroism.

National stories – de Groot observes that historical novelists tend to “keep within their own national historical boundaries”.

Post-modernism – while previously the attitude was that ‘the historians job is to explain the otherness of the past, whilst the novelist explores the differences of the past”, now the roles of historian and novelist are less distinct. “[A]ll historical fiction is predicated upon fictionalized ‘versions’ of the past.” Post-modern novelists ‘interrogate history’ to challenge its mainstream versions and to offer “history from the margins”.

De Groot traces the roots of the novel and the historical novel, he touches on commoditization of novels, changes in production and distribution, and the gradual shift from authors in control of their works to publishers in control of their products. He has a whole section on Anne Boleyn and another section on military adventure stories and crime fiction, he writes of gay and lesbian historical fiction and magical realism within historical fiction. Throughout, de Groot brings commentary and perspective from a range of authors writing about the genre.

On a critical note, de Groot’s language is much more complex than necessary if his purpose is to communicate clearly. In addition, he offers no summary or concluding commentary to highlight his insights and pull together the themes he presents.

Finding History in Hackney

16 Friday Mar 2012

Posted by awriterofhistory in Researching historical fiction, Writing about WWI

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Hackney, writing inspiration, WWI, WWI photos

While on leave in London, June 1918, my WWI soldier, Martin Devlin, visits the home of his sweetheart, Cynthia Gibson. For some reason – probably because I knew the town was close to London – Cynthia lives in Hackney. My edit on page 149 of Blind Regret says “describe her parents and their house”. As I contemplated the cryptic note, the thought of finding pictures of Hackney in a WWI world came to mind. What were the odds?

Many searches later, I found Hackney – A Second Look which is a series of before (generally 1890 to early 1900s) and after photos (1970s) of Hackney. The book was published by Centreprise Trust Ltd. in 1975. A wonderful find which, after roughly three hours of effort, resulted in two double-spaced pages.

We’ve all heard terms like “a hackneyed phrase” which no doubt derive from the definition of ‘hackney’ as a horse suitable for ordinary riding or one that works for hire. But, according to the Hackney town council site, “the actual name ‘Hackney’ was first recorded in 1198 AD and is probably derived from an island or a raised place in a marsh (an ‘ey’) in the vicinity of the River Lea, together with the name of a Dane called Haca or Hacon, who owned it”. Much better than the horse explanation.

Here’s a bit of what I wrote:

As Martin stepped off the tram next to Cock Tavern, a man wearing a bowler hat opened the front door spilling conversation and smells of tobacco onto the street. Beyond the tavern, a bustling parade signalled late afternoon with women, bearing baskets and shopping bags, hurrying home and men, dressed in smart suits or the rough clothes of labourers, entering their favourite pubs. In contrast to London proper, Hackney felt more like a small town, a place where one would greet friends at local shops and stop for a chat, a place where most walked wherever they needed to go and where families had lived for generations.

To Martin’s left, faded awnings fully extended against the setting sun provided a canopy of shade. A few doors away, a woman swept the sidewalk and he wondered whether her brisk strokes were designed to chase away the day’s frustrations. He turned right. Cynthia’s directions were to walk north along Mare Street and left on Lower Clapton Road and left again on Northwold to number sixteen.

Since he was early, Martin resisted his normal stride, pausing from time to time to inspect his surroundings. Occupying most of one block, the Town Hall offered evidence of earlier prosperity, as did a few Victorian homes with their wide windows and decorative cornices, and the wrought-iron lampposts that curled like a bishop’s staff.

“Are you lost, soldier?” a man asked in a quavering voice.

“No, but thank you for asking.”

“It’s a pretty street, isn’t it?” Martin nodded. “Used to be much prettier when I was a boy. That was a time, it was. Ladies in their fancy dresses and horse drawn carriages. Came here in the summer, they did. Droves of them. Got lots of work then, I did, running messages, delivering groceries. Known as Swifty in those days.” The man laughed. “Can’t call me that now.”

“Were you born here?”

Swifty nodded. “Family’s been here for generations. Aye, they have. But when the railway came, it all changed. Gentry didn’t come any more. Sweat shops took over. See those houses?” He pointed to an intersecting street lined with terraced housing. “Used to be fine homes all along Pemberton. Fine homes. Hackney was a destination then.”

The old man’s eyes clouded over as if still mystified over the change that had occurred then he cleared his throat and spit on the sidewalk.

Martin removed his cap. “I better be on my way now. Thank you for telling me.”

“Swifty. That’s what they called me.” The man’s cackle echoed as Martin continued walking north.

Northwold Road looked similar to Pemberton, narrow doors topped by arched windows marking identical family homes strung together into one large building. Martin passed a middle-aged man wheeling a wagon full of discarded metal and a young woman bending over a baby carriage to tuck a blanket around her whimpering child. On the far side of the street, lime trees sprinkled shade on a scruffy bit of park and in the distance he caught sight of Cynthia waving.

Not particularly productive, but an interesting bit of research.

Interleaving past and present

15 Thursday Mar 2012

Posted by awriterofhistory in Historical Fiction, Writing about WWI

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mapping storylines, multiple time periods, writing techniques, WWI fiction

I’m currently writing a story with two timelines, one for Martin Devlin living through WWI and the second for his granddaughter, Grace Hansen, in the early 1990s. The storyline emerged over dinner one night at a cafe in Honfleur, a small town near Le Havre, France. My husband and I bandied ideas back and forth while enjoying dinner and a lovely bottle of wine.

Writing the story has proven much more difficult than I anticipated, with so much back and forth in time and with the mingling of scenes and Martin’s diary entries. After a major round of edits, I created two timelines for keeping the story together: one traced all chapters and the other traced only Martin’s timeline. To add to the complication, I had to consider the accuracy of what the particular – and very real – battalion was doing from 1915 to 1919.

I know there are software tools available to help with this sort of mapping but I used simple tables in Word (see samples below). If anyone else has suggestions, I’d love to hear.

Surveying Fiction Readers

14 Wednesday Mar 2012

Posted by awriterofhistory in Uncategorized

≈ 5 Comments

AN OPEN REQUEST  …

After researching the reasons why people read historical fiction for a blog post, and finding almost nothing, I decided to create a survey to discover more about those who read historical fiction and those who do not – demographics, story preferences, favourite time periods, reasons for reading or not reading this genre, sources of recommendations in this digital world of ours and so on.

As readers, would you please take a few minutes to complete the survey? It doesn’t matter whether you read historical fiction or not because I’d like to hear from as wide a range as possible. And if possible, to add to the robustness of data collected, please pass the survey URL along to friends of all reading interests, ages and in any part of the world you can reach!

Here’s the link: https://www.surveymonkey.com/s/LNM7DKQ

Many thanks,

Mary

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